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Love Kills Twice: Fatal Fidelity, #1
Love Kills Twice: Fatal Fidelity, #1
Love Kills Twice: Fatal Fidelity, #1
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Love Kills Twice: Fatal Fidelity, #1

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She needs an assassin.
They're the best in the business.
Falling in love was never part of the deal.

 

Desperate to escape her abusive husband, Justine hires a contract killer. Campbell's services come at a high price, and their dark, seductive charisma leads Justine right into their bed. Hiding an affair while Campbell designs the perfect murder has Justine walking a tightrope of stress, but each time the two of them sleep together, it's harder not to get attached. Campbell struggles with their own traumatic past, convinced that the truth will drive Justine away.

 

There's a faint hope that things could work, save for one problem: Justine's husband wants her dead too.

 

Revenge is easy—heartbreak could cost both of them everything.

LanguageEnglish
Release dateJan 18, 2021
ISBN9781648901928
Love Kills Twice: Fatal Fidelity, #1

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    Book preview

    Love Kills Twice - Rien Gray

    A NineStar Press Publication

    www.ninestarpress.com

    Love Kills Twice

    ISBN: 978-1-64890-192-8

    © 2021 Rien Gray

    Cover Art © 2021 Natasha Snow

    Edited by Elizabetta McKay

    Published in January, 2021 by NineStar Press, New Mexico, USA.

    This is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons living or dead, business establishments, events, or locales is entirely coincidental.

    All rights reserved. No part of this publication may be reproduced in any material form, whether by printing, photocopying, scanning or otherwise without the written permission of the publisher. To request permission and all other inquiries, contact NineStar Press at Contact@ninestarpress.com.

    WARNING:

    This book contains sexually explicit content, which is only suitable for mature readers. Warnings for on-page murder of a side character, cheating and power imbalance by a side character; off-page domestic abuse of an MC, mention of past war-time trauma of an MC.

    Love Kills Twice

    Fatal Fidelity, Book One

    Rien Gray

    Table of Contents

    Dedication

    Chapter One

    Chapter Two

    Chapter Three

    Chapter Four

    Chapter Five

    Chapter Six

    Chapter Seven

    Chapter Eight

    Chapter Nine

    Chapter Ten

    Chapter Eleven

    Chapter Twelve

    Chapter Thirteen

    Chapter Fourteen

    Chapter Fifteen

    Chapter Sixteen

    Acknowledgements

    About the Author

    To Kristen, who encouraged this book from the start. Becoming your friend changed my life.

    Chapter One

    JUSTINE

    I always imagined hiring an assassin would go differently.

    There would be at least one dark alley, a furtive phone call, an exchange in cash⁠—of course it’s cash—and the curse of waiting afterward, whether for the police to arrive or finding out my money went to a fraud.

    Instead, I’m sitting in Ortolana, one of the nicest restaurants in Chicago, trying to decide if ordering a rare steak is too on the nose. The server eyes me with refined impatience since my dining companion made their choice in a few brisk words: black coffee, the yellowtail collar, no appetizer.

    If this is one of the last meals I ever eat because I had my husband killed, I’m indulging in the steak.

    Anything else for you, ma’am? the server asks, mouth tight.

    I smile. Better to be remembered as polite, if I’m remembered at all. No, thank you.

    When he disappears with our order, they⁠—Campbell⁠—give a minute shake of their head, amusement a glint in gray eyes. Not gunning for a tip, is he?

    Maybe I don’t look like I have money. To be fair, the fifty thousand dollars I’d spent a decade saving was about to go to the person across from me. Or he thinks you’re the one who’s paying the check.

    From the outside, it must seem like a date. I’d delved to the back of my closet for a slinky black dress that’s been kissing mothballs since Richard and I attended his holiday office party. My makeup is just this side of sultry, but that isn’t for Campbell’s sake. Painting confidence on my skin with a nice red lipstick and dark eyeshadow is what I needed before I could walk out of the house: a sharp, composed mask.

    Their suit is a breath away from black, but in any shift of light, the true cobalt of the linen shines through. Campbell eschews a tie, leaving the top two buttons of a crisp white dress shirt open without any adornment. It bares a triangle of sun-touched skin and the sharp edge of their collarbones.

    I deal in paintings, but Campbell is more of a classic statue: sculpted jaw, full mouth, and cheekbones that could blunt a chisel. An aquiline nose adds to the effect, and Campbell’s chestnut hair is tamed in a professional cut. It’s an older style, with an understated elegance.

    If we passed on the street, I would have let my gaze linger, but nothing about Campbell says killer. Maybe my assumptions are lost in that fictional back alley, chasing black leather gloves and silenced pistols.

    I’m not what you expected, am I, Justine?

    The question snaps me back to the present, and I’m not sure how long I’ve been staring at Campbell⁠—or exactly when they caught me. Sorry. I’m not doubting your…qualifications.

    A tease of blue plays across each shoulder when Campbell laces their fingers together. What surprises you the most?

    I cut my teeth on a hundred answers, starting with the locale and ending with the fact that they look more like an executive than an assassin, but the devil is in the details. The coffee, I think. It’s almost seven at night.

    Campbell’s smile is a half-inch flash of teeth. I tend to operate at night, but I can rarely indulge in caffeine.

    Nights, of course. This dance around the obvious is practically a farce, but it’s not like I want to announce my true intentions to the Friday night crowd. Our booth is in the corner, but it’s not soundproofed. Why not?

    It can make your hands shake. They gesture to punctuate the point. Which is a problem when I’m working. For a business dinner, not so much.

    Our server returns with the drink in question, setting an elegant cup on a saucer in front of Campbell. Despite a kneejerk longing for wine, I’m glad I stuck to water. I need to keep my wits about me.

    When Campbell brings the coffee to their lips, it’s a fluid movement, surgical in its precision. I wonder what those hands can do⁠—will do⁠—to Richard. A gun would be easiest, I guess, but that’s far beyond the only way to kill someone.

    He’ll never hit me again. He’ll never cheat on me again. He’ll never treat me like an ignorant girl, oblivious to nights at the university getting longer and our bed getting colder. I won’t be trotted out like a trophy in front of his fellow professors, who chuckle at his brilliance without having the first clue that I funded both of his degrees. I might even have friends in the future, ones he won’t drive away inch by humiliating inch.

    You really are sure about this, Campbell says softly, setting their cup back down. Porcelain touches porcelain without a sound.

    Of course I am.

    Acid clings to my tongue, eating at the accusation, but they take it in stride with another fleeting smile. That’s part of the reasons I take my clients out to dinner, Justine. To make sure there are no doubts. Once I accept a contract, I don’t stop until it’s done.

    A wave of embarrassment douses me, tightening my throat. Right. I’m sorry. It feels like I’ve been taking everything personally lately.

    At least, according to Richard.

    You keep apologizing, but you don’t have to. The shine in their eyes isn’t amusement this time; it’s something else, unreadable. At this point, I’m beyond being offended. And you’re paying me a considerable amount of money.

    That doesn’t mean I want to offend you, no matter how impossible it might be, I say.

    What I want to say is that I can’t remember the last time I had a night out like this, or the last time someone looked at me as more than an accessory. Campbell is watching my every move, but what should be terrifying is only leaving me hungry for the attention.

    They kill people for a living. Why doesn’t that scare me?

    I do appreciate good manners, Campbell comments, but their gaze flickers over my shoulder. Tuck your elbow in.

    Why? The question is instinctive, but I listen anyway, bringing my arm in against my side.

    Out of the corner of my eye, the server reappears with a covered silver platter, swiftly delivering it to our table. He removes the polished lid, announcing our entrees with theatrical detail, but my eyes aren’t on the food. They’re on Campbell, waiting for an answer.

    I don’t get one until the server is out of sight.

    Campbell smooths a silken napkin across their lap, then takes the provided pair of chopsticks in hand with the ease of long practice. Considering the angle he took from the kitchen, he wouldn’t have been able to see you there with the tray in the way. It’s a design flaw in an otherwise lovely restaurant.

    I raise an eyebrow, picturing a comedy of errors that ends with eighty dollars of wagyu beef in my lap. He would have knocked into me?

    They hum in agreement, then turn their chopsticks to sharper purpose, peeling a portion of crispy fish clean from the bone. It gleams, white and bare. I thought I’d save you the trouble.

    Unease coils in the pit of my stomach. Meeting Campbell hadn’t set me on edge, but something about them reading the server’s approach in a blink and warning me with casual detachment does. That kind of reflex hangs the word danger in my mind like a neon sign. They’re a predator, surrounded by unknowing prey.

    I glance down at my steak, then summon the will to pick up my fork as if I eat with professional killers every night of the week.

    It’s normal to be nervous. Campbell tucks a bite of yellowtail between their teeth. It vanishes quietly. As long as you’re set on what you want to do, you can be as nervous as you like.

    I must be radiating anxiety, but it still feels like they read my mind. Details would help me relax.

    Even on a twisting stomach, the steak is the perfect amount of decadence, butter, and salt. I cut into another piece, juices spilling free under the serrated edge.

    What kind of details would you like? they ask.

    When is this happening? My eyes fall on their near-empty cup of coffee. Not tonight, I know, but when?

    Depending on the complexity of his schedule, my window is three weeks. Their chopsticks dart around a fragile fin, seeking a thread of meat hidden underneath. That includes scouting, alibi, and execution.

    I pause with my next bite halfway to my mouth. Execution bleeds with meaning, visceral and full, but it’s not inaccurate. Your alibi or mine?

    Yours, Campbell confirms. It wouldn’t do for you to be too close to any accidents.

    An accident. That’s probably what they’ll put in the paper. Richard is well known enough to earn an article, if not a front-page one.

    I nod. Do you need anything from me?

    Once payment is settled, a copy of any of his keys that you can get ahold of. The same with his schedule. Their gaze pierces me through. My blood turns to ice, but my heart beats faster. Is your husband predictable, Justine?

    What I hear is will it be easy?

    A smile rises to my lips unbidden. Very.

    The rest of dinner passes in silence, save for an occasional comment on the food. It’s nice enough that I almost forget why we’re here, snapping to reality as our plates are cleared and the check arrives. Campbell does pay, using a couple of large bills. Once our server is gone again, they retrieve an envelope from inside their jacket. It’s already open when they offer it to me, revealing a packet of papers.

    What’s this? I frown, prying out what’s inside.

    They keep the envelope.

    The contract for the painting you’re about to purchase, of course. Campbell’s expression is open but empty, like a door leading to an elevator shaft. Your money has to be invested properly.

    I unfold the packet revealing an agreement of sale contract, the same sort I see ten times a week at the gallery. As I scan each page, lines of familiar legalese jump out. It’s legitimate, or would be if Campbell actually had a painting that I wanted to buy.

    Don’t tell me you’re a lawyer too, I say.

    Campbell shakes their head. No, but I have a very competent one. She keeps a lot in order for me.

    It’s perfect. There are a dozen other contracts like

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