Pale Colors in a Tall Field: Poems
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About this ebook
A powerful, inventive collection from one of America’s most critically acclaimed poets.
Carl Phillips’s new poetry collection, Pale Colors in a Tall Field, is a meditation on the intimacies of thought and body as forms of resistance. The poems are both timeless and timely, asking how we can ever truly know ourselves in the face of our own remembering and inevitable forgetting. Here, the poems metaphorically argue that memory is made up of various colors, with those most prominent moments in a life seeming more vivid, though the paler colors are never truly forgotten. The poems in Pale Colors in a Tall Field approach their points of view kaleidoscopically, enacting the self’s multiplicity and the difficult shifts required as our lives, in turn, shift. This is one of Phillips’s most tender, dynamic, and startling books yet.
Carl Phillips
Carl Phillips is the author of Speak Low, Double Shadow, Silverchest, Reconnaissance, Wild Is the Wild, Pale Colors in a Tall Field, Then the War: And Selected Poems, and several other works. He has been awarded the Pulitzer Prize, Kingsley Tufts Award, the Jackson Poetry Prize, and the Los Angeles Times Book Prize, among other honors. He teaches at Washington University in St. Louis.
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Reviews for Pale Colors in a Tall Field
8 ratings1 review
- Rating: 3 out of 5 stars3/5It was okay. Not the best poetry but it is nice writing and a nice relaxing read
Book preview
Pale Colors in a Tall Field - Carl Phillips
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Table of Contents
About the Author
Copyright Page
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He taketh my hand / in his
THE LAST OF FANFARE
—By fire, then, but within view of a rough sea?
Yes, he said. And: That’s perfect. And: Don’t stop.
Clouds moving behind leaves in front moving
ON BEING ASKED TO BE MORE SPECIFIC WHEN IT COMES TO LONGING
When the forest ended, so did the starflowers and wild
ginger that for so long had kept us
company, the clearing opened before us, a vast
meadow of silverrod, each stem briefly an
angled argument against despair, then only weeds by
a better name again, as incidental as
the backdrop the ocean made just
beyond the meadow … Like taking
a horsewhip to a swarm of bees, that they might
more easily disperse, we’d at last reached the point
in twilight where twilight seems most
a bowl designed to turn routinely but
as if by accident half roughly
over: bells somewhere, the kind
of bells that, before being housed finally
in their towers, used to
have to be baptized, each was given—
to swing by or fall hushed inside of,
accordingly—its own name; bells, and then—
from the smudged edge of all that
seemed to be left of what we’d called
belief, once, bodies, not of hunting-birds, what