Guide to men's tailoring, Volume 2: How to tailor a jacket
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About this ebook
Sven Jungclaus
Sven Jungclaus completó su formación como sastre de señora y caballero en los años 90 con Heinz-Josef Radermacher en Düsseldorf. Ya entonces trabajó para producciones musicales como Grease y Forever Plaid en Düsseldorf o La Bella y la Bestia y La Danza de los Vampiros en Stuttgart. Tras ocho años en la Ópera Estatal de Baviera en Múnich como sastre de caballero y maestro de batas de caballero, perfeccionó sus conocimientos en la Royal Shakespeare Company de Stratford upon Avon, la Deutsche Oper am Rhein de Düsseldorf y el Festival de Salzburgo. Desde marzo de 2013, confecciona prendas a medida para hombre y mujer en su taller de confección de Salzburgo. Además, el polifacético sastre trabaja repetidamente para el taller de vestuario Das Gewand de Düsseldorf y es solicitado para producciones de ópera o musicales -por ejemplo, para la Metropolitan Opera de Nueva York, la Nationalsje Opera de Bergen, el Theater Basel, el Musical Chicago de Stuttgart y Berlín, Het Muziektheater de Ámsterdam, el Festival de Salzburgo o el Theater of Nations de Moscú. Website: https://www.becomeatailor.com
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Guide to men's tailoring, Volume 2 - Sven Jungclaus
Table of Contents
Preface
Tools for sewing
The basic hand stitches
The jacket for the first fitting
Cutting
Extras
Tailor tacking
Pressing
Cutting the canvas
Basting the canvas
Pad-stitching the canvas
Basting the front
Preparing the neck and the vents
Basting the jacket for the first fitting
Preparing the shoulder pads
Pad-stitching the undercollar
Basting the sleeves into the armhole
The jacket for the second fitting
Sewing the front edge and the lapel
Sewing the welted chest pocket
Sewing the jetted pockets with flap
Cutting the lining
Sewing the back lining
Sewing the lining pockets
Basting the lining
Closing the sideseams
Closing the shoulder seams
Attaching the shoulder pads
Attaching the undercollar
Re-marking the armholes
Basting the sleeves into the armhole
Finishing the jacket
Preparing the undercollar
Attaching the collar
Sewing the collar
Sink-stitching the edges and fell-stitching the lining
Preparing the armhole
Pressing the jacket
Preparing the sleeve hem
Cutting the sleeve lining
Sewing the sleeves
Sewing the buttonholes for the sleeves
Pressing the sleeves
Sewing the sleeves into the armhole
The finished jacket
Appendix
Sewing buttonholes
Armhole template
Shoulder-seam template
Undercollar template
Top-collar template
Index
Dealers and manufacturer list
Practice creates masters ...
The making of a jacket is the supreme discipline in tailoring. It takes practice to complete this garment successfully. In men's tailoring, hardly anything is as complex and ornate to manufacture as a jacket. The challenge lies not only in the multitude of work steps but above all in the countless possibilities to make life unnecessarily difficult through inaccurate work. Therefore, working accurately is much more important than being fast - because the later an error is discovered, the more laborious it takes to rectify. Attentive serenity brings more here than headless hectic.
Take courage!
It is important not to be discouraged by small setbacks and conscientiously practice every step until it works smoothly. An apprentice tailor makes hundreds of buttonholes, jetted pockets and alike during training until everything looks even, tidy and perfect. Only at the end of the training, when everything has been learned and internalized over the years, the tailor's apprentice is allowed to dare to make a complete jacket on his own.
The whole counts
A jacket is not just about the craft and its perfection, but also about the proportions. This requires a good eye and many years of experience. It makes a difference how wide a lapel is, how the pocket position was defined, how long a jacket is or how high a gorge seam lies.
Think three-dimensionally
Good imagination and three-dimensional thinking will help in tailoring. This makes shoulder processing, attaching the collar or inserting the sleeves easier. Besides, large parts of the work process are about sewing from the left and folding over to the right.
Read first - then get started ...
Each chapter in this book contains individual steps; their order is important for success. Therefore, it is helpful to first deal with the respective topic, reading the entire chapter and internalizing it theoretically. Only then does it make sense to venture into practice. Anyone who overlooks a work step could almost end up despairing because everything has to be separated again. Let me guide you step by step through the process of making your jacket ...
In this sense: Have fun, patience and success while tailoring!
Sewing tools
Buttonhole spring punch
Phillips screwdriver
Clothes brush
Gauge
Pins
Sewing needles
Bonefolder
Awl
Basting thread
French chalk
Sublimating chalk
Tape measure
Waist tape measure
Thimble
Scissors
Shears
Chalk sharpener
Pinking shears
Useful tools
Small french curve
Big french curve
Armhole template
Armhole curve
Undercollar template
Top-collar template
Shoulder-seam template
Various cardboard templates
The ironing tools
Sleeve board
Torso pressing pad
Shoulder pressing pad
Ironing board for edges (clapper)
Steam iron
Spray bottle
Heavy dry iron
Ironing cloth
Beeswax
Tailor tacking part 1
This transfers the chalk marks to the right side of the fabric and the other piece of cloth. First, loosely pinch with a double thread and cut open the stitches.
Basting
For a quick connection, fixing and securing of 2 or more layers of cloth.
Fell-stitch
For sewing in the lining. But it can also be useful in other places.
Tailor tacking part 2
Then carefully cut between the pieces of cloth. At the end, cut off the protruding threads.
Pad-stitch
For a permanent connection of 2 or more layers of cloth and canvas. Mainly used for the canvas itself (horsehair), undercollar and lapels.
Backstitch
For elastic seams such, e.g. the buttocks seam. But can also be used for all other seams, if you want to do it without the sewing machine.
Prick-stitch
Is often used as decorative stitching for sewing in the lining. Unlike sink stitching, a nodule should be visible.
Carefully