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Capturing Freedom’s Cry: Arab Women Unveil Their Heart
Capturing Freedom’s Cry: Arab Women Unveil Their Heart
Capturing Freedom’s Cry: Arab Women Unveil Their Heart
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Capturing Freedom’s Cry: Arab Women Unveil Their Heart

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Capturing Freedom’s Cry—a translation of I’tikal Lahzah Haribah (Capturing a Fleeting Moment), 1979—is a poetry collection written in Beirut by Ghada Samman during the early years of the Lebanese Civil War (1975-1990). The poems are set in the violent and destructive environment of this time. They are voiced by female narrators who, in addition to living amid the dangers and horrors of the War itself, engage in a necessary and deeply personal cultural struggle for freedom in a society where patriarchy and oppressive gender roles are the norm. In particular, the female narrators assert their personal power and right to sexual freedom and love. Samman’s advocacy for women’s autonomy and sexual equality, particularly in traditional Arab cultures, is courageous. In exposing the socio-political strife and cultural disparity that oppresses women, Samman demonstrates her conviction that the freedom of the nation and women’s liberation from patriarchal oppression are inseparable.
LanguageEnglish
PublisherBalboa Press
Release dateMar 27, 2019
ISBN9781982217792
Capturing Freedom’s Cry: Arab Women Unveil Their Heart
Author

Ghada Samman

Celebrated Syrian-Lebanese poet, novelist, and essayist, Ghada Samman is a world-recognized voice for human rights and feminism in the Arab world. In the 1960s, she wrote short stories while living in Damascus, Syria, where she was born in 1942. To write and live more freely, she moved to Beirut, Lebanon, where she obtained an MA in literature at the American University of Beirut, worked as a journalist, and published her first poetry collection Love (1973) and novel Beirut 75 (1974). Since then, Samman has been a perennial voice decrying the atrocities of war and social injustice. While believing both men and women are oppressed by patriarchy, she gives special emphasis to women’s rights because she views them as doubly oppressed. Samman’s writing has been translated into twenty languages and her work is discussed in over twenty critical works in English, French, Russian, Italian, and Farsi.

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    Book preview

    Capturing Freedom’s Cry - Ghada Samman

    Capturing a Petrified Fish

    You gave me a 40 million-year-old petrified fish…

    and said, "This is one of a kind.

    The ocean fell in love with her

    and so made her immortal!"

    ***

    But don’t you see as I do:

    The moment the ocean captured the fish with his love,

    he also killed her!…

    ***

    Art alone

    may succeed in capturing a fleeting moment

    without killing it,

    or dying with its death…

    12/14/1976

    This poem has been translated into Farsi.

    Capturing a Rainbow?

    I love you,

    but I refuse to let you entrap me,

    just as a river refuses to be confined

    to a narrow stream…

    ***

    Be a waterfall or a lake,

    be a cloud or a dam…

    my water will gush through the stony grip of your waterfall

    and continue its course.

    I will gather in your lake

    and keep on gushing…

    One day your dam will imprison me for some time,

    but my waters will overflow or explode…

    My waters may evaporate, your cloud may imprison me,

    but it will rain— I will be free

    to return to my original springs…

    ***

    I love you,

    but you cannot imprison

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