Dreambooks: New and Selected Poems -- 2010-2020
By JS Venit
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About this ebook
Italics are useful vowels have no color how beautiful it was to hear them. Was Einstein still listening was the Volga intelligent as gold. In the end you chose the past tense chose chaos grammar and the bloodless murder of a stone. Looked at steadily from the road scissors flew by like cities astrologers flew by like scissors cities flew by like Rimbaud.
JS Venit
JS Venit was born in New York and emigrated to Belgium in 1980 where he lives and works. His poems have been published in the Partisan review, the American Poetry review, Literary Imagination and the Little Magazine. This is Mr. Venits eleventh collection of poems.
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Dreambooks - JS Venit
Copyright © 2020 by JS VENIT.
Library of Congress Control Number: 2020900606
ISBN: Hardcover 978-1-7960-8196-1
Softcover 978-1-7960-8197-8
eBook 978-1-7960-8195-4
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.
Any people depicted in stock imagery provided by Getty Images are models, and such images are being used for illustrative purposes only.
Certain stock imagery © Getty Images.
Rev. date: 01/23/2020
Xlibris
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808021
Image%201.jpgCASALTA — AUGUST 2018
Image%202.jpgCORFU — APRIL 2019
For David Lindsay Martha
and Peter
With love in alphabetical order like Rimbaud’s vowels
CONTENTS
FROM THE WRONG KIND OF SNOW
PUZZLES
TO SYLVIA
TEMPTRESS
COWS AND CROSSES
THE ENEMY OF THE GOOD
THE PHONE BOOTH AT AIX
LACEWORK
THE DOMINANCE ROUNDTABLE
JUSTIFIED MARGINS
NEWS FROM THE AIR
BLANCHE NEIGE
FOR JOHN CLARE
MISS MISS I MISS YOU
PANOPTICON
TOLSTOY’S DEATH
DISTINGUISHED GHOSTS OF THE ILLINI
THE MAN ON HORSEBACK
TURNING THE MOON OVER IN ITS SLEEP
MONTALE
NEGOTIATING WITH THE HARBORMASTER
UNITED NOMADS
BARBARIANS AT THE CRADLE
FACES
RUINS
HEARSAY
OMNIBUS SCRIBBLES
SOME OF MY BEST FRIENDS
PARATXIS
THE SADNESS OF LEOPARDI
THE BEGINNNING OF INFINITY
THE CRITIQUE OF PURE SEEMING
SOUVENIRS OF DON QUIXOTE
THE DRIVEN SNOW
THE THIEF OF SLEEP
CATS SLEEP
STRANGLERS’ REST
A FABLE
SOMBRE GUESTS
THE WINES OF FRIUL
LA PIA DAMA
KING MIDAS
OUR MUTUAL FRIEND
ILLUMINATIONS
ANTI-MATTER
THE WRONG KIND OF SNOW
MADRIGAL
PIGS’ TROTTERS NEAR THE RIALTO
THE REPUBLIC OF DREAMS
THE BEGINNING OF INFINITY NO. 3
LA VEUVE RIMBAUD
INBAL ET AMBRE
THE MIXTURE DREAMER
THE GUARDIAN OF SOULS
NINETEEN RANDOM EPIPHANIES
THE MOUSE QUEEN
TO THE SKY
FROM L’AIR DU TEMPS
THE WOLF AND THE SUFI
SKYWRITING IN THE NIGHT AT LEIPZIG
LEVIN’S BREAKFAST
LES DEUX ALICE
THE PAROLE EVIDENCE RULE
L’AIR DU TEMPS
SECOND-HAND RESTAURANTS BESIDE THE DANUBE
DIRGE
AFTERNOONS IN THE COUNTRY
JACOB’S LADDER
THE CLOUDS WILL SAVE US
THE LOW COUNTRIES
THE AFTERLIFE
DÉJÀ VU
LE CHATEAU DES MORTS
WASHINGTON CROSSING THE DELAWARE WITH TENNYSON AT NIGHT
AS PROMISED
DEAD SOULS
THE DEATH OF LI BAO
WANLING’S FIFTH LETTER
DIARY OF A THIEF
THE WAY
SEVENTEEN STEPS TO A GREATER WHATEVER
DOUBLE HANNAHS
L’UFFIZI
ES WAR EINMAL
IF THE SNOW FELL ALL AT ONCE
ARIETTA
EARLIER VERSIONS OF OURSELVES
VISITATIONS OF THE MUSE
THE COST OF LIVING
NARRATIVE EVENTS
SOLSTICE
WHITE ECOLOGICAL ARTISTS’ PAPER
L/S/M/F/T
SURVIVAL OF THE FITTEST
WAR AND PEACE
SULLA MARE
IO WIND
WHAT HANNAH SAID
SPLENDID POCKETS
FAMILY TREES
MOMENTOS
COLLAGES
TO MALLARMÉ
FOR HANNAH
LÉCOLE DES PRINCESSES
PORTRAIT OF A YOUNG GIRL
THE RETIRED BRIDE
GHOSTS
GIVING AWAY THE BRIDE
SOME CLOOSING WORDS
FROM THE END OF DREAMING
MARIA STARDUST FROM THE AIR
THE RAVELED SLEEVE OF CARE
THE ONE THING ABOUT AMERICA
THE PLEASURES OF BEING INVISIBLE
ALONE WITH AMERICA
WUTHERING HEIGHTS
THE VILLAGE OF INTENSIVE SLEEP
MESSAGES FROM THE GODS
ONE BLIND MOUSE
BARBARIANS AT THE GATES
LOST WIDOWS OF SHANGHAI
THE DEVIL’S METAL
THE SORROWS OF CHINESE WOMEN
RABBBITS TO ACHERON
PROUST’S DEATH
VICTIMS OF THE WIND
BLANK PAGES
FACTS ON THE GROUND
AFTER LUNCH
WATCHING HANNAH PLAY
GOETHE’S WAR AIMS
MALLARMÉ TONIGHT
THE KING OF THE ANTARCTIC
NORTHERN LIGHTS
THRENE FOR A DAY
WHAT WE HAVE LEFT UNDONE
CABANNA CABINE
THE READING
LIGHT WINTER SLEEP
PALER SHADES OF GREY
ASTRAL GARDENS
ALL THUNDRESTORMS ARE LOCAL
VERTICAL FRIDAYS
SOUTHERN COMFORTS
UNTITLED EVENINGS
NIGHT STARS
BLACK OLIVES FOR CHARLES IVES
WHAT INVESTORS REALLY WANT TO KNOW
THE QUALITY OF LIFE
MOST AND LOST OR LOVE AND MOVE
OPUS POSTHUMOUS
WHEN WE WERE GREEN
HIDDEN LAYERS
HER LAST WEEK ON EARTH
THINGS WILL CHANGE PERHAPS
PEBBLES IN THE SAND
AND THEN
LARGE GLASSES
THE HUNTER’S MOUTH
SHE
CALLIGRAPHY AND RAIN
JAZZ GOAL
THE VALISE
NEW THEORIES OF HARM
FARM INTERRUPTIONS
SILENTLY OVER KONINGSWINTER
MOVING PICTURES
NEGATIVE ASKING FORM
THE CHATEAU BONJOUR
THE WAY YOU ARE REMEMBERED
PORTRAIT OF A LIFE
RAPUNZEL
ETERNITY VIA THE STARS
SIGNS OF PREMATURE AGEING IN CHILDREN
UNITED STARS
BARRIERS TO ENTRY AND EXPANSION
THE ONLY WAY TO TRAVEL
BREEZE MARINE
THE SUBJECT OF YOUR ESSAY
A QUIET EVENING IN THE COUNTRY
LOVE POEM
WE JUST HEAR WHISPERS
WAR AND PIECES
EATING THE STARS WITH YOU IN VENICE
ENCORE MALLARMÉ
SHE ISN’T THERE
LATEST SORTIES
THE TOOLS OF IGNORANCE
EQUESTRIAN STATUES
THE MUSEUM OF SLEEP
THE END OF DREAMING
PAPER SCISSORS ROCK
FROM THIS PAGE LEFT BLANK
ABOUT THESE POEMS
ALL THE FUTURES IN THE WORLD
ANOTHER DREAM
ALLAH’S TEARS
SONNET CORDIALE
THREE BIG CEDARS
NOTES FROM THE ETHEREAL PAST
RAW METAPHYSICAL TEARS
OYSTERS OF THE BROWINING PAST
TO AN OLD POEM RAINING IN VENICE
CHEVAL
VRAISEMBLANCE
THE AZOV SEA
THE PERILS OF PAULINE
SPRING FLOWERS WITH TRAPEZE
FOUR PROVERBS
BLUE AZUL
DARKER MATTERS
LES VIES ANTÉRIEURES
NOTES TOWARD A SUPREME INDIFFERENCE
LANGUAGES WITHOUT ROOTS
SUSPENDED ANIMATION
BONNE NUIT MA PRINCESSE
PORTRAITS IN THE AIR
ROBERT WALSER
CACAPHONY’S VIINTAGE YEARS
WHAT THE LAST PAGE TURNED INTO
EATING THE TRANSLATIONS
BACH AT MIDNIGHT
MOI-MÊME
THE UNICORN
LA DICTÉE
NOTES AT THE END OF THE ROSE
SONGS OF THE CLOUDS
ON READING YOUR POEMS AGAIN
WALLET
FOR YOUR SNOW
SHORT LINES
COLLAGE
FOOTPRINTS
ABOVE FREEZING
HANNAH’S MAGIC POTION
ENGLISH SPELLING
THE FIREFLIES IN YOUR HAIR
PANTOMIME
THE HUNTER GRACCHUS
MULTIPLE CHOICES
THE MINISTRY OF CLEAN AIR
FIRE AND LIFE
DUST ON THE COUNTER
A PRAYER TO BE NAMED
ASHES
KODAK
FREEDONIA
THE MOTHER OF HIS COUNTRY
QUATRAIN
THE FINE PRINT
COSMOGRAPHIA
SCENES IN THE COUNTRY
RADIO DAYS
SONNET IN SILENCE AND C MINOR
FUGUE MARITIME
THE UNSMILING CLOUDS
UNENCUMBERED TITLES
THE NOISE OF SILENCE
MEN ON HORSEBACK
THE RIGHT TO REMAIN SILENT
OUT AND OVER
DOING BY LEAVING
NEITHER HERE NOR THERE
INSIDE THE POETRY FACTORY
SOME THINGS WE MAY NEED TO DISCUSS
RECIPES FOR SPRING
MAHLER’S ELEVENTH
BUSINESS HURRICANES
TO THE CHANGING WEATHER IN VENICE
CLOUD FORMATIONS
RARE EDITIONS
PROGRAMATIC MUSIC
FROM CARAVANSARY
WELCOMING THE STRANGER
ARIAL DAYS
THE REPUBLIC OF SLEEP
LESSONS IN READING
THE SOUNDS OF WORDS
MON TESTAMENT
AIRPLANE POEMS
THE CRAZY WOMEN OF SHENZHEN
SPOKEN ENGLISH
ARS POETICA
RHYMES
TOLSTOY’S WIFE
BENEATH THE HOUSES
DREAMING IN BROAD DAYLIGHT
IN THE PENAL COLONY
HAPAX LEGOMENON
SAFE CONDUCT
STUDYING THE RUSSIAN LANGUAGE
THE SOUND OF ONE HAND CLAPPING
FOR ALL THE WRONG REASONS
REMEMBERING THE STATUES
DESERT CLOVER
THE POETRY PRESIDENT
ROUGH JUSTICE
THE FILMS OF OZU
ALADDIN
PERIPHERAL VISION
GIRLS IN THE RAIN
A COUNTRY OF VAST DESIGN
VIRTUAL LOVE
FLOATING WEEDS
THE GILDED AGE OF INDIFFERENCE
ACCIDENTAL PRESIDENTS
KAZAN
KAFKA’s POEMS
JAKOB VON GUTEN
TOKYO STORY
THE STEPS TO THE POOL
LATE SPRING
MURDERING THE SNOWFLAKES
FLOWERS ON THE WALL
MASHA DASHA SASHA
TWO SHADOWS VIEWING A PHOTOGRAPH
LATE SPRING
DAVID READING
ABGESANG
PAPER SMILES
ROBBER ROBERT
TO AN ANGEL
BLUE DRESS
THE AUSTERITY REPORT
WYSTERIA
BEOWULF
POEM FOR THE SEVENTH
CRYING OVER SPILT WORKMEN
BREEZES IN THE WIND
IN THE TIME OF THE WOLVERINES
THE THICKNESSS OF TIME
RED SKIES IN THE MORNING
POEMS OF THE DEAD
SWANSONG
METEROLOGY
THE INNER CITY
ILLUSIONS OF THE REAL
NO TIME FOR A TITLE
RHAPSODY IN BEIGE
THE VICAR OF DELFT
CINQUE TERRE
BLACK EYES FIRST
CHASTE KISSES
NOTES TO SELF
UNDER THE WILLIAM TREE
OF FIELDS AND HIEROGLYPHICS
SHADOWS IN THE RAIN
RARE FOOTAGE
DOMANI E DOPPODOMANI
THREE O’CLOCK SHADOWS
SNAPSHOTS FROM THE MOON
COLLAGE OF SUMMER
HAPPY FAMILIES
THE WHITE LOTUS OF REBELLION
LÉTÉ DES SOLEILS
VOWELS AND CONSONANTS
ON NOWHERE STREET
UNOPENED JARS
FORGET YOUR LOVE OF VIOLENT STORMS
CAPTURING THE HUNTER
À LA RECHERCHE DE QUELQ’UN D’AUTRE
THE LANGUAGE IN YOUR ROOM
BY WHICH I MEAN CANARDS
FREE LANDS
MILLLION DOLLAR MOVIE
THE GIRL IN THE GREEN KIMONO
HUNGARIAN CLOUDS ON HORSEBACK
IMMUTABLE WEATHER
NOMAD GAMES
PROUST AND TOLSTOY
LOOKING AT ALBANIA
FROM RUE DE LA VALLÉE
IN THE POETRY KINGDOM
MAHLER’S DAUGHTERS
LILLE IN THE RAIN
VOICES OF SPRING
CLOSELY GUARDED SECRETS
INTANGIBLES
PROOF OF THE HOMECOMING
THE LATE SONATAS
POEM WITHOUT WORDS
UNKNOWN LONELY POETS
THE LAST OYSTER
THE UNCERTAINTY PRINCIPLE
MAGICAL REALISM
RECENT WEEKENDS IN HAVANA
MORE POEMS WITHOUT WORDS
TEAPERSONS
ON COPERNICUS STREET
BIDING AND GOBLIN
THE POEMS OF APOLLINAIRE
OMEN
IN THE TIME OF ROCKS
THE FUTURE TENSE
ELEGANT SOLUTIONS
THE HOUSE OF ERRANDS
HANGING THE KAISER
HOUSES FILLED WITH A STRANGER’S BOOKS
DOMESTICATION
WATERING THE STONES
THE LOST MUSES
VENETIAN WELLS
UNEXPECTED WHISPERS
MY LIFE BY SOMEBODY ELSE
STERBEN UND SCHREIBEN
PANORAMA IN BLACK
SWALLOWS
THE ORIENT EXPRESS
SLEEPERS
SEVEN MOMENTS IN SPRING
VILLANELLE
HEALTH WARNINGS
THE BROTHERS GRIMM
ANONYMOUS NEIGHBORS
WATER NOISES
APHASIA
OLD ZEN KOAN
SONATINA ITALIANA
ZERO CHANCE OF RAIN
LEARNING TO PRONOUNCE YOUR NAME
LATTICES
SONGS WITHOUT MUSIC
CAPTAIN MALESTROM
WHILE ENGLAND SLEPT
UNSHELTERED AND UNHEARD OF
ONE OF MANY
MEMORABILIA
CLOUD PORTRAITS
QUEEN JULIANA’S CASTLE
LA PLÉIADE
EVENING SONNET
YES AND NO
SAILING TO SCOTLAND
THOUGHTS AND RIVERS
LIFE AS AN OSTRICH
ODE TO HUSSERL
WEDDINGS IN THE COUNTRY
N’EST-CE PAS
CHERNOBYL FOR THE BOURGEOISIE
CASTLES IN THE SAND
SNAPDRAGONS
MISCELLANEOUS IMPRESSIONS
INDIGENOUS MUSIC
IN MEDIAS RES
STARS AND ABBOTS
AUTUMN LINGERIE
WILD ROSES
THE POSTERITY PAPERS
SUMMER HOUSES
WHERE DREAMS MAKE SENSE
KINDERTOTENLIEDER
THE THIEF OF LOVE
SPRING DRESSES
MAN WITHOUT A SONNET
MY FAVOURITE ROOM
NEW POEMS
THE POETRY OF SILENCE
EARTH IN SNOW
TALL ROCK IN A STRANGE PLACE
WINTER AND RILKE
THE VENTRILOQUIST
WEATHER
MEETING DOSTOEVSKY
SILENCE
FACTS IN THE AIR
ALSATIAN EYES
THE END OF MEMORY
LE DOUANIER ROUSSEAU
HOMONYMS
STEALING SNOW
THE PSYCHOLOGY OF TEARS
THE LAST DAYS OF KHRUSHCHEV
FROM THE WRONG KIND OF SNOW
114427.pngPUZZLES
The penguin’s feet
and the zebra’s head
are missing the river
follows overhead like
scattered ice and light
flickers into constant
lamentation. I have
only the beginning or
the end to return to
the things that aren’t
like us anymore their
lines unhooked like
spidery time and the
greedy language of
the omniscient dead
who know as ancient
lovers do how far light
travels and that writing
this to you is like watching
cats in a snowy garden.
TO SYLVIA
You grew up in the Bronx
in a puerile two-story marriage
stifled hating your father
while I waited outside quietly
strangling time haranguing the
future slowly maturing. Maybe
it was really in Krakow where
in winter the snow piles up on
Copernicus’ house. The stars
were shining there like quiet
rooms in the dreamy future of
his great mind the painter more
or less of the feathery clouds
when your boats took off like
high street boots in their heyday
leading you on like bravura.
We got a big hoot out of life
then sometimes even denying
the facts pointing to you stubbornly
from the insistent distance to cast
away the pain or at least the soft
part of. How could we know
what was waiting to happen
what would be left of our luck
or the esperanto of this river
that follows you like a sharpened
knife or whatever comes from
the woods and is normal like
a disease in the temple closet
or the rain that tramples on the
leaves after the wind tears
them out of your hair or eyes.
You nearly died once thinking
about this at the Minerva tram
stop and then later you really did.
Now we have to wait for you
alone at the quiet end of the village
like mushrooms asleep at night
where sleep waits to wake us or
points at you a little more
distinctly from the other side.
TEMPTRESS
Sherman never said "War
is hell." He said "War is cruelty
and you cannot refine it."
Unless you happen to have
some candlewax or a bolt of
torpor hanging deftly from
the mistletoe which makes
everything today seem so
lightly crisp.
What he did to Atlanta near
the bearpits with their crinkly
joy requires no verbs. He just
followed devotion like books
bound with ghosts and their
gentle sighs roaming from place
to place in time from plage to
plage or plagues suffering fools
gently in their outrage the
spruced-up forest waiting
for things to clear.
No tooth contradicts the stars
he said. That is to say in darkness
and complicity like a house at the
end of a siege. Had he given any
thought to time or peace? Oh yes
to the farm and Ohio the brown
sorrow hastens.
COWS AND CROSSES
It was on your watch that
it all started the scented trees
dragging their feet one foot
after the weary other pale
as stucco the dwindling ice
belonging to others after the
harvest. The New Age arriving
in atoms of porous steam. Time
to hand me another dream or
a furry mammal.
Feeling under the weather
or at least probing she explains
there is more to it than knowing
how to run and having a heart
subtly arrayed like a field of ebony
peppers. Indeed my agenda has
identified three additional items:
pricing committee meetings and
information which is both alert
and quiet now circling the past
like the Rhone or the Isar as it
should be.
In the end the verdict will surely
read ahistorical or thoughtlessly
grazing. But variation is the key
if not its essence. The Magi arrive
bearing a new technology with
which to bury deficits and spin
layers of endurable glass slippers.
The firm is well known to my
spell check which is patrolling
the frontier to the north to ensure
we are not mindlessly enchanted.
THE ENEMY OF THE GOOD
For Rosanna Warren
They spoke kitten on the pier
in its tinseled youth. Nothing
could be more propitious than
their decorative footsteps. At
the edges white out and polite
chatter ruled by conventions in
the fog while the secret police
waited quietly beside the lint
pressed for centuries like ghost
writers into the villagers’ willing
ears polishing their carrots encouraging
you to stop by or call. The race
miraculously headed for the exits
debris were acquitted and time
became everyone’s favorite utensil
again. The stream of whatever you
are thinking rushes over the stones
like the plasma of long-distance
calls. We fasted with a brood of
otters on unlimited horizons. The
Miscreant Rag came naturally to rest.
Or was that just the famous song?
THE PHONE BOOTH AT AIX
The magician had left his strange
wares on the shore again. They
asked about his citizenship date
of birth recent trades use of irony
etc. There was a sense of being
sustained by temptation and the
indelicate clutter living in secret
where domesticity had pushed
the heavy gate open connecting
the battery to try our mistakes.
Time became important again like
the sound a bridge makes in your
sleep when its unpainted edge
gets into bed with you. How do
you tighten nothing? The house
grew wary. We blushed and learned
from the obvious when its eyes
suddenly filled with smoke and the
wind with a voice connecting its
brightness to another era. Fresh
amendments are on their way like
milder versions passing in judgment.
The future will be more compressed.
Or maybe it will all blow over.
LACEWORK
According to the guidebooks
they usually put witches into
the landscape mostly in forests.
They call it rustification. Of course
they were all cannibals and the
gingerbread was only a cover.
Strange rites at midnight even
if it was only one witch to a forest
and she an especially old one
infirm half blind living on home
assistance with her scarred book
of recipes dogs’ ears scraps of
refrains refinements she couldn’t
remember or tell a stick from
a carrot an elixir from a rattle
a pig from a flying carpet.
THE DOMINANCE ROUNDTABLE
We should try to be less
I saw her this morning
inclined to sleep and then
later in my sleep transforming
the inaudible to mistranslated
sleep
instead of standing around
in the nervous language of
monopsony
the radiant don’t dance or fade
like birds’ feet in the snow
or Gretel’s crumbs but grimmer
and more likely to dissemble
in the spirit of transparency
instead of standing around
in the nervous language of
monopsony
of all the sheathes gathering
hemlock to bear false witness
and/or foreclose these persona
worry me
instead of standing around
in the nervous language of
monopsony
JUSTIFIED MARGINS
Here things are budding
the fast spring hurries on
like a brook the sounds the
earth makes arrive in a hurry
like the ability to think and
dust scatters its furniture
documents thicken like gnats
in a whirlwind.
No house or harbor is safe
but each recluse commands
its diverting surface beside
the numbness dwelling in
the driving mist.
I am slowly learning to