Igbo Mediators of Yahweh Culture of Life: Volume Iii:Learn to Read Egyptian Hieroglyphics and Ufo Writings

By Philip Chidi Njemanze

Igbo Mediators of Yahweh Culture of Life is a travel in time to where it all began. The book shows that the creator Yahweh was in full communication with his earliest created people, the Igbos, who lived his culture of life. God shares one language with the Igbos, through which he gave them the enlightenment of civilization for humanity. This civilization was documented in the Igbo pictographic writings called hieroglyphics, which have remained unknown until this first ever exposition by this book. It traces this history from the earliest (pictographic) writings dating back four thousand years ago in the caves in present-day Gabon, the rock paintings in the Sahara desert dating back 45,000 BC, and in the Chauvet caves in France dating back 35,000 BC. The hieroglyphics in ancient Egypt are for the first time explained in their original Igbo language with English translations. The original Igbo text of the Holy Scriptures is unveiled in a manner that brings true contextual understanding of the teachings of the prophets and the gospels. Using ethnolinguistics, anthropology, and archaeology, the exact origins of ancient biblical Israel was uncovered with specific names and locations of all the Jewish towns and villages as the existed then and to the present day in Igbo land, Nigeria. The location of the palace of King David and King Solomons temple are revealed to be existing in Owerri, Imo State. The exact place of the birth of Jesus Christ, the place where he lived, worked, was crucified and buried are all uncovered in this book. The discovery of highly developed Igbo technologies in ancient Egypt that were looted by Napoleon in 1799, and now used for reverse engineering to obtain many of the present-day technologies including electric battery, aircraft systems, space shuttle, submarines, helicopters, and others are demonstrated. The origin of the Igbos of Europe, China, and the Americas are unveiled. The UFOs writings obtained at Roswell in hieroglyphics were explained, and the author postulates a fascinating hypothesis that there are Igbos in another nearby galaxy! The book illustrates the intensifying struggle from the beginning of time between Gods Culture of Life and the Culture of Death. The book traces the prolife struggle against the Culture of Death, which though very much apparent in our time, has never eclipsed the enlightenment of the civilization of the Culture of Life. This book has fundamentally rewritten the World History as we know it. The book claims that, the Igbos are the Chosen People of God. The Igbos civilized the world as Pharaohs of ancient Egypt, the Kings of ancient Israel, the Greeks, the Phoenicians, Etruscans, Iberians, Carthaginians, Mayans, Olmecs, ancient Chinese, ancient Russians, Babylonians and Jewish authors of the Holy Bible. The spread of the Culture of Life provoked persecution and genocide against Igbos to this day. This is a Great Book of the Secrets of World Civilization. Read it!

• Language: English
• Publisher: Xlibris UK
• Release date: Aug 14, 2015
• ISBN: 9781499096897

Philip Chidi Njemanze

Academician Prince Dr. Philip Njemanze MD (Hons) was born on March 15, 1962, at Owerri, Imo State, Nigeria, in the family of the Njemanze Royal Dynasty. He went to school at St. Paul’s Catholic Primary School, Owerri. His secondary education was at Government Secondary School, Owerri. In 1986, he completed his medical education at Rostov State University Medical School, Rostov-on-Don, Russia. From 1986 to 1992, he undertook postgraduate training and fellowships in neurosurgery, neurology, and angiology at Klinikum Grosshadern, University of Munich, Germany, Guy’s Hospital London, and Bowman Gray School of Medicine, Winston Salem, North Carolina, USA. In 1992, he became an assistant research professor at Souers Stroke Institute, St Louis Medical Center, St. Louis, Missouri, USA. Among the remarkable developments of his postgraduate studies was the first in literature description of a magnetic resonance imaging (MRI) phase-contrast technique for examining cerebrospinal fluid pulsatile flow in the brain. He also described the first detailed hemodynamic study of the human brain using Fourier analysis of the flow velocity envelope in cerebral arteries. In 1991, he pioneered the brain cognitive studies of language localization using noninvasive transcranial Doppler ultrasound. He performed neurocardiology studies on brain-heart relationships and was first to describe the cerebrovascular changes during fainting spells that were not accompanied by blood pressure drop. In 1995, as one of the leading neuroscientists in the world, he was selected on a competitive basis to join with other neuroscientists from USA, Germany, France, Canada, Japan, the Netherlands, and Italy to design the experiments to study the brain in space. This was a program of the National Aeronautic and Space Administration (NASA) mandated by the United States Congress in the Decade of the Brain. He was one of the pioneers of cognitive neuroscience in space. He was first to demonstrate facial processing, motor processing, color processing, and intelligence processing on earth and in space. In 2005, he was first to postulate the theory of lateralization of general intelligence in the right brain in men but in the left brain in women. This has since been confirmed by other leading neuroscientists. In 2010, he postulated the Light Theory of Cerebral of Asymmetry of Brain Function, which unified fundamental quantum physics, neurobiology, genetics, evolution, social and psycho-physiology on the basis of gender complementarity. He has over two hundred published works, including two dozen US and UK patents. He is married to Mrs. Felicia Njemanze and has three children: Nkem, Chidi, and Odera. Some references: See more citations at www.chidicon.com 1. AJNR 10:77–80, 1989. 2. Brain & Lang 41:367–380, 1991. 3. Stroke 22:721–726, 1991. 4. Stroke 23:1743–1749, 1992. 5. Can J. Cardiol 9:238–242, 1993. 6. Brain & Lang 53:315–325, 1996. 7. Am J Trop Med Hyg 61:356–360, 1999. 8. J Gravit Physiol 9(1): 33–34, 2002. 9. Aviat Space & Environ Med 75(9):800–805, 2004. 10. Brain & Lang 92(3): 234–349, 2005. 11. Laterality 12(1): 31–41, 2007. 12. Exp & Transl Stroke Med 3:1, 2011.

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Copyright © 2015 by Philip Chidi Njemanze MD . 711905

ISBN:   Softcover   978-1-4990-9688-0

             EBook         978-1-4990-9689-7

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Rev. date: 09/18/2015

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Contents

Chapter 6: Igbo Egyptian Pictographic and Sculptural Writings in Religion

6.1. The Salvation of Israel

6.2. The Ancient Egyptian Religious Symbols and their Meanings

6.6. Egyptian Aker

6.4. Egyptian Akhet

6.5. Egyptian Ankh

6.7. Egyptian Ba

6.8 Egyptian Canopic Jars

6.9 Egyptian Deshret

6.10 Egyptian Djed

6.11. Egyptian Djew

6.12. Egyptian Maat

6.13. Egyptian Fetish of Osiris

6.15. Egyptian Heb

6.16. Egyptian Hedjet

6.17 Egyptian Leb

6.18 Egyptian Imenet

6.19. Egyptian Ka

6.20. Egyptian Khepresh

6.21. Egyptian Khet

Chapter 6

Igbo Egyptian Pictographic and Sculptural Writings in Religion

6.1. The Salvation of Israel

[Baruch 4: 5-12; 27-29]

⁵ Take courage, my people,

who perpetuate Israel’s name!

⁶ It was not for destruction

that you were sold to the nations,

but you were handed over to your enemies

because you angered God.

⁷ For you provoked the one who made you

by sacrificing to demons and not to God.

⁸ You forgot the everlasting God, who brought you up,

and you grieved Jerusalem, who reared you.

⁹ For she saw the wrath that came upon you from God,

and she said: Listen, you neighbours of Zion,

God has brought great sorrow upon me;

¹⁰ for I have seen the exile of my sons and daughters,

which the Everlasting brought upon them.

¹¹ With joy I nurtured them,

but I sent them away with weeping and sorrow.

¹² Let no one rejoice over me, a widow

and bereaved of many;

I was left desolate because of the sins of my children,

because they turned away from the law of God.

²⁷ Take courage, my children, and cry to God,

for you will be remembered by the one who brought this upon you.

²⁸ For just as you were disposed to go astray from God,

return with tenfold zeal to seek him.

²⁹ For the one who brought these calamities upon you

will bring you everlasting joy with your salvation.

6.2. The Ancient Egyptian Religious Symbols and their Meanings

The Igbos of Egypt and the Far East like Igbos of Ancient Greece, Ancient Etruria, Ancient Carthage and present-day Nigeria, used Igbo sculptural and pictographic writings for information exchange in their great civilization, called in Ancient Egypt, hierographics. I will uncover these forms of writings for the first time in Modern World literature, which I have called the Igbo Sculptural, Relief, Pictographic, Letter, Numerology and Object-form writings. I will expound on this, to demonstrate how Igbos of Ancient Egypt used the Igbo sculptural writing system in the Igbo language, similar to Ancient Greece, Etruria, Carthage (Berber: Kartajen; Igbo language: ọkara Chi doo ana, meaning, ‘the boundary where God placed (the people) in the land’; ọkara otu ọha gaa, meaning, ‘the boundary area the people moved to’; ọkara otu e jee nọọ, meaning ‘the boundary at the waterside where we settled’), China and present-day Igbo land. The images relate mainly to instructions for settlement of disputes in local courts, religion, science and technology.

6.6. Egyptian Aker

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Figure 53. Egyptian Aker. The Egyptian Aker, ọ karịa, meaning ‘when it becomes too much’.

The Igbo words and their English translations, from which the Igbo phonemic clues were used to form words in the sentences.

Articles.

1. Black yellow hill – ugwu ojii edo

2. Black red round plate – efere okirikiri ojii odo odo

3. Black yellow valley – ndagwuru ugwu ojii edo

4. Black yellow hill – ugwu ojii edo

Igbo language:

Egwu, e jee i do, e fere, e kirie ikiri;

e jee i do e bu, na-ada egwu, uru egwu;

e jee i do egwu;

e jee i do.

English language:

Terror, that you go to bring peace, worship , carefully examine the outstanding matters;

to go to bring peace to what is at hand, that is terrifying, a deep terror;

to go to bring peace in terror;

go to bring peace.

The Western Egyptologists suggest that, this symbol represents the horizon from which the sun emerges and disappears. They propose that, to the Ancient Egyptians, the horizon embodied the ideas of both sunrise and sunset. Furthermore, they suggest that, it is similar to the two peaks of the Djew or mountain symbol with solar disk in the center. The beginning and the end of each day was guarded by Aker, a double lion god.

Igbo Language and Cultural Explanations: The Egyptian Aker (Igbo language: ọka arịa, are articles of corn grain (ọka) and collecting system such as funnel (arịa)) as the object forms for the subject expression: ọ karịa meaning ‘when it becomes too much’.

The symbol is an Igbo Egyptian pictographic writing on settlement of terrifying conflicts when it becomes too much.

6.4. Egyptian Akhet

image%202.tif

Figure 54. Egyptian Akhet. The Egyptian Akhet, aka ahụ ite, are articles of handles (aka) of the body (ahụ) of pot (ite), as object forms for the subject expression: a kaa, a hụ ete, meaning ‘confess, for the offences to be looked into’.

The Western scholars suggest that, in this rendition, the beginning and the end of each day was guarded by Aker, a double lion god. They further suggest that, in the New Kingdom, Harmakhet (Horus in the Horizon) became the god of the rising and setting sun. They say that, he was pictured as a falcon or as a sphinx with the body of a lion. The Great Sphinx of Giza is an example of Horus in the Horizon. These made-up stories by Western scholars are unfounded and lack rationale.

Igbo Language and Cultural Explanations: The Egyptian Akhet (Igbo language: aka ahụ ite, are articles of handles (aka) of the body (ahụ) of pot (ite)), as object forms for the subject expression: a kaa, a hụ ete, meaning ‘confess, for the offences to be looked into’.

The Igbo words and their English translations, from which the Igbo phonemic clues were used to form words in the sentences.

Articles:

1. Black white brown cloth of elbow of right hand – akwa ikili aka nri ihu ojii ọcha nchara

2. Two black white brown ropes – eriri abụọ ojii ọcha nchara

3. Black white brown painting – agba ojii ọcha nchara

4. (a) Claw paw of left forelimb of black white brown male lion – mbọbọọụkwụ aka ịkpa ihu ojii ọcha nchara agụ aba (b) Wrist of left forelimb of black white brown male lion – nkwekoụkwụ aka ịkpa ihu ojii ọcha nchara agụ aba

5. Mouth – ọnụ

6. Front right side of nose of black white brown male lion – imi aka nri ihu ojii ọcha nchara agụ aba

7. Front right side chin jaw of black white brown male lion – aba agba aka nri ihu ojii ọcha ncharaagụ aba

8. (a) Claws paws of right forelimb of black white brown male lion – mbọbọọụkwụ aka nri ihu ojii ọcha nchara agụ aba

(b) Wrist of right forelimb of black white brown male lion – nkwekoụkwụ aka nri ihu ojii ọcha nchara agụ aba

9. Hair of front middle chest of black white brown male lion – abụba ngụ ihu ọma ojii ọcha nchara agụ aba

10. Right eye of face of black white brown male lion – anya aka nri ihuojii ọcha nchara agụ aba

11. Front right side of necklace of black white brown male lion – anagba olu aka nri ihu ojii ọcha nchara agụ aba

12. Slab on right front side of black white brown male lion – patuo aka nri ihu ojii ọcha nchara agụ aba

13. Hook on right front side of black white brown male lion – ngu aka nri ihu ojii ọcha nchara agụ aba

14. (a) Right wrist of forelimb of black white brown male lion – nkweko ụkwụ aka nri ihu ojii ọcha nchara agụ aba

(b) Right thigh of forelimb of black white brown male lion – apa ụkwụ aka nri ihu ojii ọcha nchara agụ aba

15. Front right side of hair of head of black white brown male lion – abụba isi aka nri ihu ojii ọcha nchara agụ aba

16. Right ear of face of black white brown male lion – ntị aka nri ihu ojii ọcha nchara agụ aba

17. (a) Armpit of right forelimb of black white brown male lion – mkpa abụ ụkwụ aka nri ihu ojii ọcha ncharaagụ aba

(b) Shoulder of right forelimb of black white brown male lion – ubu aka nri ihu ojii ọcha nchara agụ aba

18. Claws paws of front of right hind limb of black white brown male lion – mbọbọọụkwụ aka nri ihu azụ ojiiọcha nchara agụ aba

19. Front right side of back of abdomen of black white brown male lion – afọaka nri ihu azụ ojii ọcha nchara agụ aba

20. Front right side of back spine of black white brown male lion – ọkpụkpọ aka nri ihu azụ ojii ọcha nchara agụ aba

21. Hill on front right back side of black white brown male lion – ugwuaka nri ihu azụ ojiiọcha nchara agụ aba

22. Front of thigh of right hind limb of black white brown male lion – apa ụkwụ aka nri ihu azụ ojii ọcha ncharaagụ aba

23. Front right side of back hip of black white brown male lion – ukwu aka nri ihu azụ ojii ọcha ncharaagụ aba

24. Black white brown red plate – efere ojii ọcha nchara odo odo

25. Black white brown valley of hills – ndagwuru ugwu ojiiọcha nchara

26. Front right side of back tail of black white brown male lion – ọdụ aka nri ihu azụ ojii ọcha nchara agụ aba

27. Front right side of back buttocks of black white brown male lion – otula aka nri