A Breath Too Late
By Rocky Callen
4.5/5
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About this ebook
For fans of Girl in Pieces, All the Bright Places, and Girl, Interrupted comes a haunting and breathtaking YA contemporary debut novel that packs a powerful message: hope can be found in the darkness.
"Raw, heartbreaking, and poignant." —New York Times-bestselling author Kathleen Glasgow
A Chicago Public Library and Kirkus Best Book of the Year!
Seventeen-year-old Ellie had no hope left. Yet the day after she dies by suicide, she finds herself in the midst of an out-of-body experience. She is a spectator, swaying between past and present, retracing the events that unfolded prior to her death.
But there are gaps in her memory, fractured pieces Ellie is desperate to re-assemble. There's her mother, a songbird who wanted to break free from her oppressive cage. The boy made of brushstrokes and goofy smiles who brought color into a gray world. Her brooding father, with his sad puppy eyes and clenched fists. And Ellie's determined to find out why a piece of her was left behind.
Told in epistolary-like style, Rocky Callen's deeply moving A Breath Too Late sensitively examines the beautiful and terrible moments that make up a life and the possibilities that live in even the darkest of places. Perfect for fans of the critically-acclaimed Speak, I’ll Give You the Sun, and If I Stay.
"An exquisitely played love song to life, in all of its hurts, wonders, memories, and loves." –Jeff Zentner, Morris Award winning author of The Serpent King and Goodbye Days
"A haunting story, punctuated with brilliant points of hope and light. This is an important story. A necessary story . . . Callen’s writing radiates with passion, honesty and love." —National Book Award finalist and Printz Award–winning author An Na
Rocky Callen
Rocky Callen, the daughter of an Ecuadorian immigrant, has long lived a life of service ever since she was a 13-year-old advocating for the undocumented immigrants in her community. She interned at NASA at 12 years old, started lobbying congress at 13, and wrote and produced student radio stories at NPR at 14. She was a behavioral therapist for over ten years. She received an MFA from Vermont College of Fine Arts and lives outside of Washington, DC with her husband, daughter, and baby boy. Rocky founded the Bleed Ink Foundation, a creative hub and resource center for writers, and the HoldOn2Hope Project, which unites creatives in suicide prevention and mental health awareness. She is the author of A Breath Too Late and Crashing Into You.
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Reviews for A Breath Too Late
13 ratings3 reviews
- Rating: 5 out of 5 stars5/5This must have been an extremely difficult book to write, but what a terrific result! I worked in mental health for 27 years and there were nights when I was unable to sleep when I counted the number of people I knew who had killed themselves. It was a scary number. In A Breath Too Late, we follow Ellie from the moment she realizes she's dead, back and forth between her attempted interactions with her parents and the boy she loved both in the past and in the days immediately following her suicide. We experience her extreme despair, regrets, anger and insights until her mother comes to an important, but all too late realization. A book this powerful deserves a place in every single library where teens (and everyone, quite honestly) who are dealing with mental health issues, particularly depression, can read it.
- Rating: 5 out of 5 stars5/5This young adult book deals with a number of important and timely issues - domestic abuse and suicide. The author handles both issues with great insight and empathy. This is a wonderful look at two very tragic issues that stresses the world is better with everyone in it, and that suicide is not the answer. Excellent book.
- Rating: 5 out of 5 stars5/5This book is about teen suicide. The fear with this type of books is that...will it trigger someone to take their own life? And why? This book is different from, Girl in Pieces, All he Bright Places and Girl Interrupted in that the perspective is after Ellie has taken her life. The author gives very little insight into the method of her suicide. Now Seventeen year old Ellie is gone but not entirely. She is stuck. Stuck in memories, stuck in depression, and stuck in the aftermath of a world where she no longer lives and is forced to watch the people around her process their grief. Ellie experiences the debilitating sadness her mother is enduring as well as the pain and sorrow of her childhood best friend and now boyfriend, August.It is heart wrenching and not pretty. Ellie sees first hand how she has devastated those who love her most and she realizes too late that she cannot undo her suicide and restore her life. Suicide is a FINAL act in what is your life. And the ones you leave behind are left to pick up the pieces.Author, Rocky Callen writes eloquently and beautifully using language that I felt mesmerizing.This is a tough read, and will haunt you, but it is a novel that is going to get attention.The cover is beautiful.
Book preview
A Breath Too Late - Rocky Callen
1
Death,
As blackness eats my last sliver of consciousness, I realize I regret.
You aren’t beautiful, free, or romantic like in all of the novels I have read. You are a girl who had no hope left, who realized, too late, she wanted to live. I thought you would save me, Death.
But you are a liar.
Just like everyone else.
2
Life,
You are too quiet. The kind of quiet that isn’t quiet at all. It is the smothering silence that bleeds into everything; the kind of absence that mocks, prods, and stares you down until you are withered to your bones.
I had the worst dream last night, but I can’t quite remember it. I feel groggy. The dream settles into something dim and far away and yet it scratches at me, it curls a finger in my direction and beckons me closer. I ignore it.
The room still looks dark, too dark. My alarm went off, didn’t it?
I rub my eyes and pad my way toward the door. I like to be downstairs before Momma and Father. I blink when I flip the switch in the hallway. Dark. Still dark? Maybe the lights burned out or maybe Momma didn’t pay the electricity bill again. I swear under my breath. I step lightly, leaning my weight on the railing so I don’t make the stairs creak too much. I rub my eyes again. The sleep still must be in them, because nothing looks quite right.
I bump the Alaska snow globe on the side of the vanity next to the base of the stairs and I frantically reach out to catch it, but it sits still in its spot. I blink, confused, and then exhale loudly as I turn the corner and freeze.
Momma and Father are already in the kitchen, sitting in the dark.
I rub my arm with my palm and step inside the kitchen. They don’t look up. They never do. I take the long way around to the cabinets, not going straight from the door to the counters because that would brush me up against Father’s chair. I walk around, squeezing instead behind Momma. Regina. Her name means queen, but you would never know it. She’s a tall thing in a small space, crammed in where she doesn’t quite fit.
I flinch seeing her. Something is wrong, very wrong. She is practically a corpse, quiet, still, black and blue painting her face as if she’s already rotting. She’s not wearing makeup. She never comes downstairs without makeup on to cover up the bruises. Never.
I wish I could hate her, but I can’t.
I brush past her and open the cabinets before sitting. I want to ask why they are sitting in the dark, but I don’t want to be the one to break the silence, shatter it into tiny pieces, because at least the silence can’t hurt you. I keep my mouth shut.
No wonder I like hard-core metal. The band members can scream until their throats are hoarse, while my throat is dry and aching from hardly ever making a sound. Father is sitting at the table, waiting. Watching. Momma’s eyes are cast down.
She whimpers.
I tense. She never, ever makes a sound … not even when I hear the slaps and the pounding through the bedroom walls, not even when the punches slam into her. Never a whimper, never a sound.
I look at her, really look at her. Her eyes are bloodshot. Her skin is red and blotchy, along with the normal blacks and blues and fading yellows. Her eyes are practically swollen shut. I want to reach my hand to hers, but I don’t.
Whatever thing is breaking her, I won’t break too. The thought bites at me even as I feel ashamed. I still watch her from under my eyelashes and see she is clutching something in her hands. I stare at it. It is no larger than the height of her hand. A stuffed teddy bear with an eye hanging on by a thread wearing a tiny T-shirt that says SOMEONE IN BALTIMORE LOVES ME.
She’s been in my room. The bear was on my bed, beside the pillow. I want to reach over and snatch it from her. I almost do, but then she whimpers again, a throaty, gurgling sound following it. She is holding her breath to keep the sob down. She isn’t trying hard enough.
Father looks at her. Rolls back his shoulders in that slow, deliberate way of his and then leans forward across the table. Oh, Regina.
His voice is smooth, deceitfully soothing. Stop that crying. It isn’t your fault.
Father stands up and Momma flinches just as she hiccups the tears down. He’s dragging his chair behind him until he pushes it next to Momma. The scratches against the floor grate against my ears. He sits down slowly and says, Shhhhh, you know I don’t like to hear you cry.
A warning. A warning cloaked in comfort. He is about to strike. I can feel it. I start to shift away in my chair. About to run. He doesn’t like to hear her cry and when she does, he gives her a reason to cry harder.
She ignores the warning.
The sobs come, fierce and splintering like an earthquake. My eyes widen as I jerk my gaze to her. I stand up and lunge for the doorway. I have to get away, to escape the pull of the crevasse she is creating with her tears. She is going to drag me down. I can feel it. It isn’t normal, the way she cries. It scares me.
Momma clutches the bear to her chest. She knows what’s coming, but she doesn’t stop crying. Father growls and pushes her against the wall, her chair tipping back underneath her, and then puts one massive hand over her throat. His own body is crushing her against the wall. He’s always crushing something. Momma wheezes out her stuttering sobs and she’s shaking.
Shhhhh, shhhhhh. It’s okay. I got you. You just have to listen to me. Okay? Shhh.
Mom’s jerkily shaking her head side to side. She’s saying no. She’s saying stop. She’s saying help.
But I don’t.
I run. I run outside. Momma must have pushed or resisted because now I hear her wails again. Father is shouting. Glass is shattering. There is a tornado behind me and I don’t stop running. I gulp in the air, heaving frantically. I must’ve been holding my breath.
There are no bruises, or secrets, or screams out here on the sidewalk. I sigh and pull out my headphones. I turn up the volume all the way, ignoring the warning about hearing loss that pops up on the screen. I keep my finger on the volume button even though it says MAX, just in case I can squeeze out a bit more noise. C’mon, I think. Just a little louder. Just make the world go away.
My shoulders relax as the electric guitars roar, the drums thud ferociously, and the lead singer screams into the mic.
It doesn’t get louder. The world doesn’t go away and within ten minutes, I face my school.
I rub my arms. It is cold for May. It’s overcast. The sky somehow seems bright, but filtered, like an Instagram photo where they offset the image so it has softer, muted colors. I cock my head to the side and try to blink it away, but as I make my way up the school steps, I glance to the right.
He is there.
I don’t pause or even let my eyes linger. I just catch him looking up and staring, searching the sidewalk. I grit my teeth for a minute as I charge up the stairs.
Of course, he is searching for someone. Someone else. Someone without bruises under her T-shirt or death-metal music companions to drown out the world. He is of this world—wholly. Some strange mix of geek and rocker, intelligent and artistic, cool, but not so cool as to be an ass about it. August Matthews.
I kind of like the fact that his name is a month of the year, a month of sunlight, humid air, lightning bugs, last parties, beach trips, and my birthday.
I chance one last glance at him as I open the door. He is still there, expectant, waiting. Just not for me.
I walk inside and don’t look back. It seems like yesterday that it was me he was waiting for on the sidewalk.
That strange, uncollected feeling hits me again.
A loss of time, of a sequence of events. Was it really yesterday? I feel like I am midstep and losing my balance, unsteady. I try to remember clearly, but the memory feels hazy. No, of course not. That was years ago. But even as I accept that teetering thought, it feels uncertain.
Students are already filing into their first period. The first alarm blares. I frown. How am I late?
I make my way to English Lit, the only bearable class in high school—partly because I want to be a writer when I leave this hellhole and partly because I like the teacher, Ms. Hooper. When she recites a passage from a book, her eyes sparkle as if somehow the words make her more real, like they’re her talisman and she just needs to read them to be set on fire. I wonder if she can feel it. The twinkle of life, I mean. I wonder if it’s something that bubbles up inside her. I wonder what that must feel like.
I want to be Ms. Hooper.
Eyeing August’s empty place just a couple of seats away, I sit down. Sometimes I think I feel him watching me, but that’s stupid. He wouldn’t watch me. Not like before, especially with Ms. Hooper twinkling with so much life and me rotting in my chair.
I sit down, surprised Britney doesn’t make her oh-my-gosh-I-can’t-believe-I-am-sitting-next-to-this-freak eyes at me. She just giggles with Sarah and Terry and then they squeeze into their respective seats, ignoring me entirely. Which is fine by me. I am perfectly happy being ignored.
I stretch and look up at the ceiling. There are thirty-six cracks up there. I know. I’ve counted them