Understanding Copyright: Author's Edition
By Teresa Lynn
5/5
()
About this ebook
• What copyright is • What copyright covers • When and how to register copyright • Fair Use • Using real people and places • What to do if your work is stolen • How to transfer copyright
Read more from Teresa Lynn
Little Lodges on the Prairie: Freemasonry & Laura Ingalls Wilder Rating: 5 out of 5 stars5/5Pearls & Pigs: A book about sex, lies, and dating Rating: 0 out of 5 stars0 ratings
Related to Understanding Copyright
Related ebooks
Creativity and Copyright: Legal Essentials for Screenwriters and Creative Artists Rating: 0 out of 5 stars0 ratingsReclaiming Fair Use: How to Put Balance Back in Copyright, Second Edition Rating: 0 out of 5 stars0 ratingsThe Basics of Copyright Rating: 0 out of 5 stars0 ratingsFair Use, Free Use, and Use by Permission: How to Handle Copyrights in All Media Rating: 0 out of 5 stars0 ratingsCopyright Law: A Practical Guide Rating: 0 out of 5 stars0 ratingsWebsite Law: The Legal Guide for Website Owners and Bloggers Rating: 5 out of 5 stars5/5The Writer's Legal GPS: A guide for navigating the legal landscape of publishing (A Sidebar Saturdays Desktop Reference) Rating: 0 out of 5 stars0 ratingsThe Copyright Guide: How You Can Protect and Profit from Copyright (Fourth Edition) Rating: 0 out of 5 stars0 ratingsNo Law: Intellectual Property in the Image of an Absolute First Amendment Rating: 0 out of 5 stars0 ratingsFair Use: The Secrets No One Tells You Rating: 0 out of 5 stars0 ratingsGuide to Intellectual Property Rating: 5 out of 5 stars5/5Regulating Content on Social Media: Copyright, Terms of Service and Technological Features Rating: 5 out of 5 stars5/5Copyright: Its History and Its Law Rating: 0 out of 5 stars0 ratingsmacOS Catalina For Dummies Rating: 0 out of 5 stars0 ratingsA User's Guide to Copyright Rating: 0 out of 5 stars0 ratingsThe Intersection of Intellectual Property Law and the “Green” Movement: RIPL’s Green Issue 2010 Rating: 5 out of 5 stars5/5Peers, Pirates, and Persuasion: Rhetoric in the Peer-to-Peer Debates Rating: 3 out of 5 stars3/5Internet Book Piracy: The Fight to Protect Authors, Publishers, and Our Culture Rating: 1 out of 5 stars1/5Digital Design for Print and Web: An Introduction to Theory, Principles, and Techniques Rating: 0 out of 5 stars0 ratingsThe Copyright Wars: Three Centuries of Trans-Atlantic Battle Rating: 0 out of 5 stars0 ratingsThe Law (in Plain English) for Writers (Fifth Edition) Rating: 0 out of 5 stars0 ratingsCanadian Copyright: A Citizen’s Guide Rating: 0 out of 5 stars0 ratingsSelf-Publisher's Legal Handbook Rating: 4 out of 5 stars4/5The Artful Ask: How Arts Organizations Can Build Better Partnerships & Lifelong Sponsors Rating: 0 out of 5 stars0 ratingsLegal Guide to Social Media, Second Edition: Rights and Risks for Businesses, Entrepreneurs, and Influencers Rating: 5 out of 5 stars5/5Section 230: Free Speech and the Internet, the Law That Makes It All Possible Rating: 0 out of 5 stars0 ratingsLegal Guide to Social Media: Rights and Risks for Businesses and Entrepreneurs Rating: 0 out of 5 stars0 ratingsMass Media Bias Rating: 4 out of 5 stars4/5Privacy in the Modern Age: The Search for Solutions Rating: 4 out of 5 stars4/5Essential iPhone X iOS 12 Edition: The Illustrated Guide to Using iPhone X Rating: 5 out of 5 stars5/5
Law For You
Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America Rating: 4 out of 5 stars4/5Trans: When Ideology Meets Reality Rating: 3 out of 5 stars3/5Verbal Judo, Second Edition: The Gentle Art of Persuasion Rating: 4 out of 5 stars4/5Wills and Trusts Kit For Dummies Rating: 5 out of 5 stars5/5Estate & Trust Administration For Dummies Rating: 0 out of 5 stars0 ratingsThe Everything Guide To Being A Paralegal: Winning Secrets to a Successful Career! Rating: 5 out of 5 stars5/5Critical Race Theory: The Cutting Edge Rating: 4 out of 5 stars4/5Legal Words You Should Know: Over 1,000 Essential Terms to Understand Contracts, Wills, and the Legal System Rating: 4 out of 5 stars4/5Win Your Case: How to Present, Persuade, and Prevail--Every Place, Every Time Rating: 5 out of 5 stars5/5The Paralegal's Handbook: A Complete Reference for All Your Daily Tasks Rating: 4 out of 5 stars4/5Legal Writing in Plain English: A Text with Exercises Rating: 3 out of 5 stars3/5The LLC and Corporation Start-Up Guide: Your Complete Guide to Launching the Right Business Rating: 5 out of 5 stars5/5No Place to Hide: Edward Snowden, the NSA, and the U.S. Surveillance State Rating: 4 out of 5 stars4/5Law For Dummies Rating: 4 out of 5 stars4/58 Living Trust Forms: Legal Self-Help Guide Rating: 5 out of 5 stars5/5The Chickenshit Club: Why the Justice Department Fails to Prosecute Executives Rating: 5 out of 5 stars5/5The Socratic Method: A Practitioner's Handbook Rating: 4 out of 5 stars4/5How to Think Like a Lawyer--and Why: A Common-Sense Guide to Everyday Dilemmas Rating: 3 out of 5 stars3/5The ZERO Percent: Secrets of the United States, the Power of Trust, Nationality, Banking and ZERO TAXES! Rating: 5 out of 5 stars5/5Win In Court Every Time Rating: 5 out of 5 stars5/5The Law Rating: 4 out of 5 stars4/5The Second Amendment: A Biography Rating: 4 out of 5 stars4/5Family Trusts: A Guide for Beneficiaries, Trustees, Trust Protectors, and Trust Creators Rating: 5 out of 5 stars5/5Death in Mud Lick: A Coal Country Fight against the Drug Companies That Delivered the Opioid Epidemic Rating: 4 out of 5 stars4/5The Pro Se Litigant's Civil Litigation Handbook: How to Represent Yourself in a Civil Lawsuit Rating: 5 out of 5 stars5/5No Stone Unturned: The True Story of the World's Premier Forensic Investigators Rating: 4 out of 5 stars4/5Patents, Copyrights and Trademarks For Dummies Rating: 4 out of 5 stars4/5
Reviews for Understanding Copyright
1 rating0 reviews
Book preview
Understanding Copyright - Teresa Lynn
Understanding Copyright:
Author’s Edition
Understanding Copyright:
Author’s Edition
Teresa Lynn
Tranquility Press 2019
Understanding Copyright: Author’s Edition
© Teresa Lynn 2019 All rights reserved
No part of this book may be reproduced, adapted, distributed, displayed, copied, or used in any manner whatsoever, except for brief quotations embodied within a review, without written permission.
For information:
Tranquility Press
TranquilityPress.com
723 W University Ave
#300-234
Georgetown TX 78626
The information contained herein is for informational and educational purposes only. It does not constitute legal advice. Consult an attorney for advice concerning copyright law.
Paperback ISBN: 978-1-950481-12-5
e-book ISBN: 978-1-950481-11-8
Library of Congress Control Number:2019947682
Library of Congress Cataloging-in-Publication Data
Names: Lynn, Teresa, 1969- author
Title: Understanding copyright : authors edition / Teresa Lynn
Description: | Austin, Texas : Tranquility Press, 2019 | Includes bibliographical references
Identifiers: LCCN 2019947682 (print) |
ISBN 978-1-950481-12-5 (print) | 978-1-950481-11-8 (e-book)
Subjects: LCSH: Copyright—United States.
Classification: LCC KF2995 | LCC KF3020 |
DDC 346.7304/82-dc23
Contents
Note from the Author
Chapter 1: What Is Copyright?
What Copyright Is Not
Chapter 2: Fair Use
Chapter 3: What Does Copyright Cover?
What Copyright Does Not Cover
Chapter 4: Who Owns the Copyright?
Chapter 5: How Long Does Copyright Last?
Handy charts
Chapter 6: Protecting Your Rights
Chapter 7: How to Find a Copyright Owner
Obtaining Permission for Use
Chapter 8: Online Works: How Are They Different
Chapter 9: Special Considerations
Book Covers and Illustrations
Music
Film & Video
Chapter 10: Conveyance
Literary Estates
Chapter 11: Trademarks
Chapter 12: Other Limitations
Where to Find More Information
About the Author
Disclaimer
Note from the Author
I am not an attorney. I am a writer, an editor, and a publisher.
In each of these capacities, I often run into issues dealing with copyright. Misunderstandings about this topic abound. I’ve spent many hours reading copyright law, studying guidelines from the US Copyright Office, and consulting with attorneys to keep both myself and my clients from running afoul of the law.
The purpose of this book is to share some educational information on the issues that arise most often for writers. It is not, and should not be considered or taken as, legal advice.
Please note that while every effort has been made toward accuracy, laws—including those dealing with copyright—are subject to change at any time; and they often do. Therefore, always seek the advice of an attorney specializing in intellectual property regarding any specific questions about your own work.
Teresa Lynn
August 2019
Chapter 1
What Is Copyright?
Although we speak of copyright in the singular, that is misleading. Copyright is actually several separate rights, bundled together and treated as one. Each of these rights is exclusive to the holder, or owner, of the copyright.
The rights included in copyright are:
1) to reproduce the copyrighted work;
2) to prepare derivative works based upon the copyrighted work;
3) to distribute copies of the copyrighted work to the public for compensation or by transfer of ownership;
4) to perform the copyrighted work publicly;
5) to display the copyrighted work publicly; and
6) in the case of sound recordings, to perform the copyrighted work publicly by means of a digital audio transmission.
Let’s examine each of these rights individually.
Right to Reproduce
When discussing copyright, the right to reproduce is often the one that first comes to mind. Reproducing means duplicating or copying by any method, including manually, mechanically, electronically or digitally.
Everyday Application
Saving a photo or meme you find online and then posting it on your social media is a form of reproducing. Since that’s a right reserved to the copyright owner, it shouldn’t be done without permission.
Right to Prepare Derivatives
Next is the right to prepare derivative works. A derivative work is created by transforming some aspect of one or more existing works to create a new form of the work. To qualify as a derivative work under the law, the new work must use a substantial
amount of the preexisting work. This means the new work must contain enough of the preexisting work that an average person would recognize that it was adapted from the previous work. There are several ways this right could be exercised by writers: adapting a book into a screenplay or play; translating a book into