Journal of Alta California

The Last Lady of California

EFLEDA SLIPPED FROM HER MOTHER IN A TWILIGHT FOG, hair dark and a squall to rival the waves. The ease of her birth became a frequent story, a boast for parents to tell at parties.

“We were driving,” her mother would say, eyes glittering, bouncing Efleda on a hip, a knee, stroking her cheek as she slept in a bejeweled bassinet, “and we thought we’d make it, but she was too quick for us!”

She would raise a glass, bubbles drifting toward the surface, and toast her daughter, and stroke the girl’s hair, laying it flat so as to kiss the dark, smoothed run. And the guests would laugh, and smile, and nod agreeably, as if they knew something they had not before.

In this way, the edges of the narrative blurred, the years softening, rosy and fabricated in their recount.

A peculiar practice of Efleda’s parents, something to which they would remain affixed so long as the girl was small, was to have Efleda always nearby: at a party, on an outing, by a sickbed. They kept her close, but never really did they speak to her, and not often was she held. Assign it to the nerves of a first child, or increasingly as the years passed, to what was becoming clear would be their only, and in the way most things were precious so too was Efleda, not for some particular trait or the merits of personality, but for her rarity, as artifact, an insect in amber resin best examined against the light.

The real story: a vacation, some exquisitely out-of-the-way place to which one must helicopter, to which her parents did, the gem replete with linen napkins, oil-rich soaps, brushed teak decks overlooking the ocean. Efleda’s mother, hugely pregnant, and her father, hugely proud, sat together at three-course dinners and ate at the pace of those accustomed to luxury. They were in love, aglow, but then a sudden pain a month too soon, and helicopters did not fly in fog.

They borrowed the innkeeper’s car, drove until they could no longer, found themselves at a piney pullout, the headlights cutting a white soup over the fog-socked road. Her father turned the wheel, gravel distinct under the tires, and her mother pounded the seat, dust plumes rising, pull over, pull over, she’s coming.

In the place Efleda first became Efleda (to be: a separation), sandstone sprung up from the sea, holes as big as caves, its surface etched in gridded rivulet, the cliffs lacelike and mottled. Alien enough, this rock, that one might think it diseased were it not for the gentleness of the wear, the soft curve of each edge, would-be crags burnished in the

You’re reading a preview, subscribe to read more.

More from Journal of Alta California

Journal of Alta California6 min read
‘The Last Black Calligrapher in San Francisco’
In the days following the brutal murder of a Black teenager at an Oakland BART station in 2018, Hunter Saxony III created the series Nia Wilson / Say Her Name / No Silence. Saxony penned Wilson’s name in delicate, scrolling red ink across 1930s magaz
Journal of Alta California2 min read
The Phenomenology of Place
I first laid eyes on Leaves when it was on view at the Seattle Art Museum in 2007. The dynamic patterning and implied motion within the lateral expanse of the painting were mesmerizing. It called to something deep within me to explore further, drawin
Journal of Alta California2 min read
Journal of Alta California
Editor & Publisher William R. Hearst III Editorial Director: Blaise Zerega Creative Director: John Goecke Editor at Large: Mary Melton Books Editor: David L. Ulin Digital Editor: Beth Spotswood California Book Club Editor: Anita Felicelli Newsletter

Related Books & Audiobooks