Finding My Elegy: New and Selected Poems
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Though internationally celebrated for her imaginative fiction, Ursula K. Le Guin started out as a poet, and since 1959 has never ceased to publish poems. Finding My Elegy distills her life's work in verse, offering a selection of the best from her six earlier volumes of poetry as well as powerful new poems written in the first decade of the twenty-first century.
The fruit of over a half century of writing, the seventy selected and seventy-seven new poems consider war and creativity, motherhood and the natural world, and glint with humor and vivid beauty. These moving works of art are a reckoning with a whole life.
"She never loses touch with her reverence for the immense what is.” —Margaret Atwood
Ursula K. Le Guin
Ursula Kroeber Le Guin (1929-2018) was a celebrated author whose body of work includes twenty-three novels, twelve volumes of short stories, eleven volumes of poetry, thirteen children’s books, five essay collections, and four works of translation. The breadth and imagination of her work earned her six Nebula Awards, seven Hugo Awards, and SFWA’s Grand Master, along with the PEN/Malamud and many other awards. In 2014 she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters, and in 2016 she joined the short list of authors to be published in their lifetimes by the Library of America.
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Reviews for Finding My Elegy
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- Rating: 5 out of 5 stars5/5Finding My Elegy: New and Selected Poems Ursula K. Le Guin Trade Paperback 208 pages Publisher: Houghton Mifflin Harcourt Publication Date: September 18, 2012 ISBN-13: 978-0547858203 Advance Reader’s Copy – Uncorrected Proof In her eighty-third year Ursula K. Le Guin may very well be searching for her own elegy but her newest collection of poetry is by no means a swan song. If we define elegy as a funeral song or dirge then perhaps Ms. Le Guin has published Finding My Elegy as a memento for future generations. I think this extremely unlikely, however. In fact, if we define elegy as a composition of poetry (it’s sister meaning) then I believe Ms. Le Guin, as seasoned a writer as she is, simply continues her writing process by searching for her own unique, poetic voice. Only a true poet would carry on the quest for lyrical inspiration well into their eighth decade. The muse is a moving target and as every writer knows that voice, the essence, is always in motion and must forever be pursued. It can never be accepted as is since it is evolving, ever-changing, and frail to the touch. There’s no question that Ursula K. Le Guin is one of our most gifted authors and while I have always appreciated and loved her body of fiction I know that it takes a certain amount of courage, even by an established legend, to write and publish poetry. Those singular glimpses into the personality and soul, however fleeting, is something most writers would rather not expose. I wish other celebrated Science Fiction writers would follow suit. What would the biggest names in the genre today have to say in the short poetic form I wonder? Mieville, Hill, Gaiman, Atwood, Scalzi, Walton, Stephenson, et al. consider that a challenge, if you will. What might we have learned if Clarke, Asimov, Heinlein, or Pohl had written poetry from their distinctive perspectives? I for one want to thank you, Ms. Le Guin, for your thought-provoking work, your daring, and for giving us your little book of collected poetry and for providing us a much too-short glimpse into your heart of hearts.4 ½ out of 5 starsThe Alternative Southeast Wisconsin
Book preview
Finding My Elegy - Ursula K. Le Guin
Contents
Title Page
Contents
Copyright
Wild Fortune Selected Poems, 1960–2005
From Wild Angels (1960–1975)
Offering
A Lament for Rheged
There
Ars Lunga
Song
Tao Song
From Hard Words (1975–1980)
Invocation
The Mind Is Still
The Marrow
The Writer to the Dancer
From The Dancing at Tillai
Middle
At Three Rivers, April ’80
Slick Rock Creek, September
Winter Downs
Peak
The Child on the Shore
Tui
From Wild Oats and Fireweed (1980–1987)
Wild Oats and Fireweed
From In the Red Zone: Mount St. Helens, October 1981
To Walk In Here
While the Old Men Make Ready to Kill
For the New House
The Maenads
Inventory
A Meditation on a Marriage
From Buffalo Gals and Other Animal Presences (1987)
The Crown of Laurel
From Going Out with Peacocks (1988–1994)
The Pacific Slope
Riding the Coast Starlight
Sleeping with Cats
Waking: Two Poems
The Vigil for Ben Linder
The Queen of Spain, Grown Old and Mad, Writes to the Daughter She Imagines She Had by Christopher Columbus
Song for a Daughter
The Hard Dancing
From No Boats (chapbook, 1991)
From McKenzie Voices
At Cannon Beach
From Blue Moon over Thurman Street (1993)
The Aching Air
From Sixty Odd (1994–1999)
Read at the Award Dinner, May 1996
Hexagram 45
When there aren’t any
Rodmell
For Gabriela Mistral
Hexagram 49
Infinitive
The scarcity of rhinos
on the television
FIELD BURNING DEBATED, SALMON FATE DISCUSSED.
Morning Service
Late Dusk
A Blue Moon: June 30
Repulse Monkey
Will the Circle Be Unbroken?
From Incredible Good Fortune (2000–2006)
Incredible Good Fortune
April in San Jose
Mount Rainier from Amtrak
The Cactus Wren
A Book of Songs
The Old Lady
The Forsaken Shepherdess
Notes from a Cruise
Antigua: The Silence of the Mountain
Pelicans
Talk Shows
Here, There, at the Marsh
American Wars
The Lost Explorer
Ille
Invocation
Dance Song
English
Taking Courage
A Request
For Naomi
Learning Latin in Old Age
Futurology
Life Sciences New Poems, 2006–2010
I. Socioesthetics
Distance
Pretty Things
In England in the Fifties
The City of the Plain
Watching the Fractal Set
The Mistake
The Next War
The Crest
Soldiers
The Curse of the Prophetess
Every Land
The Elders at the Falls
An Old Yurok Basket
Almost and Always
Lieder Singer
Writers
After the Fire
Lorca’s Duende
Meters
Exegi monumentum aere perennius
She Remembers the Famous Poets
II. Botany and Zoology
Two Crow Poems
Learning the Name
The Greater Forest
Red Alders in March
Pinus Sabiniana
Creation of the Horse
The Clydesdale Mare
I think of them
Grace
Raksha
At the Clackamas County Fair
Extinction
III. Meteorology and Geography
Mendenhall Glacier
A Measure of Desolation
Coast Range Highway, November
Seasonal Quatrains
Morning in Joseph, Oregon
Hour of the Changes
Summer Morning on the Volcano
For My Traveling Companion
Up the Columbia
Navna: The River-running, by Intrumo of Sinshan
At Kishamish
IV. Developmental Ontology
At the Center
Early Memory: Jocken
The Merchant of Words
Stammersong
GPS
The House Is Soft
Seven Lines to Elisabeth
Final Destination
Ghazal at the Oasis of Mara
Travel
Pillowtalk
Low Barometer
My Birthday Present
The Arts of Old Age
Sometimes it seems
The Body of the World
When They Came
Hindsight
Body of Water
Aubade
Votum
V. Philosophy and Theology
Finding My Elegy
The Whirlwind
Intimations
Some Mornings
In the Borderlands
Jewel and Gravel
Science
Tout rêve . . .
Morning Star
Uncaged
A God I Know
January Night Prayer
The Conference
Index of First Lines
Read More from Ursula K. Le Guin
About the Author
Connect with HMH
Copyright © 2012 by Ursula K. LeGuin
All rights reserved
For information about permission to reproduce selections from this book, write to Permissions, Houghton Mifflin Harcourt Publishing Company, 215 Park Avenue South, New York, New York 10003.
www.hmhbooks.com
The Library of Congress has cataloged the print edition as follows:
Le Guin, Ursula K., date.
Finding my elegy : new and selected poems 1960–2010 / Ursula K. Le Guin.
p. cm.
ISBN 978-0-547-85820-3
I. Title.
PS3562.E42F55 2012
811'.54—dc23 2012016363
Jacket design by Kayleigh McCann
Cover photograph © Visuals Unlimited, Inc./Patrick Smith
Author photograph © Marion Wood Kolisch
eISBN 978-0-547-85822-7
v2.0218
All of the poems in Part I and some poems in Part II previously appeared in the following books: Wild Angels (Capra, 1974). Tillai and Tylissos (chapbook, with Theodora Kroeber; Red Bull, 1979). Hard Words (Harper & Row, 1981). In the Red Zone (chapbook, with Henk Pander; Lord John, 1983). Buffalo Gals and Other Animal Presences (Capra, 1987). Wild Oats and Fireweed (Harper & Row, 1988). No Boats (chapbook; Ygor & Buntho Make Books Press, 1991). Blue Moon over Thurman Street (with Roger Dorband; NewSage, 1993). Going Out with Peacocks (HarperCollins, 1994). Sixty Odd (Shambhala, 1999). Incredible Good Fortune (Shambhala, 2007). Four Different Poems (chapbook; Longhouse, 2007). The Wild Girls (PM Press, 2011).
The following poems first appeared in these publications: Amicus Journal (1991): Riding the ‘Coast Starlight.’
Attic (2003): The Lost Explorer,
A Measure of Desolation.
Breaking Waves/Book View Café (2003): In England in the Fifties.
Calapooya Collage (1991): The Pacific Slope.
Cream City Review (1993): The Queen of Spain . . .
Grove Review (2003): Here, There, at the Marsh.
International Dream Quarterly (1993): Waking: Two Poems.
Lady Churchill’s Rosebud Wristlet (2003): Watching the Fractal Set.
Milkweed Chronicle (1987): Inventory.
Moral Ground/Trinity University Press (2011): The Conference
(as The Conference of Time
). Northwest Review (2007): Finding My Elegy.
Off the Coastal Path/Stanza Press (2010): Creation of the Horse.
Open Places (#33, 1982): Wild Oats and Fireweed.
Oregon Environmental Council newsletter: Coast Range Highway.
Oregon Literary Review (2006): At the Clackamas County Fair
(as Sapphics at the Clackamas County Fair
), Diamond Gravel
(as Diamond Gravel Dialogue
). Papers, Inc. (1974): Tao Song
(as Tao Poem
). Peace and Freedom (2009): Curse of the Prophetess.
Ploughshares (2010): Hour of the Changes,
Votum.
PoetryMagazine.com (2003): Talk Shows.
Poets Against the War (2003): American Wars.
Portland Review (2010): The Greater Forest.
Realms of Fantasy (2011): Distance,
Mendenhall Glacier.
Stone Telling (2011): The Elders at the Falls.
Villanelle/Modern Library (2012): Extinction.
Windfall: "At Kishamish (11 poems; 2011),
Red Alders in March" (2008). Women’s International League for Peace