Button Reflections
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About this ebook
Patricia Budd Kepler
Patricia Budd Kepler is a Presbyterian Minister. She writes about times, events, and movements, that have helped shape history and have changed her life and world view. Rev. Kepler has served as a pastor, a denomination leader, an educator, and university chaplain. She is married and the mother of three sons and six grandchildren. Her writing includes, Women and the New Creation: A Study Course on Identity for Women in the 70’s with Anne Wilson Schaef, Copyright Concern Magazine 1972, Life Lessons from my Dog (Xlibris 2007), and Work after Patriarchy: A Pastoral Perspective (Xlibris 2009)
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Button Reflections - Patricia Budd Kepler
Copyright © 2015 byPatricia Budd Kepler.
Library of Congress Number 2015911698
ISBN: Softcover 978-1-5035-8800-4
eBook 978-1-5035-8801-1
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the copyright owner.
Rev. date: 12/28/2016
Xlibris
1-888-795-4274
www.Xlibris.com
553695
Contents
Introduction
Two Religious Callings
Tractors and Green Pastures
Celebrating the National Guard in Williamstown
Button Thoughts
Peace not War
Palestine and Israel
Civil Rights and Human Rights
Lesbian, Gay, Bisexual, Transgender Justice
The Women’s Movement and Feminism
The Women’s Coalition for the Third Century
Education
The Big Time In A Small Town: The Stanley Cup
First Night
Appendix
This book is dedicated to the members of the Westminster Presbyterian Church, once in Manalapan, New Jersey, those living on earth and those living in Glory. Theirs was the first church I served. They loved me into being a Minister and a better human being. To them I offer my deepest gratitude.
I also dedicate this book to my husband, Thomas Kepler, who opened the door for me at Manalapan. Through love and grace we stay life’s course together.
We are grateful to all those with whom we have worked and whom we have cherished in other churches and other contexts. God is good!
INTRODUCTION
W HO KNEW THAT rummaging through a desk drawer could be an adventure? There among the pens, scotch tape, old cards, and paper clips were buttons. Not the kind you sew on clothes to hold them together but the kind with pins on the back that you wear to show some affiliation, support some cause, or just have some fun with.
As I looked at each button, images, events, memories, feelings, and perspectives flooded through my mind. I could see the people who wore them, the people I was with when I wore them. Endless hours spent in meetings in parades and marches, on fair grounds and city streets, scrolled through my mind in fast time. These buttons tell my stories, they are about our history.
I am not a person who normally wears buttons and I am not sure I wore all the buttons in this book. Some of them I helped design. Some of them I helped distribute. A few were given to me by friends or family. All I know is that what they represent has meaning for me.
Writing about these buttons was a challenge. I had decided to write no more than a few pages about each button or group of buttons. It was easy to keep my writing to a couple of pages for some of the buttons. Others are about issues such as Civil Rights or Peace or the Women’s Movement. Books have been written, library shelves lined, movies produced about those subjects and the material will never be exhausted. I had to settle for being succinct and superficial. And subjective.
I found that in many ways, the buttons limited me. I had to stick with the messages the buttons tried to convey. If I were to write about my perspectives without the buttons, I would write from a completely different angle.
I also found myself wanting to talk about family members and friends as I reflected on the buttons and I sometimes succumbed to that temptation. I apologize for these very specific references. As you listen to my stories and reflections, I hope they trigger yours. And if you are young enough so that none of my stories remind you of anything in your experience, I hope you can find traces of the past in these pages that have some fertile thoughts for the future. Some themes keep repeating.
This book has been in the making for years. Life keeps interfering with its completion. By the time you are reading this, I will have stopped writing and stopped editing and settled for what is on the pages you are reading. It all feels incomplete. But the periods have to go somewhere.
I was amazed by how much of what I am writing about from the last half of the Twentieth Century is recycling again in the Twenty-First Century. My grandchildren’s generation is grappling with many of the same issues we dealt with.
Each generation will have unique challenges to face, and the culture of each historic era will be particular. Our sons and their wives are part of a generation that learned to use the internet as young adults. They grew up without it. Their children, on the other hand, have never known life without the internet. In many ways, each generation is a transitional generation, living with new discoveries and situations.
The internet and newness aside, new years come and go, the political process churns on, human rights are still hard won, education continues to prepare us for life, sports continue to amuse, we still need food and water to survive, and being human means always adapting to change while some things remain reliably and inevitably constant. The earth is still our home. And we still struggle with war and peace. And I still read and preach from a Bible that is old and yet still relevant to my life, yielding ever new insights,.
So these buttons are part of an old story, and yet part of the ongoing story that belongs to all of us.
In the process of writing this book, I have found that many other people have buttons lying around too in their drawers and boxes. Maybe traveling with me through these chapters as I muse on my buttons will be an invitation to you to think about your buttons, old and new. I hope so.
My faith has been a central part of who I am, and is an integral part of my reflections. I do not often talk or write in religious terms. I see all of life as religious and religion as part of all of life. I have a strong proclivity for both mystery and common sense. Sometimes I see the Spirit at work in our lives and world and the way ahead seems clear, sometimes I know the Spirit is moving in ways that elude me and I move forward on faith. I assume the Spirit to be present and prodding in all of life even when I or any of us is not noticing.
You can assume, even when I am not using religious language, that I see the Holy or its absence in ordinary events and times as well as in special events and times.
There are many things that these buttons don’t address. Most important among them is the family that was so vital and central to me while all else was going on. They are at the center of my heart. I only refer to them in a few places. Suffice it to say that my family made everything I did professionally, possible. And I like to think that much of what I did, I did in the hope of making the future better for them.
I regret that my experiences with my friends from Africa and Korea did not come with buttons attached. That story will have to wait for another day.
I am grateful for all of life, for that which these buttons has enabled me to talk about and all that was not included. For all of it, I give thanks. I am grateful for all those with whom I have been privileged to share and continue to share life’s adventures, only a few of whom have been named. To God I offer my life, to Jesus I owe my worldview and my grateful heart, and to the Spirit I entrust the future of those whom I love so dearly.
Obviously, one of the most important parts of this book was gathering, sorting, and choosing buttons, and then capturing their images on paper. John Swisher, a professional photographer, is an elder in the First Presbyterian Church of Waltham. He is the person who photographed the buttons. Working with colored originals, he expertly converted them to black and white, arranged them and was patient with the process until the final manuscript was ready. I am very grateful for our collaboration. John decided not to read the manuscript before photographing the buttons. He is not responsible for the content of this book. Like other readers, he will be reading my words for the first time.
May Forkin, also from the Waltham Church, designed the cover with her skill and artistry in the midst of her busy life as a librarian and mother.
My husband, Tom, has shared in many of the stories and loved the people in this book along with me. We share a deep concern for justice and peace. I am also grateful to Cynthia Thompson who read an early version of my manuscript, and to the Rev. Catherine MacDonald who read one of the latest. My sons and grandchildren read chapters here and there and I treasure their perspectives. Conversations with them have helped refine some of my views. I thank Tim Tanigawa and Lauren Dvonch from the Waltham church community who commented on chapters, and my friend Betty Crosby who added edits to this book and has worked on many projects with me before this one. I appreciate Gary Martin’s expert help at Xlibris in preparing this book for print. In the end, I am the only one responsible for the writing and the opinions expressed in the following chapters.
These buttons and my reflections are about both constancy and change. The last half of the Twentieth Century was a time of great shifts in American life. I begin with a chapter that reflects that constancy and change in the life of women in the Roman Catholic and Presbyterian Church, and in my cousin Sister Rosemary’s life and my own. It also sheds a little light on the family history that helped shape her and me and my siblings.
picture_01.jpgTWO RELIGIOUS CALLINGS
Dallas Mercys and Presbyterians
M OST OF THE buttons in this book are ones I have collected. I have chosen to begin with the button about the Dallas Mercys given to me by my first cousin, Sister Rosemary Budd. Tom and I were visiting her at the Mercy Center in Dallas, Pennsylvania and as I was telling her about writing this Button Book,
she reached into the drawer of the one dresser in her simply furnished room and pulled out the button you see. This button was among the very few possessions she has kept over the years. It represents many memories of a lifetime of ministry for her.
The Dallas Mercys button commemorates the Convocation in Buffalo, New York in 1991 that formed the Institute of the Sisters of Mercy of the Americas, bringing together Sisters of North, South, and Central America. Sister Rosemary was there on that special celebratory occasion.
*****
Sister Rosemary and I are the first in our respective families to have chosen a religious