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The Extasie
The Extasie
The Extasie
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The Extasie

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The Extasie is a compelling book of love poems with its lyrical roots deep in the sixteenth and seventeenth centuries and the rural traditions of the nineteenth. Among New Zealand poet John Gallas's spirit guides are John Clare and, in particular, Wyatt and Donne, writers from our poetry's wittiest and most ecstatic age. But the book's heart is set firmly in the twenty-first century. Its two parts follow the seasons of a revelatory love through different weathers and forms. The poems follow the sequence of their composition, so we register the intimacies, forced separations, complexities and climaxes as on a lyrical fever chart. Things are never still or static, everywhere is growth and wonder - birds, tides, skies, trees, sheep, planets and flowers: a celebration of the natural world, and a seeing together. The eye of the poet is always turned to the world: how the world is seen and felt is a sufficient record of the partners' intimacy.Gallas's language is marked by vigorous verbs, arresting inversions, a world of process and mutation, of transformation about one constant belief. It is hard to find poetry so at ease and at home with the particular detail of rural England, of a Lincolnshire and Norfolk imbued with their own histories and a new-made sense of place.
LanguageEnglish
Release dateJun 24, 2021
ISBN9781800170865
The Extasie
Author

John Gallas

John Gallas was born in New Zealand in 1950. He came to England in the 1970s to study Old Icelandic at Oxford and has since lived and worked in York, Liverpool, Upholland, Little Ness, Rothwell, Bursa, Leicester, Diyarbakir, Coalville and Markfield, as a bottlewasher, archaeologist, and teacher. His books are published by Cold Hub Press (nz) and Agraphia (Sweden), and The Little Sublime Comedy is his tenth Carcanet collection. He is the editor of two books of translations – 52 Euros and The Song Atlas – also published by Carcanet. He is a Fellow of the English Association and was 2016 Orkney St Magnus Festival poet.

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    Book preview

    The Extasie - John Gallas

    The

    EXTASIE

    JOHN GALLAS

    CONTENTS

    Title Page

    One

    The births of love

    Freedestination

    Paperboy

    Sleep’s geography

    Fit for glasses

    Unconscious of it

    Christmas in hospital

    The air between

    Old Hunstanton Beach

    Once we stammered

    When with fleshly bridges…

    Operation all saints, East Norton

    Gedney Drove End

    Brancaster Beach

    Did I never have a soul…

    Taking your part

    On Stanton Fields

    Work

    Poem on a bike

    Sleep & be Donne

    A walk away

    A fear of something after death

    When I stride along

    B.L. Egerton 2711: Sir Thomas Wyatt’s poem-book

    The monument

    The ravens

    The sufi sheep

    Niue

    Langary Gate, October evening

    Bombing practice

    The little leaf that would not fall

    Horse-eye, fox, and crow

    Learning clouds

    A whale in borrowed smalls

    5.26 from Lincoln

    And if you watch…

    Today I choked…

    Higher Darwinism

    Lover in a storm

    Portrait of Giovanni Gerolamo Grumelli – ‘The man in pink’

    Love & sons

    Two

    The heartsease

    The goose

    Towards the black hole

    Unlearning a view

    Psalm 102

    The dew-drop

    A valediction of my face, in a window

    Travelling light

    Newton-in-the-Isle

    The bearded angels of North Creake Church

    I have chosen my heaven…

    The lay of the land

    82 degrees

    Your fever

    Bagworth Heath Wood

    The sandals of T.E. Lawrence

    Who hic shoot star?

    Calf & hare

    The stir

    Plan for our death

    Telegram tanka

    About the Author

    Copyright

    THE EXTASIE

    Mikey

    ONE

    THE BIRTHS OF LOVE

    Begin

    issue of a stout-slung sperm,

    I went like clockwork till you came: unfruitful,

    soft-mechanic and Blind Man’s Buff.

    When I arrived (at nothing yet, because

    it was not you), a small gold sovereign of small account,

    ignorant of its kingdom and its currency,

    I took you for a subject with my little fist,

    banking on some notion, some credit on the unspent air,

    drawn in an IOU, and showed you, unborn, mine.

    In the end you came while I was busy,

    long bones slipping out up to your eyes,

    whose bulging shiners each bore my stamp,

    minted in my mewling, hand-fast game.

    All set then: though we knew, we had not met.

    While twenty years of sturdy detour

    took the necessary way to love, I did

    some

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