Haddon Hall
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About this ebook
In an effort to maintain his family’s estate, Sir George Vernon attempts to broker a marriage between his daughter and his cousin--despite her reservations. The union will secure the long-term ownership of Haddon Hall. Sir George Vernon is desperate to maintain ownership of Haddon Hall. He is in a legal dispute with his cousin Rupert, who is using his government power and influence to obtain the property. Sir George’s daughter Dorothy is in love with John Manners, but her father plans to marry her off to Rupert as part of the land deal. This leads to Dorothy and John eloping, which forces Sir George to find another way to retain the family estate. Sydney Grundy and Arthur Sullivan explore the exciting origin of one of England’s most notable properties. It’s a captivating interpretation of the Vernon’s story told from a unique point of view. With an eye-catching new cover, and professionally typeset manuscript, this edition of Haddon Hall is both modern and readable.
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Arthur Sullivan
Sydney Grundy (1848–1914) and Arthur Sullivan (1842–1900) were successful collaborators during the late nineteenth century. Grundy attended Owens College where he studied law before he embarked on his theatrical career. Elsewhere, Sullivan was raised in a musical family where he learned to play multiple instruments at an early age. He would go on to produce H.M.S. Pinafore (1878) and The Pirates of Penzance (1879). Meanwhile, Grundy worked on A Little Change (1872), A Pair of Spectacles (1889) and A Village Priest (1890).
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Haddon Hall - Arthur Sullivan
PROLOGUE
MEN: Ye stately homes of England,
So simple yet so grand;
Long may ye stand and flourish,
Types of our English land!
WOMEN: Ye stately homes of England,
Such mansions only grew
Where virtue reigned from cot to throne,
And man and wife were true.
FULL CHORUS: Ye stately homes of England,
Long may your towers stand;
Types of the life of man and wife,
Types of our English land!
Act I
SCENE.—The Terrace.
CHORUS.
To-day, it is a festal time!
The bridegroom comes to-day,
And we are here to sing a rhyme
To speed him on his way.
To-day, our mistress, ever dear,
Doth plight her virgin troth;
And we are all forgathered here
To sing, God bless them both!
DANCE.
Enter DORCAS.
RECITATIVE.—DORCAS.
But midst our jubilation
Comes the echo of a sigh;
Its full signification
Ye will gather by-and-bye.
Now, lend me your attention
While I tell you all a tale,
Anent a dainty dormouse
And an unattractive snail.
CHORUS: A dainty dormouse!
An unattractive snail!
SONG.—DORCAS.
’Twas a dear little dormouse—
A little mouse-maid!
Her papa and mamma
She had always obeyed.
Pit-a-pat went her heart,
And her cheek grew pale,
When commanded to marry
A stupid old snail.
Oh, father, I cannot!
"But, daughter, thou must;
For he has a house,
And we haven’t a crust!"
The snail he was ugly,
The snail he was black;
But for all that he carried
A house on his back.
Said the wily old dormouse,
"When thou art his bride,
He will lend us his house,
And we’ll all live inside!"
ALL: Oh, father, I cannot!
"But, daughter, thou must;
For he has a house
And we haven’t a crust!"
DORCAS: A gallant young squirrel
Sat perched on a tree,
And he thought to himself,
There’s a good wife for me!
On the eve of the wedding
He said to the mouse,
"Wilt thou marry a squirrel
Who hasn’t a house?"
Oh, squirrel, I cannot!
"But, dormouse, thou must,
Her heart to a squirrel
A dormouse may trust."
The squirrel was handsome,
They plighted their vows,
And the squirrel ran off
With the little dormouse.
And I’m sure if you ever
Set eyes on a snail,
You will all sympathize
With the dormouse’s wail.
ALL: "Oh, father, I cannot!
Don’t tell me I must;
Though he has a house
And we haven’t a crust!"
CHORUS: But who is the dormouse
And who, who is the snail?
Enter SIR GEORGE VERNON, LADY VERNON, and DOROTHY.
CHORUS: Hail to the Lord of Haddon!
And thee, his silver bride!
And to thy daughter, fairest flower
Of all the country side!
WOMEN: Nor violet, lily,
Nor bluebell we bring,
To garland thy pathway
With fragrance of spring.
No beauty of blossom
That dies in a day
Can speak an affection
That blossoms alway.
And never a chaplet
Our hearts could entwine
Could tell the devotion
That ever is thine.
CHORUS: In lieu of the lily
And bonny bluebell,
We lay on thine altar
True love’s immortelles.
DOROTHY: Dear playmates of childhood,
Right welcome are you!
More fragrant than lily
A love that is true.
LADY V.: Like flower amaranthine
Whose blossoms ne’er fade,
It blooms in the sunshine
And blooms in the shade.
BOTH: Right welcome are you.
CHORUS: In lieu of the lily
And bonny bluebell,
We lay on thine altar
True love’s immortelles.
RECITATIVE.—SIR GEORGE.
Welcome, I bid ye welcome, one and all!
Let youth and beauty keep their merry May;
For all too soon the leaves of autumn fall,
And evening shadows quench the laughing day.
MADRIGAL.
SIR G.: When the budding bloom of May
Paints the hedgerows red and white,
Gather then your garlands gay;
Earth was made for man’s delight!
LADY V.: May is playtime—
DOROTHY: June is hay time—
SIR G.: Seize the day time—