Writing Serial Fiction In the Real World 2.0: Really Simple Writing & Publishing
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About this ebook
You're About to Be Invited to the Toughest Adventure in Your Writing Life.
Many don't return. Fame and fortune are rare. Challenges may be impossible to solve...
The reason I wrote this for you was because I couldn't find a decent ebook on all of Amazon for this subject. The two I could find there were pathetic (and if you think this one is another, perhaps you should be writing your own -- jump right in, the water's fine…)
So I went out on the Internet and assembled all the research I could to see what and how this subject worked, if it did or not.
Then I compared what I'd learned with what I already knew – and wrote it up for you so you could use it.
After that, I spent three years mastering the craft and fine-tuning the publishing methods. Then revised this book to become my Verstion 2.0
I don't pretend to know anything about this subject other than what you see here. So there.
I have published over a couple hundred fiction books (and several hundred non-fiction) so I know how to research and edit and publish. Writing is an endless journey that takes you far, but you never see its end. As you apply yourself, as you push your own envelope, then you improve and find more areas to expand into.
Just to be transparent, my work has been in non-fiction (mostly.) And I got back into studying story structure and plotting, etc. Because the better selling non-fiction works were built on either a narrative, or the "Big Idea" (which is really a collection of short narratives built on the same theme.)
You'll see later in this book my concept for a business plan you can use. How that will work for you is exactly as you understand what I wrote here, as you understand the authors referenced, and as you test this data while you work for your own personal scene.
I think it can be made to work, despite all the naysayers we'll encounter soon enough. It worked for me - but don't take my word for it.
It's up to you do decide whether you want to continue on and dive deep into the bottomless pool of your own creativity to surface with new ideas and applications.
Our target is that tiny school of small fish called serials.
Let's see how they're biting today…
(From the Introduction)
New in Version 2.0:
- A defnitive guide to the single principle that defines what a cliffhanger is, how to write it, what makes it effective.
- How to publish wide and increase your book royalty income.
- A breakdown of why writing short stories is more remuneratifve than long novels - and how your short story anthologies replace them in your sales.
- How to learn writing story craft by dissecting popular TV series.
Scroll Up and Get Your Copy Now.
Dr. Robert C. Worstell
Dr. Worstell is known for the depth and volume of his research - as well as his published works. With seven degrees to his credit, ranging from comparative religions to computer networking, there are few fields he hasn't researched as a means to finding workable truths anyone can apply. His current work is in making fiction writing profitable, and kicking over the bee-hives of established "guru's" in that field. Worstell feels that creating a living by writing should be simple and inexpensive. Most of his work is available through his blog posts long before they become books. This blog-to-book method is a way of sharing and refining his material broadly to everyone.
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Writing Serial Fiction In the Real World 2.0 - Dr. Robert C. Worstell
Update: For You, I Took This Back To Evergreen Principles That Won’t Change.
Originally, I wrote this considering more people would find it on Amazon, so it was tailored to that market.
Then you went and bought it years later, and I knew it needed to be updated and expanded. So I did.
Since I first wrote it, I’ve discovered and witnessed that Amazon has become the new author’s graveyard for fiction ebooks. That platform is super-saturated and almost impossible to succeed at. So I generally avoid recommending anything that is specific to their ebook outlet. (Paperbacks, particularly non-fiction, are a completely different story – but that’s another book.)
Going through this book to remove any platform-specific data was one thing. I mention below that I’ve now spent three years writing fiction and testing all the advice I’d published before. That meant I could also remove advice that was found unworkable.
And I added a big section on cliff-hangers, which is essential for writing serials.
You’re welcome.
And you can now find an enlarged Bibliography and lots of links to books that that cover what I discovered since.
Also, gratis.
Let me get out of your way, then.
INTRODUCTION: THIS EPISODE IS BROUGHT TO YOU BY...
THE REASON I WROTE this for you was because I couldn’t find a decent ebook anywhere for this subject. The two I could find there were pathetic (and if you think this one is another, perhaps you should be writing your own. Jump right in, the water’s fine...)
So I went out on the Internet and assembled all the research I could to see what and how this subject worked, if it did or not.
Then I compared what I'd learned with what I already knew – and wrote it up for you so you could use it.
Finally, I tested this for three years to improve my craft. And so I now update all my earlier text.
I don’t pretend to know anything about this subject other than what you see here. So there.
I have now published several hundred fiction books, and far more non-fiction, so I know how to research and edit and publish. Writing is an endless journey that takes you far, but you never see its end. As you apply yourself, as you push your own envelope, then you improve and find more areas to expand into.
Just to be transparent, my work has been in non-fiction (mostly.) And I got back into studying story structure and plotting, etc. Because the better selling non-fiction works were built on either a narrative, or the Big Idea
(which is really a collection of short narratives built on the same theme.)
You’ll see later in this book my concept for a business plan you can use. How that will work for you is exactly as you understand what I wrote here, as you understand the authors I quoted and linked to, and as you test and apply this data in your own personal scene.
I think it can be made to work, despite all the naysayers we’ll encounter soon enough.
It’s up to you do decide whether you want to continue on and dive deep into the bottomless pool of your own creativity to surface with new ideas and applications.
Our target is that tiny school of small fish called serials.
Let’s see how they’re biting today...
PART ONE - WHY SERIALS? WHY NOW?
WRITING SERIAL FICTION SUCCESSFULLY ISN’T FOR THE FAINT OF HEART
THE ETERNAL QUESTION for this book is: Can we write profitable serials for print or ebooks?
While some writers work at writing for art’s sake, the bulk of this would like some monetary gain as well as the fame and glory.
There are two schools of thought and opinion about publishing books and stories online. One school is writing the novel or longish non-fiction work, the other is writing short stories.
(Note: Most of this book was originally written to deal with ebooks, as that is the current fad. Under the radar is print books, which continue to far out-sell ebooks in both units and royalties to authors. The following data applies to both, but most of the examples are written for ebooks.)
A recurring statistical conclusion is that only 300- and 400-page books are making any real money
. Smashwords’ founder, Mark Coker, has been releasing his annual reports for some time, based on his own internal number-crunching. They found the trend that longer ebooks sold better and longer than shorter ebooks. He was also the first to find that the $3.99 price range was best for fiction. (The second best price is $2.99.) Unfortunately, Amazon accepts very few ebooks from Smashwords for their catalog. So any Amazon book data was missing - until this year.
In one of their last reports before going private, Author Earnings released their own number-crunching results based on bot-scrapes of Amazon’s site and found the same thing. (But you’ll have to check this out on Archives.org Wayback Machine, since they pulled down their site as well – link in Bibilograhy.)
(Note: Coker also noted that several of his top sellers were box sets, meaning several books cobbled together. His high average was about 112,000 words, which equates roughly to 450 pages. So this finding may need review.)
What AE also found, incidentally, that