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Dreambooks: New and Selected Poems -- 2010-2020
Dreambooks: New and Selected Poems -- 2010-2020
Dreambooks: New and Selected Poems -- 2010-2020
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Dreambooks: New and Selected Poems -- 2010-2020

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There are so few new titles. Mornings were bitter bitter music without sounds bitter sounds without music then you brought the skylarks earrings. The truth is slanted like rain you were left floating on a boat the rain where so much is hidden. Light was carried off like finite numbers fresh glimmers of silent nouns remember there is no ‘u’ in that spelling
Italics are useful vowels have no color how beautiful it was to hear them. Was Einstein still listening was the Volga intelligent as gold. In the end you chose the past tense chose chaos grammar and the bloodless murder of a stone. Looked at steadily from the road scissors flew by like cities astrologers flew by like scissors cities flew by like Rimbaud.
LanguageEnglish
PublisherXlibris US
Release dateJan 14, 2020
ISBN9781796081954
Dreambooks: New and Selected Poems -- 2010-2020
Author

JS Venit

JS Venit was born in New York and emigrated to Belgium in 1980 where he lives and works. His poems have been published in the Partisan review, the American Poetry review, Literary Imagination and the Little Magazine. This is Mr. Venits eleventh collection of poems.

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    Dreambooks - JS Venit

    Copyright © 2020 by JS VENIT.

    Library of Congress Control Number:        2020900606

    ISBN:                    Hardcover                     978-1-7960-8196-1

                                 Softcover                       978-1-7960-8197-8

                                  eBook                           978-1-7960-8195-4

    All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.

    Any people depicted in stock imagery provided by Getty Images are models, and such images are being used for illustrative purposes only.

    Certain stock imagery © Getty Images.

    Rev. date: 01/23/2020

    Xlibris

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    808021

    Image%201.jpg

    CASALTA — AUGUST 2018

    Image%202.jpg

    CORFU — APRIL 2019

    For David Lindsay Martha

    and Peter

    With love in alphabetical order like Rimbaud’s vowels

    CONTENTS

    FROM THE WRONG KIND OF SNOW

    PUZZLES

    TO SYLVIA

    TEMPTRESS

    COWS AND CROSSES

    THE ENEMY OF THE GOOD

    THE PHONE BOOTH AT AIX

    LACEWORK

    THE DOMINANCE ROUNDTABLE

    JUSTIFIED MARGINS

    NEWS FROM THE AIR

    BLANCHE NEIGE

    FOR JOHN CLARE

    MISS MISS I MISS YOU

    PANOPTICON

    TOLSTOY’S DEATH

    DISTINGUISHED GHOSTS OF THE ILLINI

    THE MAN ON HORSEBACK

    TURNING THE MOON OVER IN ITS SLEEP

    MONTALE

    NEGOTIATING WITH THE HARBORMASTER

    UNITED NOMADS

    BARBARIANS AT THE CRADLE

    FACES

    RUINS

    HEARSAY

    OMNIBUS SCRIBBLES

    SOME OF MY BEST FRIENDS

    PARATXIS

    THE SADNESS OF LEOPARDI

    THE BEGINNNING OF INFINITY

    THE CRITIQUE OF PURE SEEMING

    SOUVENIRS OF DON QUIXOTE

    THE DRIVEN SNOW

    THE THIEF OF SLEEP

    CATS SLEEP

    STRANGLERS’ REST

    A FABLE

    SOMBRE GUESTS

    THE WINES OF FRIUL

    LA PIA DAMA

    KING MIDAS

    OUR MUTUAL FRIEND

    ILLUMINATIONS

    ANTI-MATTER

    THE WRONG KIND OF SNOW

    MADRIGAL

    PIGS’ TROTTERS NEAR THE RIALTO

    THE REPUBLIC OF DREAMS

    THE BEGINNING OF INFINITY NO. 3

    LA VEUVE RIMBAUD

    INBAL ET AMBRE

    THE MIXTURE DREAMER

    THE GUARDIAN OF SOULS

    NINETEEN RANDOM EPIPHANIES

    THE MOUSE QUEEN

    TO THE SKY

    FROM L’AIR DU TEMPS

    THE WOLF AND THE SUFI

    SKYWRITING IN THE NIGHT AT LEIPZIG

    LEVIN’S BREAKFAST

    LES DEUX ALICE

    THE PAROLE EVIDENCE RULE

    L’AIR DU TEMPS

    SECOND-HAND RESTAURANTS BESIDE THE DANUBE

    DIRGE

    AFTERNOONS IN THE COUNTRY

    JACOB’S LADDER

    THE CLOUDS WILL SAVE US

    THE LOW COUNTRIES

    THE AFTERLIFE

    DÉJÀ VU

    LE CHATEAU DES MORTS

    WASHINGTON CROSSING THE DELAWARE WITH TENNYSON AT NIGHT

    AS PROMISED

    DEAD SOULS

    THE DEATH OF LI BAO

    WANLING’S FIFTH LETTER

    DIARY OF A THIEF

    THE WAY

    SEVENTEEN STEPS TO A GREATER WHATEVER

    DOUBLE HANNAHS

    L’UFFIZI

    ES WAR EINMAL

    IF THE SNOW FELL ALL AT ONCE

    ARIETTA

    EARLIER VERSIONS OF OURSELVES

    VISITATIONS OF THE MUSE

    THE COST OF LIVING

    NARRATIVE EVENTS

    SOLSTICE

    WHITE ECOLOGICAL ARTISTS’ PAPER

    L/S/M/F/T

    SURVIVAL OF THE FITTEST

    WAR AND PEACE

    SULLA MARE

    IO WIND

    WHAT HANNAH SAID

    SPLENDID POCKETS

    FAMILY TREES

    MOMENTOS

    COLLAGES

    TO MALLARMÉ

    FOR HANNAH

    LÉCOLE DES PRINCESSES

    PORTRAIT OF A YOUNG GIRL

    THE RETIRED BRIDE

    GHOSTS

    GIVING AWAY THE BRIDE

    SOME CLOOSING WORDS

    FROM THE END OF DREAMING

    MARIA STARDUST FROM THE AIR

    THE RAVELED SLEEVE OF CARE

    THE ONE THING ABOUT AMERICA

    THE PLEASURES OF BEING INVISIBLE

    ALONE WITH AMERICA

    WUTHERING HEIGHTS

    THE VILLAGE OF INTENSIVE SLEEP

    MESSAGES FROM THE GODS

    ONE BLIND MOUSE

    BARBARIANS AT THE GATES

    LOST WIDOWS OF SHANGHAI

    THE DEVIL’S METAL

    THE SORROWS OF CHINESE WOMEN

    RABBBITS TO ACHERON

    PROUST’S DEATH

    VICTIMS OF THE WIND

    BLANK PAGES

    FACTS ON THE GROUND

    AFTER LUNCH

    WATCHING HANNAH PLAY

    GOETHE’S WAR AIMS

    MALLARMÉ TONIGHT

    THE KING OF THE ANTARCTIC

    NORTHERN LIGHTS

    THRENE FOR A DAY

    WHAT WE HAVE LEFT UNDONE

    CABANNA CABINE

    THE READING

    LIGHT WINTER SLEEP

    PALER SHADES OF GREY

    ASTRAL GARDENS

    ALL THUNDRESTORMS ARE LOCAL

    VERTICAL FRIDAYS

    SOUTHERN COMFORTS

    UNTITLED EVENINGS

    NIGHT STARS

    BLACK OLIVES FOR CHARLES IVES

    WHAT INVESTORS REALLY WANT TO KNOW

    THE QUALITY OF LIFE

    MOST AND LOST OR LOVE AND MOVE

    OPUS POSTHUMOUS

    WHEN WE WERE GREEN

    HIDDEN LAYERS

    HER LAST WEEK ON EARTH

    THINGS WILL CHANGE PERHAPS

    PEBBLES IN THE SAND

    AND THEN

    LARGE GLASSES

    THE HUNTER’S MOUTH

    SHE

    CALLIGRAPHY AND RAIN

    JAZZ GOAL

    THE VALISE

    NEW THEORIES OF HARM

    FARM INTERRUPTIONS

    SILENTLY OVER KONINGSWINTER

    MOVING PICTURES

    NEGATIVE ASKING FORM

    THE CHATEAU BONJOUR

    THE WAY YOU ARE REMEMBERED

    PORTRAIT OF A LIFE

    RAPUNZEL

    ETERNITY VIA THE STARS

    SIGNS OF PREMATURE AGEING IN CHILDREN

    UNITED STARS

    BARRIERS TO ENTRY AND EXPANSION

    THE ONLY WAY TO TRAVEL

    BREEZE MARINE

    THE SUBJECT OF YOUR ESSAY

    A QUIET EVENING IN THE COUNTRY

    LOVE POEM

    WE JUST HEAR WHISPERS

    WAR AND PIECES

    EATING THE STARS WITH YOU IN VENICE

    ENCORE MALLARMÉ

    SHE ISN’T THERE

    LATEST SORTIES

    THE TOOLS OF IGNORANCE

    EQUESTRIAN STATUES

    THE MUSEUM OF SLEEP

    THE END OF DREAMING

    PAPER SCISSORS ROCK

    FROM THIS PAGE LEFT BLANK

    ABOUT THESE POEMS

    ALL THE FUTURES IN THE WORLD

    ANOTHER DREAM

    ALLAH’S TEARS

    SONNET CORDIALE

    THREE BIG CEDARS

    NOTES FROM THE ETHEREAL PAST

    RAW METAPHYSICAL TEARS

    OYSTERS OF THE BROWINING PAST

    TO AN OLD POEM RAINING IN VENICE

    CHEVAL

    VRAISEMBLANCE

    THE AZOV SEA

    THE PERILS OF PAULINE

    SPRING FLOWERS WITH TRAPEZE

    FOUR PROVERBS

    BLUE AZUL

    DARKER MATTERS

    LES VIES ANTÉRIEURES

    NOTES TOWARD A SUPREME INDIFFERENCE

    LANGUAGES WITHOUT ROOTS

    SUSPENDED ANIMATION

    BONNE NUIT MA PRINCESSE

    PORTRAITS IN THE AIR

    ROBERT WALSER

    CACAPHONY’S VIINTAGE YEARS

    WHAT THE LAST PAGE TURNED INTO

    EATING THE TRANSLATIONS

    BACH AT MIDNIGHT

    MOI-MÊME

    THE UNICORN

    LA DICTÉE

    NOTES AT THE END OF THE ROSE

    SONGS OF THE CLOUDS

    ON READING YOUR POEMS AGAIN

    WALLET

    FOR YOUR SNOW

    SHORT LINES

    COLLAGE

    FOOTPRINTS

    ABOVE FREEZING

    HANNAH’S MAGIC POTION

    ENGLISH SPELLING

    THE FIREFLIES IN YOUR HAIR

    PANTOMIME

    THE HUNTER GRACCHUS

    MULTIPLE CHOICES

    THE MINISTRY OF CLEAN AIR

    FIRE AND LIFE

    DUST ON THE COUNTER

    A PRAYER TO BE NAMED

    ASHES

    KODAK

    FREEDONIA

    THE MOTHER OF HIS COUNTRY

    QUATRAIN

    THE FINE PRINT

    COSMOGRAPHIA

    SCENES IN THE COUNTRY

    RADIO DAYS

    SONNET IN SILENCE AND C MINOR

    FUGUE MARITIME

    THE UNSMILING CLOUDS

    UNENCUMBERED TITLES

    THE NOISE OF SILENCE

    MEN ON HORSEBACK

    THE RIGHT TO REMAIN SILENT

    OUT AND OVER

    DOING BY LEAVING

    NEITHER HERE NOR THERE

    INSIDE THE POETRY FACTORY

    SOME THINGS WE MAY NEED TO DISCUSS

    RECIPES FOR SPRING

    MAHLER’S ELEVENTH

    BUSINESS HURRICANES

    TO THE CHANGING WEATHER IN VENICE

    CLOUD FORMATIONS

    RARE EDITIONS

    PROGRAMATIC MUSIC

    FROM CARAVANSARY

    WELCOMING THE STRANGER

    ARIAL DAYS

    THE REPUBLIC OF SLEEP

    LESSONS IN READING

    THE SOUNDS OF WORDS

    MON TESTAMENT

    AIRPLANE POEMS

    THE CRAZY WOMEN OF SHENZHEN

    SPOKEN ENGLISH

    ARS POETICA

    RHYMES

    TOLSTOY’S WIFE

    BENEATH THE HOUSES

    DREAMING IN BROAD DAYLIGHT

    IN THE PENAL COLONY

    HAPAX LEGOMENON

    SAFE CONDUCT

    STUDYING THE RUSSIAN LANGUAGE

    THE SOUND OF ONE HAND CLAPPING

    FOR ALL THE WRONG REASONS

    REMEMBERING THE STATUES

    DESERT CLOVER

    THE POETRY PRESIDENT

    ROUGH JUSTICE

    THE FILMS OF OZU

    ALADDIN

    PERIPHERAL VISION

    GIRLS IN THE RAIN

    A COUNTRY OF VAST DESIGN

    VIRTUAL LOVE

    FLOATING WEEDS

    THE GILDED AGE OF INDIFFERENCE

    ACCIDENTAL PRESIDENTS

    KAZAN

    KAFKA’s POEMS

    JAKOB VON GUTEN

    TOKYO STORY

    THE STEPS TO THE POOL

    LATE SPRING

    MURDERING THE SNOWFLAKES

    FLOWERS ON THE WALL

    MASHA DASHA SASHA

    TWO SHADOWS VIEWING A PHOTOGRAPH

    LATE SPRING

    DAVID READING

    ABGESANG

    PAPER SMILES

    ROBBER ROBERT

    TO AN ANGEL

    BLUE DRESS

    THE AUSTERITY REPORT

    WYSTERIA

    BEOWULF

    POEM FOR THE SEVENTH

    CRYING OVER SPILT WORKMEN

    BREEZES IN THE WIND

    IN THE TIME OF THE WOLVERINES

    THE THICKNESSS OF TIME

    RED SKIES IN THE MORNING

    POEMS OF THE DEAD

    SWANSONG

    METEROLOGY

    THE INNER CITY

    ILLUSIONS OF THE REAL

    NO TIME FOR A TITLE

    RHAPSODY IN BEIGE

    THE VICAR OF DELFT

    CINQUE TERRE

    BLACK EYES FIRST

    CHASTE KISSES

    NOTES TO SELF

    UNDER THE WILLIAM TREE

    OF FIELDS AND HIEROGLYPHICS

    SHADOWS IN THE RAIN

    RARE FOOTAGE

    DOMANI E DOPPODOMANI

    THREE O’CLOCK SHADOWS

    SNAPSHOTS FROM THE MOON

    COLLAGE OF SUMMER

    HAPPY FAMILIES

    THE WHITE LOTUS OF REBELLION

    LÉTÉ DES SOLEILS

    VOWELS AND CONSONANTS

    ON NOWHERE STREET

    UNOPENED JARS

    FORGET YOUR LOVE OF VIOLENT STORMS

    CAPTURING THE HUNTER

    À LA RECHERCHE DE QUELQ’UN D’AUTRE

    THE LANGUAGE IN YOUR ROOM

    BY WHICH I MEAN CANARDS

    FREE LANDS

    MILLLION DOLLAR MOVIE

    THE GIRL IN THE GREEN KIMONO

    HUNGARIAN CLOUDS ON HORSEBACK

    IMMUTABLE WEATHER

    NOMAD GAMES

    PROUST AND TOLSTOY

    LOOKING AT ALBANIA

    FROM RUE DE LA VALLÉE

    IN THE POETRY KINGDOM

    MAHLER’S DAUGHTERS

    LILLE IN THE RAIN

    VOICES OF SPRING

    CLOSELY GUARDED SECRETS

    INTANGIBLES

    PROOF OF THE HOMECOMING

    THE LATE SONATAS

    POEM WITHOUT WORDS

    UNKNOWN LONELY POETS

    THE LAST OYSTER

    THE UNCERTAINTY PRINCIPLE

    MAGICAL REALISM

    RECENT WEEKENDS IN HAVANA

    MORE POEMS WITHOUT WORDS

    TEAPERSONS

    ON COPERNICUS STREET

    BIDING AND GOBLIN

    THE POEMS OF APOLLINAIRE

    OMEN

    IN THE TIME OF ROCKS

    THE FUTURE TENSE

    ELEGANT SOLUTIONS

    THE HOUSE OF ERRANDS

    HANGING THE KAISER

    HOUSES FILLED WITH A STRANGER’S BOOKS

    DOMESTICATION

    WATERING THE STONES

    THE LOST MUSES

    VENETIAN WELLS

    UNEXPECTED WHISPERS

    MY LIFE BY SOMEBODY ELSE

    STERBEN UND SCHREIBEN

    PANORAMA IN BLACK

    SWALLOWS

    THE ORIENT EXPRESS

    SLEEPERS

    SEVEN MOMENTS IN SPRING

    VILLANELLE

    HEALTH WARNINGS

    THE BROTHERS GRIMM

    ANONYMOUS NEIGHBORS

    WATER NOISES

    APHASIA

    OLD ZEN KOAN

    SONATINA ITALIANA

    ZERO CHANCE OF RAIN

    LEARNING TO PRONOUNCE YOUR NAME

    LATTICES

    SONGS WITHOUT MUSIC

    CAPTAIN MALESTROM

    WHILE ENGLAND SLEPT

    UNSHELTERED AND UNHEARD OF

    ONE OF MANY

    MEMORABILIA

    CLOUD PORTRAITS

    QUEEN JULIANA’S CASTLE

    LA PLÉIADE

    EVENING SONNET

    YES AND NO

    SAILING TO SCOTLAND

    THOUGHTS AND RIVERS

    LIFE AS AN OSTRICH

    ODE TO HUSSERL

    WEDDINGS IN THE COUNTRY

    N’EST-CE PAS

    CHERNOBYL FOR THE BOURGEOISIE

    CASTLES IN THE SAND

    SNAPDRAGONS

    MISCELLANEOUS IMPRESSIONS

    INDIGENOUS MUSIC

    IN MEDIAS RES

    STARS AND ABBOTS

    AUTUMN LINGERIE

    WILD ROSES

    THE POSTERITY PAPERS

    SUMMER HOUSES

    WHERE DREAMS MAKE SENSE

    KINDERTOTENLIEDER

    THE THIEF OF LOVE

    SPRING DRESSES

    MAN WITHOUT A SONNET

    MY FAVOURITE ROOM

    NEW POEMS

    THE POETRY OF SILENCE

    EARTH IN SNOW

    TALL ROCK IN A STRANGE PLACE

    WINTER AND RILKE

    THE VENTRILOQUIST

    WEATHER

    MEETING DOSTOEVSKY

    SILENCE

    FACTS IN THE AIR

    ALSATIAN EYES

    THE END OF MEMORY

    LE DOUANIER ROUSSEAU

    HOMONYMS

    STEALING SNOW

    THE PSYCHOLOGY OF TEARS

    THE LAST DAYS OF KHRUSHCHEV

    FROM THE WRONG KIND OF SNOW

    114427.png

    PUZZLES

    The penguin’s feet

    and the zebra’s head

    are missing the river

    follows overhead like

    scattered ice and light

    flickers into constant

    lamentation. I have

    only the beginning or

    the end to return to

    the things that aren’t

    like us anymore their

    lines unhooked like

    spidery time and the

    greedy language of

    the omniscient dead

    who know as ancient

    lovers do how far light

    travels and that writing

    this to you is like watching

    cats in a snowy garden.

    TO SYLVIA

    You grew up in the Bronx

    in a puerile two-story marriage

    stifled hating your father

    while I waited outside quietly

    strangling time haranguing the

    future slowly maturing. Maybe

    it was really in Krakow where

    in winter the snow piles up on

    Copernicus’ house. The stars

    were shining there like quiet

    rooms in the dreamy future of

    his great mind the painter more

    or less of the feathery clouds

    when your boats took off like

    high street boots in their heyday

    leading you on like bravura.

    We got a big hoot out of life

    then sometimes even denying

    the facts pointing to you stubbornly

    from the insistent distance to cast

    away the pain or at least the soft

    part of. How could we know

    what was waiting to happen

    what would be left of our luck

    or the esperanto of this river

    that follows you like a sharpened

    knife or whatever comes from

    the woods and is normal like

    a disease in the temple closet

    or the rain that tramples on the

    leaves after the wind tears

    them out of your hair or eyes.

    You nearly died once thinking

    about this at the Minerva tram

    stop and then later you really did.

    Now we have to wait for you

    alone at the quiet end of the village

    like mushrooms asleep at night

    where sleep waits to wake us or

    points at you a little more

    distinctly from the other side.

    TEMPTRESS

    Sherman never said "War

    is hell." He said "War is cruelty

    and you cannot refine it."

    Unless you happen to have

    some candlewax or a bolt of

    torpor hanging deftly from

    the mistletoe which makes

    everything today seem so

    lightly crisp.

    What he did to Atlanta near

    the bearpits with their crinkly

    joy requires no verbs. He just

    followed devotion like books

    bound with ghosts and their

    gentle sighs roaming from place

    to place in time from plage to

    plage or plagues suffering fools

    gently in their outrage the

    spruced-up forest waiting

    for things to clear.

    No tooth contradicts the stars

    he said. That is to say in darkness

    and complicity like a house at the

    end of a siege. Had he given any

    thought to time or peace? Oh yes

    to the farm and Ohio the brown

    sorrow hastens.

    COWS AND CROSSES

    It was on your watch that

    it all started the scented trees

    dragging their feet one foot

    after the weary other pale

    as stucco the dwindling ice

    belonging to others after the

    harvest. The New Age arriving

    in atoms of porous steam. Time

    to hand me another dream or

    a furry mammal.

    Feeling under the weather

    or at least probing she explains

    there is more to it than knowing

    how to run and having a heart

    subtly arrayed like a field of ebony

    peppers. Indeed my agenda has

    identified three additional items:

    pricing committee meetings and

    information which is both alert

    and quiet now circling the past

    like the Rhone or the Isar as it

    should be.

    In the end the verdict will surely

    read ahistorical or thoughtlessly

    grazing. But variation is the key

    if not its essence. The Magi arrive

    bearing a new technology with

    which to bury deficits and spin

    layers of endurable glass slippers.

    The firm is well known to my

    spell check which is patrolling

    the frontier to the north to ensure

    we are not mindlessly enchanted.

    THE ENEMY OF THE GOOD

    For Rosanna Warren

    They spoke kitten on the pier

    in its tinseled youth. Nothing

    could be more propitious than

    their decorative footsteps. At

    the edges white out and polite

    chatter ruled by conventions in

    the fog while the secret police

    waited quietly beside the lint

    pressed for centuries like ghost

    writers into the villagers’ willing

    ears polishing their carrots encouraging

    you to stop by or call. The race

    miraculously headed for the exits

    debris were acquitted and time

    became everyone’s favorite utensil

    again. The stream of whatever you

    are thinking rushes over the stones

    like the plasma of long-distance

    calls. We fasted with a brood of

    otters on unlimited horizons. The

    Miscreant Rag came naturally to rest.

    Or was that just the famous song?

    THE PHONE BOOTH AT AIX

    The magician had left his strange

    wares on the shore again. They

    asked about his citizenship date

    of birth recent trades use of irony

    etc. There was a sense of being

    sustained by temptation and the

    indelicate clutter living in secret

    where domesticity had pushed

    the heavy gate open connecting

    the battery to try our mistakes.

    Time became important again like

    the sound a bridge makes in your

    sleep when its unpainted edge

    gets into bed with you. How do

    you tighten nothing? The house

    grew wary. We blushed and learned

    from the obvious when its eyes

    suddenly filled with smoke and the

    wind with a voice connecting its

    brightness to another era. Fresh

    amendments are on their way like

    milder versions passing in judgment.

    The future will be more compressed.

    Or maybe it will all blow over.

    LACEWORK

    According to the guidebooks

    they usually put witches into

    the landscape mostly in forests.

    They call it rustification. Of course

    they were all cannibals and the

    gingerbread was only a cover.

    Strange rites at midnight even

    if it was only one witch to a forest

    and she an especially old one

    infirm half blind living on home

    assistance with her scarred book

    of recipes dogs’ ears scraps of

    refrains refinements she couldn’t

    remember or tell a stick from

    a carrot an elixir from a rattle

    a pig from a flying carpet.

    THE DOMINANCE ROUNDTABLE

    We should try to be less

    I saw her this morning

    inclined to sleep and then

    later in my sleep transforming

    the inaudible to mistranslated

    sleep

    instead of standing around

    in the nervous language of

    monopsony

    the radiant don’t dance or fade

    like birds’ feet in the snow

    or Gretel’s crumbs but grimmer

    and more likely to dissemble

    in the spirit of transparency

    instead of standing around

    in the nervous language of

    monopsony

    of all the sheathes gathering

    hemlock to bear false witness

    and/or foreclose these persona

    worry me

    instead of standing around

    in the nervous language of

    monopsony

    JUSTIFIED MARGINS

    Here things are budding

    the fast spring hurries on

    like a brook the sounds the

    earth makes arrive in a hurry

    like the ability to think and

    dust scatters its furniture

    documents thicken like gnats

    in a whirlwind.

    No house or harbor is safe

    but each recluse commands

    its diverting surface beside

    the numbness dwelling in

    the driving mist.

    I am slowly learning to

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