Singer Come From Afar
By Kim Stafford
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About this ebook
The five sections in Kim Stafford’s Singer Come from Afar hold poems that summon war and peace, pandemic struggles, Earth imperatives, a seeker’s spirit, and forge kinship. The former poet laureate of Oregon, Stafford has shared poems from this book in libraries, prisons, on reservations, with veterans, immigrants, homeless families, legislators, and students in schools. He writes for hidden heroes, resonant places, and for our chance to converge in spite of differences. Poems like “Practicing the Complex Yes” and “The Fact of Forgiveness” engineer tools for connection with the self, the community, and the Earth: “It is a given you have failed . . . [but] the world can’t keep its treasures from you.” For the early months of the pandemic, Stafford wrote and posted a poem for challenge and comfort each day on Instagram and published a series of chapbooks that traveled hand to hand to far places—to Norway, Egypt, and India. He views the writing and sharing of poetry as an essential act of testimony to sustain tikkun olam, the healing of the world. May this book be the hidden spring you seek.
Kim Stafford
Kim Stafford is the founding director of the Northwest Writing Institute at Lewis & Clark College and author of eighteen books of poetry and prose, including Singer Come from Afar (Red Hen Press) and 100 Tricks Every Boy Can Do: How My Brother Disappeared (Trinity University Press). His poems have appeared in Poetry, Harpers, the Atlantic, and other magazines. His books have received Pacific Northwest Book Awards and a Citation for Excellence from the Western States Book Awards. In 2018 he was named Oregon Poet Laureate for a two-year term. He lives with his family in Portland, Oregon.
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Singer Come From Afar - Kim Stafford
1.
In Spite of War
White Flag Patriots
The children went first
because they had the most to lose—
no color, no emblem on their flags,
no shouting, surrendering instead
as they shuffled toward the White House,
some crying, some stern,
a few humming lullabies
their mothers had taught them.
In the Rose Garden, where men
babbled into microphones,
the children lay down in the grass
to watch clouds drift west
until speeches trailed off
and only the wind was heard.
Then white flags flashed
as the children rose and sang together,
You have overcome, but we are not afraid.
For the Customs Agent Who
Seized Claudia’s Jar of Honey
from El Salvador
for Claudia Castro Luna
Para probar, she said. Taste it. Let it
sizzle on your tongue. Take it home
smuggled in your dark pocket,
and with a spoon drip to the tongues
of your children slow sips of joy
so they may know how sweet
my country once was in spite
of war and sorrow. Tell them
about the ravine of flowers
the soldiers missed but the bees
swarmed, humming and humming,
zumbando y zumbando.
Remind them how a mother
could sit by the road with
her daughter in her arms
and a few jars of true gold,
how my coins in her brown
hand meant enough this day,
even though her man was gone,
even though your law would take
this elixir from me, even though
there will always be war, but always
flowers, bees, mothers, and your children.
If you have no children, if you do not wish
to think of war, or my country, or the woman
by the road, still, I beg you, taste this honey,
let the sticky song of a thousand bees
give your body the oldest, deepest pleasure.
Do not lose your chance to know
how sweet my country once was
in spite of war and sorrow,
a pesar de la guerra y el dolor.
Nest Filled
Use your whirling wings to find the right tree.
Use your pert eye to choose the level limb.
Use your nimble feet to cherish the hospitable fork.
Use your fearless beak to gather twigs, leaves,
grass and thistledown to weave your basket-house
open to the wuthering sky.
Use your body to be the tent over tender pebbles,
lopsided moons. Then wait—warm, alert, still
through wind and rain, hawk-shadow, owl night.
Use your life to make life, spending all you have
on what comes after. And if you are human, a