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Corsets 1700-1790 History Notes Book 15
Corsets 1700-1790 History Notes Book 15
Corsets 1700-1790 History Notes Book 15
Ebook140 pages49 minutes

Corsets 1700-1790 History Notes Book 15

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This book shows how body wraps, stomachers and stays were worn during the 1700s. They created a variety of fashionable silhouettes to suit the elaborate fashions worn for court and daily life during the 18th Century. Wearing the correct underclothing was essential for keeping garments in place and giving the best fashion display. Corsets for the Georgian Era.

LanguageEnglish
PublisherSuzi Love
Release dateMay 30, 2021
ISBN9781005699284
Corsets 1700-1790 History Notes Book 15
Author

Suzi Love

I now live in a sunny part of Australia after spending many years in developing countries in the South Pacific. My greatest loves are traveling, anywhere and everywhere, meeting crazy characters, and visiting the Australian outback.I adore history, especially the many-layered society of the late Regency to early Victorian eras. In and around London, my titled heroes and heroines may live a privileged and gay life but I also love digging deeper into the grittier and seamier levels of British life and write about the heroes and heroines who challenge traditional manners, morals, and occupations, either through necessity or desire.Tag Line- Making history fun, one year at a time

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    Book preview

    Corsets 1700-1790 History Notes Book 15 - Suzi Love

    1

    Overview

    Corset Or Stays

    At various times during the eighteenth century, fashion profiles moved from round, to square and flat, to fan-shaped and many of these fashion changes meant wearing heavy and cumbersome garments. Stays became an essential item of underwear, necessary to achieve a smooth profile and a firm contour. Although custom-made and very intricately designed, stays were usually very plain.

    During the eighteenth century, women’s underwear served two purposes. To protect the body and to provide support. When dressing, the first layer was always a chemise, also called a shift or a smock, which was made of very fine linen and worn to protect expensive clothing from touching the body, as daily bathing was not customary.

    Over the shift went the linen stays, heavily reinforced with strips of whalebone. They moulded the torso to a fashionable shape and provided a rigid form on which the gown could then be arranged and fastened.

    In the 18th century, stays came in a wide variety of shapes, sizes, and fabrics. The style became low waisted and cut narrow at the back and wide at the front. Whalebone or cane was inserted to give support and straps pulled the shoulders back until they almost touched. Tabs were created by making cuts from the lower edge up to the waistband to give the hips more room while still pulling in the waist and pushing the bust upwards.

    Highly decorative corsets were still in fashion, using silk brocade and gold trim. Towards the end of the 18th century, corsets started to become shorter and waistlines became higher.

    Stays were then added to mold the torso to a fashionable shape and provide a rigid form on which the gown could be arranged and fastened. Then came hoops, which were also made of linen and stiffened with whalebone or cane. They shaped the petticoat and gave a gown its fashionable silhouette. For most of the eighteenth century, stays were worn to support a woman's back during these numerous changes and also to create a fashionable V shape.

    In the Georgian Era as bodices elongated, the backs of stays became longer. To hold them place, to keep them flat and to provide a lot of support, baleen, from whales, was inserted into stays. Eyelet holes were stitched and staggered in spacing, so stays could be spiral laced. Stays were strapless or had

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