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Life Verses: the Song of a Writer
Life Verses: the Song of a Writer
Life Verses: the Song of a Writer
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Life Verses: the Song of a Writer

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Blending lyrical content for the expression of poetic production, the style of this book showcases how precise the art of words and phrases are conjoined to become a definitive interpretation of poetry. Relating on the topics of love, religion, politics, family, friendships, and other common areas in life, Life Verses: The Song of a Writer displays the intellectual capability of allowing the originality from the Authors perspective to be showcased. Taken from the experiences of the Authors own life and trying to distinguish between the imaginative versus the reality, the composing is very much relating his experiences and others as well.
LanguageEnglish
PublisherXlibris US
Release dateNov 27, 2013
ISBN9781493130207
Life Verses: the Song of a Writer
Author

LJ Sherard

Rhythm and blues, gospel roots, alternative soul, and jazz inspirations are some of the influences of author L. J. Sherard. Originally from the southern part of Georgia and raised in Baltimore, Maryland. While growing up in Baltimore, he developed his skills and talent as a writer to become more effective and promote success, taking from the experiences of life and incorporating his ideas into various projects and books. Having musical inspirations from Chester “Lyfe” Jennings and favorite poems done by Langston Hughes, L. J. Sherard has continually chose to embrace various genres to his writing abilities. He has always been passionate about his material which allowed him to keep an open-minded perspective on his ability to create innovative ways from the everyday routine. Taking the demands of achieving success into perspective, his characteristics contribute to his skill as a successful writer.

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    Book preview

    Life Verses - LJ Sherard

    Contents

    Message to the Reader

    Intro

    VERSE ONE

    I’m Back

    Sirens

    Loosen

    GO!

    Mind of Ambition, Success Is My Mission

    You Again

    Dreamer

    Interlude

    CHORUS

    Build

    Semicolon

    Beautifully Ugly

    D.W.T.F.I.L.

    Insecurities

    Day

    You Are

    Interlude

    VERSE TWO

    Stealing Cupid

    Running

    Imperfection

    Itch

    Good Ol’ Gospel

    Outcast

    Love Those, Hate Is an Ugly Word

    Interlude

    CHORUS

     . . . Push…

    Role Model

    Coffee Bean

    He Called Me… WARRIOR

    Better Defined by…

    This Day Fades Out

    (The Sunday Scene)

    David

    Interlude

    VAMP

    Am I Supposed To?

    My Father’s Song

    Feet

    I Praise… Music Stops… Life Goes On

    The Day

    Our First XOXO

    The Leader

    Interlude

    VERSE THREE

    Yeah… Basically I Miss You

    Mr. and Mrs. Mathematician

    You’re an Introduction

    Give Me Back My Tears

    Roses, Tulips, and Fruit

    Can’t Force Me To Lose

    Bang, Bang (Heart-Brake)

    Interlude

    BRIDGE

    Physics of Religion

    Loving Haters

    Running Too

    Pulling Out All the Stops

    Stalker

    Spit Up, Spit Out

    The Rise

    Interlude

    CHORUS

    Beautifully Ugly II: Beauty versus Ugly

    I Love You

    What If?

    Open-Heart Surgery

    Almost Yours Again (I remember)

    Expected Words

    Relationships ‘R’ US

    Interlude

    REPEAT CHORUS

    Depth

    Love Follower

    Desire

    Feet II

    Love Like Never

    Come Here… Sit

    Intimacy

    Interlude

    BONUS VERSES SIDE I

    That Nature Poem

    Rip the Mansion

    Quiet Resilience

    So Attached

    Puppies and Babies

    The First Truth

    New American Bandstand

    Workshop

    White Chocolate Cheesecake

    BONUS VERSES SIDE II

    Together Apart

    A Female Want

    Bruise

    Blue Hearts

    Lion Dad

    Love Anger

    Expedition

    The Loud Noise versus His Silent Sounds

    Walking Car

    Interlude

    About the Author

    L. J. Sherard has given more than ten years into the stylistic writings that consists of the background from rhythm and blues, gospel roots, alternative rock, and jazz inspirations to name a few. His background has conjoined music favoritisms and poetic influences from Langston Hughes to Chester Lyfe Jennings. Born in the deep country of Douglas, Georgia and later moved to Baltimore, Maryland to be raised. He developed the tactful skill of enjoying music and learning the various aspects that came along with composing a song. It was not until his last year in high school when he realized that he could write poems. Later in life, he challenged this talent and has grown to become a writer of many sources. L. J. Sherard has managed to develop various ways to incorporate his experiences into a unique style of writing. Keeping pace with differentiating his style of writing to the likings of others, which keeps a visionary mind-set of openness to achieve and continually be set apart. His ability to showcase his efforts and skillful words into poetic interpretation stands strong while the voice still remains humble yet consistent with the flow of work. Taking themes and experiences from art and music, his intellectual capacity of human characteristics displays his observant nature and the willingness to achieve. The phases of life always keeps a clear perspective on his ability to create innovative ways and relatable simulations inside his writings that serves as an outlet from the everyday routine. Taking on this perspective promotes his ability to illustrate positivity, growth, and understanding the importance of his talent. Experiencing the city culture and the demands of achieving success was crucial and very detrimental if he did not turn into a successful story. Just being who he is and has grown to be illustrates the depiction of person with an interesting view of life. Making the decision of letting the thoughts of interpreting music through poems signifies the importance his character and personifies the arrangement of this book.

    Blending lyrical content for the musing of poetic production, the style of this book showcases how precise the art of words and phrases are conjoined to become a definitive interpretation of poetry. Relating on the topics of love, religion, politics, family, friendships, and other common areas in life, Life Verses: The Song of a Writer displays the intellectual capability of allowing the originality from the author’s perspective to be showcased. Taken from the experiences of the author’s own life and trying to distinguish between the imaginative versus the reality, the composing is very much relating his experiences and others as well. Having penned the poetically induced Beautifully Ugly and its follow-up to be included climaxes the theme of a resentful yet strenuous relationship that never quits. Alongside the humorous Yeah… Basically I Miss You illustrates the inevitability of life’s outcomes that prevents others to react in a set mind frame. The view that promotes the defining tone of the book puts a poetic writing in another category. Given the down-south-rooted Good Ol’ Gospel and spiritual ballad Love Like Never also brings versatility to the book as well. The title I’m Back, a power-driven entanglement of phrases that induces the mind on being back for the first time, is a fresh taste of something new. Life Verses: The Song of a Writer isn’t just all metaphorical punch lines and emotional phrases; it’s relaxing yet involved in various aspects that do not contradict with reality. It sets the stage to numerous situations and sheds light on a lot of the same predictable outcomes in life but does so in a more relatable approach. Oftentimes, poetry is common in society as something to be read and thought about over the course of life or for a period of time. Life Verses: The Song of a Writer continues that aspect as well and involves the lyrical components that make each word distinguishable from the next. Leaving an impression whenever a situation arises in life, the metaphorical mechanics, the grammar, and distinct words used in this book could be used as a cliché.

    There are only a few people that come along in life that helps carry some of the load or work in your efforts of achieving and being successful in your purpose, goals, and dreams. These particular individuals had enough energy and belief in what I spoke or wrote about and told other people what I was doing. The effort and time they took out of their lives to contribute to the development of this book was greatly appreciated and did not go unnoticed. In a way, these folks are considered to be my Simon (refer to King James Bible, Matthew 27:32) who contributed greatly by doing so little. Their enthusiasm, the display of motivation, and efforts helped made this book a success: Michelle Dahl, Pastor Kenneth Harper, and William Winder.

    Special Thanks to Inez Smallwood—Holley, Donnell Holley, Eric Noble and Peggy Smallwood

    Message to the Reader

    The concept of Life Verses: The Song of a Writer describes the highs and lows of a song, beginning with the first verse. In this case, each verse, chorus, vamp, and bridge correlates to the experiences of the author. Every section blends into the next, picking up where the previous section left off. Just like a song, there’s a beginning, middle and end.

    Verse One: The beginning experiences, introducing the personality of the author, showcases the introduction of the song.

    Chorus: Illustrates the relationship status quo of individuals and the author. After coming from the beginning stages of life of verse one, the chorus repetitively talks about situations that consistently arises in life. It’s the soft and relative poetic muses that elevate the song to verse two.

    Verse Two: This verse picks up where verse one leaves off, just like a normal song would do. This verse goes into the descriptive/observant nature of the author and others as well while achieving success and life lessons that come with it.

    Chorus: The chorus is similar to the previous chorus and all others as well because it’s a chorus, but is more in-depth involving an inspirational perspective.

    Vamp: In most songs, a vamp slows the song down before reaching the pinnacle of the song. In this case, the vamp smoothes things down a little before climaxing to verse three. Struggling with a lot of thoughts and situations coming up in life, this section refers to the spiritual side of developing the author’s character.

    Verse Three: Normally, verse three is not in a song, but in this case, verse three prepares the reader for the bridge or the highlight of the song, and climaxes the stages of struggles, pain, and gaining

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