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Singer Come From Afar
Singer Come From Afar
Singer Come From Afar
Ebook127 pages42 minutes

Singer Come From Afar

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The five sections in Kim Stafford’s Singer Come from Afar hold poems that summon war and peace, pandemic struggles, Earth imperatives, a seeker’s spirit, and forge kinship. The former poet laureate of Oregon, Stafford has shared poems from this book in libraries, prisons, on reservations, with veterans, immigrants, homeless families, legislators, and students in schools. He writes for hidden heroes, resonant places, and for our chance to converge in spite of differences. Poems like “Practicing the Complex Yes” and “The Fact of Forgiveness” engineer tools for connection with the self, the community, and the Earth: “It is a given you have failed . . . [but] the world can’t keep its treasures from you.” For the early months of the pandemic, Stafford wrote and posted a poem for challenge and comfort each day on Instagram and published a series of chapbooks that traveled hand to hand to far places—to Norway, Egypt, and India. He views the writing and sharing of poetry as an essential act of testimony to sustain tikkun olam, the healing of the world. May this book be the hidden spring you seek.

LanguageEnglish
PublisherRed Hen Press
Release dateApr 6, 2021
ISBN9781597098878
Singer Come From Afar
Author

Kim Stafford

Kim Stafford is the founding director of the Northwest Writing Institute at Lewis & Clark College and author of eighteen books of poetry and prose, including Singer Come from Afar (Red Hen Press) and 100 Tricks Every Boy Can Do: How My Brother Disappeared (Trinity University Press). His poems have appeared in Poetry, Harpers, the Atlantic, and other magazines. His books have received Pacific Northwest Book Awards and a Citation for Excellence from the Western States Book Awards. In 2018 he was named Oregon Poet Laureate for a two-year term. He lives with his family in Portland, Oregon.

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    Book preview

    Singer Come From Afar - Kim Stafford

    1.

    In Spite of War

    White Flag Patriots

    The children went first

    because they had the most to lose—

    no color, no emblem on their flags,

    no shouting, surrendering instead

    as they shuffled toward the White House,

    some crying, some stern,

    a few humming lullabies

    their mothers had taught them.

    In the Rose Garden, where men

    babbled into microphones,

    the children lay down in the grass

    to watch clouds drift west

    until speeches trailed off

    and only the wind was heard.

    Then white flags flashed

    as the children rose and sang together,

    You have overcome, but we are not afraid.

    For the Customs Agent Who

    Seized Claudia’s Jar of Honey

    from El Salvador

    for Claudia Castro Luna

    Para probar, she said. Taste it. Let it

    sizzle on your tongue. Take it home

    smuggled in your dark pocket,

    and with a spoon drip to the tongues

    of your children slow sips of joy

    so they may know how sweet

    my country once was in spite

    of war and sorrow. Tell them

    about the ravine of flowers

    the soldiers missed but the bees

    swarmed, humming and humming,

    zumbando y zumbando.

    Remind them how a mother

    could sit by the road with

    her daughter in her arms

    and a few jars of true gold,

    how my coins in her brown

    hand meant enough this day,

    even though her man was gone,

    even though your law would take

    this elixir from me, even though

    there will always be war, but always

    flowers, bees, mothers, and your children.

    If you have no children, if you do not wish

    to think of war, or my country, or the woman

    by the road, still, I beg you, taste this honey,

    let the sticky song of a thousand bees

    give your body the oldest, deepest pleasure.

    Do not lose your chance to know

    how sweet my country once was

    in spite of war and sorrow,

    a pesar de la guerra y el dolor.

    Nest Filled

    Use your whirling wings to find the right tree.

    Use your pert eye to choose the level limb.

    Use your nimble feet to cherish the hospitable fork.

    Use your fearless beak to gather twigs, leaves,

    grass and thistledown to weave your basket-house

    open to the wuthering sky.

    Use your body to be the tent over tender pebbles,

    lopsided moons. Then wait—warm, alert, still

    through wind and rain, hawk-shadow, owl night.

    Use your life to make life, spending all you have

    on what comes after. And if you are human, a

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