Talking out loud: A guide to writing sparkling dialogue for your characters
By Mo Fanning
5/5
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About this ebook
Readers love to hear your characters talk. They might know nothing about the art of creating a believable plot. They may not care about whether your settings are factually correct. But they do know how real people talk. They hear it every day. Most of them like to talk too.
This informative book guides you through the pitfalls
Mo Fanning
Perfect for fans of Jane Fallon, Marian Keyes, Beth O'Leary and Taylor Jenkins Reid, Mo Fanning writes deep, character-driven stories that entertain and make readers think. His stories are your stories. His characters just so happen to be gay.Mo Fanning is a part-time novelist, part-time stand-up comic and full-time ageing homosexual. With a unique talent for blending romance and comedy in intriguing settings, Mo is an emerging voice in the contemporary fiction scene.
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Reviews for Talking out loud
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- Rating: 5 out of 5 stars5/5Really informative guide. Liked how a lot of examples were used.
Book preview
Talking out loud - Mo Fanning
Mo Fanning
Talking out loud
Sparkling tips for writing great dialogue
First published by Spring Street Books 2020
Copyright © 2020 by Mo Fanning
All rights reserved. No part of this publication may be reproduced, stored or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise without written permission from the publisher. It is illegal to copy this book, post it to a website, or distribute it by any other means without permission.
Mo Fanning asserts the moral right to be identified as the author of this work.
Mo Fanning has no responsibility for the persistence or accuracy of URLs for external or third-party Internet Websites referred to in this publication and does not guarantee that any content on such Websites is, or will remain, accurate or appropriate.
Second edition
This book was professionally typeset on Reedsy
Find out more at reedsy.com
Publisher Logo… ‘and what is the use of a book,’ thought Alice, ‘without pictures or conversations?’
Lewis Carroll: Alice’s Adventures in Wonderland
Contents
Everyone talks
In actual life
What’s it for, anyway?
On and on and on
He said, she said
Who's doing the laundry?
Pump up the volume
Say it again?
Storytelling done bad
Everything sounds the same
We're characters in a sit-com
The Performance
Presentation is everything
Away you go
The Armchair Bride
Thanks for reading
About the Author
Also by Mo Fanning
Everyone talks
Readers love your characters to talk. Get this wrong and you’ll lose your audience quicker than you can cram back story into mundane conversation.
Your readers care little about the art of creating a believable plot. They don’t give a fig about whether your settings are correct. But they understand how actual people talk. They hear it every day. Most of them talk too. Given the garret mentality so many writers adopt, chances are readers are far better at conversation than those of us who claim to reorder words for a living.
Pick up any book and skim to dialogue.
The words sound natural, right?
A lot of work has gone into making sure they do!
If the writer has done their job, you won’t notice how they steer each situation to move the plot forwards.
New writers either decide they hate dialogue and do everything in their power to avoid letting their characters talk, or they go to the other end of the spectrum and cram their stories with flabby exchanges. A talented writer realises the power of dialogue and uses it to both advance their story and build sympathetic characters.
Chances are, when you tell friends or colleagues that you’re writing/have written a book, they glaze over and tell you how they’ve always wanted to do likewise. There’s a book in everyone, after all - even if, in most cases, that book should remain lodged in the would-be author’s pancreas.
People imagine they can write, because talented writers make it look easy.
A masterful story-teller makes everything appear simple, and I’ve designed this short guide to help all authors great and small master the basics.
I’ll explain why dialogue matters (as much as the story), and why even the best, most sparkling scene you ever wrote might have to end up on the cutting room floor. It’s key to creating believable characters.
I don’t claim to be any better at creating