Echea
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About this ebook
Sarah thinks she has the perfect family. She and her husband decide to share that perfection with Echea, an orphan from the Moon Wars. But after Sarah adopts Echea, she realizes that Echea has problems. Serious problems. Problems that might change Sarah's entire family. Forever.
A hauntingly unforgettable story about the choices parents must make for their children, "Echea" won the Asimov's and Homer Readers' Choice Awards and placed as a finalist for the Hugo, Nebula, Sturgeon, and Locus awards.
"One of the five best stories of the year."
—Tangent Online
Kristine Kathryn Rusch
New York Times bestselling author Kristine Kathryn Rusch writes in almost every genre. Generally, she uses her real name (Rusch) for most of her writing. She publishes bestselling science fiction and fantasy, award-winning mysteries, acclaimed mainstream fiction, controversial nonfiction, and the occasional romance. Her novels have made bestseller lists around the world and her short fiction has appeared in eighteen best of the year collections. She has won more than twenty-five awards for her fiction, including the Hugo, Le Prix Imaginales, the Asimov's Readers Choice award, and the Ellery Queen Mystery Magazine Readers Choice Award.
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Echea - Kristine Kathryn Rusch
ECHEA
KRISTINE KATHRYN RUSCH
WMG Publishing, Inc.CONTENTS
Echea
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Also by Kristine Kathryn Rusch
About the Author
ECHEA
I CAN CLOSE my eyes and she appears in my mind as she did the moment I first saw her: tiny, fragile, with unnaturally pale skin and slanted chocolate eyes. Her hair was white as the moon on a cloudless evening. It seemed, that day, that her eyes were the only spot of color on her haggard little face. She was seven but she looked three.
And she acted like nothing we had ever encountered before.
Or since.
We had three children and a good life. We were not impulsive, but we did feel as if we had something to give. Our home was large, and we had money; any child would benefit from that.
It seemed to be for the best.
It all started with the brochures. We saw them first at an outdoor cafe near our home. We were having lunch, when we glimpsed floating dots of color, a fleeting child’s face. Both my husband and I touched them only to have the displays open before us:
The blank vista of the Moon, the Earth over the horizon like a giant blue and white ball, a looming presence, pristine and healthy and somehow guilt-ridden. The Moon itself looked barren, as it always had, until one focused. And then one saw the pockmarks, the shattered dome open to the stars. In the corner of the first brochure I opened, at the very edge of the reproduction, were blood-splotches. They were scattered on the craters and boulders, and had left fist-sized holes in the dust. I didn’t need to be told what had caused it. We saw the effects of high velocity rifles in low gravity every time we downloaded the news.
The brochures began with the Moon, and ended with the faces of refugees: pallid, worn, defeated. The passenger shuttles to Earth had pretty much stopped. At first, those who could pay came here, but by the time we got our brochures, Earth passage had changed. Only those with living relatives were able to return. Living relatives who were willing to acknowledge the relationship—and had official hard copy to prove it.
The rules were waived in the case of children, of orphans and of underage war refuges. They were allowed to come to Earth if their bodies could tolerate it, if they were willing to be adopted, and if they were willing to renounce any claims they had to Moon land.
They had to renounce the stars in order to have a home.
We picked her up in Sioux Falls, the nearest star shuttle stop and detention center to our home. The shuttle stop was a desolate place. It was designed as an embarkation point for political prisoners and for star soldiers. It was built on the rolling prairie, a sprawling complex with laser fences shimmering in the sunlight. Guards stood at every entrance, and several hovered above. We were led, by men with laser rifles, into the main compound, a building finished almost a century before, made of concrete and steel, functional, cold and ancient. Its halls smelled musty. The concrete flaked, covering everything with a fine gray dust.
Echea had flown in on a previous shuttle. She had been in detox and sick bay; through psychiatric exams and physical screenings. We did not know we would get her until they called our name.
We met her in a concrete room with no windows, shielded against the sun, shielded against the world. The area had no furniture.
A door opened and a child appeared.
Tiny, pale, fragile. Eyes as big as the Moon itself, and darker than the blackest night. She stood in the center of the room, legs spread, arms crossed, as if she were already angry at us.
Around us, through us, between us, a computer voice resonated:
This is Echea. She is yours. Please take her, and proceed through the doors to your left. The waiting shuttle will take you to your preassigned destination.
She didn’t move when she heard the voice, although I started. My husband had already gone toward her. He crouched and she glowered at him.
I don’t need you,
she said.
We don’t need you either,
he said. But we want you.
The hard set to her chin eased, just