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Evening of the First Day: Poems of Philadelphia
Evening of the First Day: Poems of Philadelphia
Evening of the First Day: Poems of Philadelphia
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Evening of the First Day: Poems of Philadelphia

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this companion volume to Geography Lesson, Ernest Yates continues his cycle of poems based on the streets of his home town, Philadelphia. In Evening of the First Day, those streets serve as anchor to the wandering poets dreams of community and home.
LanguageEnglish
PublisherXlibris US
Release dateMar 12, 2014
ISBN9781493159482
Evening of the First Day: Poems of Philadelphia
Author

Ernest Yates

Born in Ancon, Panama, and raised in New Orleans, Ernest Yates obtained a doctorate in English from the University of Pennsylvania. He has lived and worked in the Philadelphia area for fifty years. Mr. Yates has published poetry in dozens of literary magazines and journals, and has won the Grand Prize of the Pennsylvania Poetry Society, among other poetry awards. For further information, please consult Mr. Yates’s website? ernestyates.com

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    Evening of the First Day - Ernest Yates

    Copyright © 2014 by Ernest Yates.

    All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.

    Rev. date: 03/03/2014

    To order additional copies of this book, contact:

    Xlibris LLC

    1-888-795-4274

    www.Xlibris.com

    Orders@Xlibris.com

    550301

    Contents

    Evening of the First Day

    2ND

    Nubia

    2nd Street Go-Go

    Holy Toledo! 2nd Street

    2nd Street Flutter

    2nd Street Hullaballoo

    Rockin’ and A-Rollin’ on 2nd Street

    2nd Street Elegy

    JOHNNY VALENTINE’S

    Intent upon Nothing

    The Tao of 2nd Street

    Empty Lot

    MR. SYE CLEANERS

    Brass Tacks

    Another Word

    Two Planes

    Rapture, Indeed

    The Struggle

    Dumpster

    The Presence

    Purity

    Surprise, Surprise

    The Weight of the World Is on My Shoulders

    Observant

    Etcetera

    Proof

    These Roads

    Sky Writings

    Bar Game

    At Home, At Night

    Walking the Line

    Uplift

    In Front of ALL RIGHT PARKING (Three Fragments)

    Out onto Germantown Avenue, Traversing the Northern Frontier

    Beyond the Last Parking Lots (A Fragment)

    The Question

    3RD

    Theater

    Ah, 3rd Street

    Subjunctive Mood

    Poking into Art Galleries and Shops

    Whatever Life Brings

    Harvest

    In a Bind

    After Desire Comes Philosophy

    Where the Heart Is

    An Old Ongoing Story

    On the Calmness that is Freedom

    Passing Days

    Stern Lesson

    Cheers

    Chez Moi

    Bacchanal

    And Then Omoo

    Shoes Full of Holes

    On this Freezing Night

    Fine Fair Day in Spring

    Whimsy

    Intersection

    Cold Wind

    Kenny Garrett on Sax

    Inscription

    Now I Looked Down

    A Great Man

    Context

    Encounter

    PANTS $19.88 AND UP

    Late at Night outside D. BECKER & SONS

    Free Time

    Near Green Street

    Reverence

    AUTHOR’S NOTE

    To Jacqueline

    EVENING OF THE FIRST DAY

    This evening’s sky is moonless and dark,

    and the few street lamps scatter

    only a dimness over sidewalks.

    Now and then a car’s lights

    sweep over facades and side walls

    in ludic flicker of windows, doorways, granite steps—

    successive flashes of this, that, and the other.

    What else hath God wrought, anyway?

    A good mate and a little wine, if we’re lucky?

    Freedom, perhaps?

    2ND

    NUBIA

    GALLERY HAMID

    features African art and hand-woven tapestries.

    Last night

    i gazed through its window

    as if i would be transported into

    another world,

    more exotic, more sensuous than 2nd Street.

    More alive.

    But what were all those ebon statuettes to me,

    those illustrations of temples?

    Light from street lamps

    caromed from the windowpane and half-lit

    the rough sidewalk.

    As they passed me, a man and woman exchanged

    heated words that were lost in background

    noise of the street.

    A neighboring gallery featured

    a sign that read

    LARRY BECKER CONTEMPORARY ART.

    It was a cool night, and puddles left over from

    daytime rains

    glittered with lamplight from a nearby lot.

    No, no, Nubia

    and all its monuments—

    temples of Satis, consort of Khnum,

    alabaster cats,

    caricatures of lean men in kufis

    and djellabas—

    had no more allure than green-

    painted bricks of HAMID.

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