Tale of “Jeannette”
By Aysa Florez
()
About this ebook
Aysa Florez
Aysa Florez was born on April the 17, 1959, and grew up in the Eastern Ukraine. It was during her teenage years that she began fascination with literature. Inspired by the range of books that she has read, Aysa has dreamed to become a write one day. But she couldn’t fulfill her dream, and only returned to writing in the late 2006, decades after Aysa put pen to paper. She is a passionate writer, whose creative vision matched by her great storytelling ability. To date she has written countless of poetries; screenplays; 1 playwright, and 4 novels. What set her apart from other writers is that, Ms. Florez writes in English and in Russian. Aysa lives in Australia for the past 25 years.
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Tale of “Jeannette” - Aysa Florez
© Copyright 2014 Aysa Florez.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the written prior permission of the author.
ISBN: 978-1-4907-4436-0 (sc)
ISBN: 978-1-4907-4435-3 (e)
Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
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Trafford rev. 09/03/2014
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CONTENTS
Characters
The Extras
Settings
Staging
Acknowledgements
Prologue
Part One
Part Two
Part Three
Part Four
Epilogue
I dedicate this Play to my mother - Ester, who has passed away during the publication of the book.
CHARACTERS
THE EXTRAS
FELIPE - a Cabin Boy on the ship Jeannette
FRANCOIS – the Ship’s Jeannette
Captain
RENAUD - the superior at the factory in France.
Molière - owner from whom the Marceau leasing a house
FRYER - accountant, hides in the closet be Gay.
CARLOS – the ship’s Jeannette
doctor.
LORETTA LENORA – two old rich ladies. The first appeals adore her cat. And they’re neighbor with the Marceau’s.
NARRATOR - is a male’s voice from OFFSTAGE.
FIFI – a cat appears and belongs to madam Loretta. It’s going to be killed as the play proceeds.
RETAILER #1 RETAILER #2 – they’re seen in Act I, Scene 6.
YOUNG GYPSY – Roma woman appears in Act 1, at scene on the Marketplace.
DRAG QUEEN – A Gay man, and is called himself - Veronica. His real name is Paul; and he comes out from the closet, as story progresses. He is going to be killed in finale.
BENITO MACHADO - is the Governor in South America.
REPORTER – from a English newspaper
GIRLS - in the Bar; and at Night Club Tijuana
.
SETTINGS
Renaud Factory’s office
Ferdinand’s ship deck; and in a cubicle
Tijuana’s club - resembled to a Night Club
Marisol’s back yard
STAGING
This Play has not been staged as yet.
PART I: SCENE 1 - Onset of action happens in small-town, at Southern France.
SCENE 2: In the center of stage is extension in the form of a self-constructed house. Inside some parts of the furniture are kept. Here is the factory’s office with waterfront view on the Sea, seen as people spinning in their chairs. Two of those are dressed in overalls, the men wearing suits, carrying papers. And those women are in dark skirts plus jackets.
ACT II SCENE 1 - On the stage decoration is a fragment of the mast; a small outbuilding in the form of ship that, also serves as the ship’s upper deck.
At the back of stage is half-empty. Then the stage is well lit; lights are fallen on the emerged Renaud, who stood, looking in a displayed window. On other side of the stage is emerging Fryer that walks into the office.
SCENE 4 - The stage well lit: where change of attributes, and preparing the scene with movements.
At back of the stage see fragments of a ship in the Port. In a close proximity is an office, where hangs a map on role-playing wall; table furnished with bottles; and three chairs.
There in saw people are spinning a couple dressed in work overalls. Employees carry papers, men are dressed in suits and ties, women in a dark skirts and jackets.
Seen an office either of the factory with a waterfront view on the Sea.
SCENE 4 - Personifying in the stage far corner, added a phenomenon image of the landscape it’s the Tropical Edge, where view of the Amazon area in the Rainforest.
SCENE 6 – Is hearing melody played by someone on a piano accordion.
PART II Act I – Scene: On stage is change of attributes for anew scenery, where are seen crowds presenting their products.
Scene 4 – The guitar player turns loud, and passionately strums the chords on a guitar is drowning, but creaking this gramophone. Hearing the boom of a drum is flattering to those beat, in the rhythm of South American dances, singing melody.
Scene 6 - With the first sounds of music sounds of music develops of unhurried procession of those, who active dancing ensue, as they perform intricate Pirouettes.
Scene 8: It’d execute grotesque of colorful performances, predicts fate of the hero, and sound tracks?
*Here is colorful scenery to be seen here: picture on the Market, use of fun at the Carnival Song-Dance performers. That acrobat amidst flying gymnasts, magician-fakirs, and synchronously here - is a torch with fire in the Circus.
PART II - Scene 1 On the stage is a small extension in the form of a ship. While in the background we can see fragments of ship’s deck. There is the pyramid and guns, a rope, with flags from foreign countries, as well.
Scene 2: On the stage change of attributes on scenery where a hard rebuild, and preparing for the next picture: in a tent. On the stage decoration is a fragment of the mast; a small outbuilding in the form of ship that, also serves as the ship’s upper deck.
SCENE 4, page 63 - On the stage change of attributes on scenery where a hard rebuild, and preparing for the next picture: in a tent.
On the stage decoration is a fragment of the mast; a small outbuilding in the form of ship that, also serves as the ship’s upper deck.
PART III: There’s metropolis of a modern city. Be heard noise in the street. The rustle of tires on the machines; grinding of the brakes be made noise.
And the scene, reconstructed in style Shop-design and business, mid-20th-century. A handcar, buses. Crowd is dancing (Ballet Ensembles and vocals). Active movements. Burning eyes,