Teaching Pronunciation, Revised Edition
By John Murphy and Thomas S.C. Farrell
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Teaching Pronunciation, Revised Edition - John Murphy
Appendix
Series Editor’s Preface
The English Language Teacher Development (ELTD) series consists of a set of short resource books for ESL/EFL teachers that are written in a jargon-free and accessible manner for all types of teachers of English (native, nonnative, experienced, and novice). The ELTD series is designed to offer teachers a theory-to-practice approach to second language teaching, and each book presents a wide variety of practical approaches to and methods of teaching the topic at hand. Each book also offers reflections to help teachers interact with the materials presented. The books can be used in preservice settings or in in-service courses and by individuals looking for ways to refresh their practice. Now, after nearly 10 years in print, the ELTD series presents newly updated, revised editions that are even more dynamic than their first editions. Each of these revised books has an expanded number of chapters, as well as updated references from which various activities have been drawn and lesson plans for teachers to consider.
John Murphy’s revised edition of Teaching Pronunciation again explores different approaches to teaching pronunciation in second language classrooms. John updated the references and research, and added more reflective questions as well as a detailed lesson plan that teachers can consider. This revised edition is again a valuable addition to the literature in our profession.
I am very grateful to the authors of the ELTD series for sharing their knowledge and expertise with other TESOL professionals to make these short books affordable for all language teachers throughout the world. It is truly an honor for me to work again with each of these authors for the advancement of TESOL.
Thomas S. C. Farrell
CHAPTER 1
Concepts to Support Teaching and Learning
To set the stage for a discussion of pronunciation teaching, look at the following excerpt adapted from a local television news report. In it, a female airline passenger is being interviewed about an emergency at the end of a long flight from Los Angeles to Miami. After introducing the woman as a hero,
the TV reporter asked her to describe her experiences on the plane. Please note that for reasons to be explained shortly, the transcript is intentionally punctuation-free.
The Airplane Aisle Incident
… the plane landed the cabin lights turned on everyone got out of their seats I stepped into the aisle opened the overhead compartment and was waiting my turn to leave the plane in back of me I heard a noise that didn’t sound right when I turned I saw an older man was falling into a woman behind him he looked scared his face was stone white I didn’t think he was breathing I yelled for help and then a couple of us moved into action the first thing I did was to get the people behind me to back away by this point most of the aisle had cleared so we were able to stretch him out on the floor I heard someone say we have to get him out of the plane so I grabbed his legs this tall guy grabbed his shoulders and we carried him off I know CPR so I cleared a space made sure everyone else was out of the way … fortunately when it was all over he fully recovered seemed to be fine …
Thought Groups and Pausing
A closer look at Excerpt 1 shows that the first few lines are divided into short segments based on the speaker’s actual delivery:
The Airplane Aisle Incident: Excerpt 1
the plane landed // the cabin lights turned on // everyone got out of their seats // I stepped into the aisle // opened the overhead compartment // and was waiting my turn to leave the plane
The double slash marks indicate one of several rhythmic features that serve as momentary boundaries between clusters of words in spoken English. These may constitute a full break in the stream of speech, a lengthening, or a holding of the word at the end of a word cluster before the next cluster begins. Two examples of words that would be lengthened or held longer in this way are underlined:
// the cabin lights turned on // everyone got out of their seats //
Lane (2010) explains that a lengthening or holding of syllables may be heard as a pause, although within an utterance, the voice ‘lingers’ rather than stops
at the boundary of a word cluster (p. 52). For ease of presentation, I refer to such boundary markers as pauses and to the clusters