An Episode Under The Terror
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She had passed the end of the Rue des Morts, when she fancied that she could hear the firm, heavy tread of a man walking behind her. Then it seemed to her that she had heard that sound before, and dismayed by the idea of being followed, she tried to walk faster toward a brightly lit shop window, in the hope of verifying the suspicions which had taken hold of her mind.
Honoré de Balzac
Honoré de Balzac (1799-1850) was a French novelist, short story writer, and playwright. Regarded as one of the key figures of French and European literature, Balzac’s realist approach to writing would influence Charles Dickens, Émile Zola, Henry James, Gustave Flaubert, and Karl Marx. With a precocious attitude and fierce intellect, Balzac struggled first in school and then in business before dedicating himself to the pursuit of writing as both an art and a profession. His distinctly industrious work routine—he spent hours each day writing furiously by hand and made extensive edits during the publication process—led to a prodigious output of dozens of novels, stories, plays, and novellas. La Comédie humaine, Balzac’s most famous work, is a sequence of 91 finished and 46 unfinished stories, novels, and essays with which he attempted to realistically and exhaustively portray every aspect of French society during the early-nineteenth century.
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An Episode Under The Terror - Honoré de Balzac
AN EPISODE UNDER THE TERROR
BY
HONORE DE BALZAC
AN EPISODE UNDER THE TERROR
On the 22nd of January, 1793, towards eight o'clock in the evening, an old lady came down the steep street that comes to an end opposite the Church of Saint Laurent in the Faubourg Saint Martin. It had snowed so heavily all day long that the lady's footsteps were scarcely audible; the streets were deserted, and a feeling of dread, not unnatural amid the silence, was further increased by the whole extent of the Terror beneath which France was groaning in those days; what was more, the old lady so far had met no one by the way. Her sight had long been failing, so that the few foot passengers dispersed like shadows in the distance over the wide thoroughfare through the faubourg, were quite invisible to her by the light of the lanterns.
She had passed the end of the Rue des Morts, when she fancied that she could hear the firm, heavy tread of a man walking behind her. Then it seemed to her that she had heard that sound before, and dismayed by the idea of being followed, she tried to walk faster toward a brightly lit shop window, in the hope of verifying the suspicions which had taken hold of her mind.
So soon as she stood in the shaft of light that streamed out across the road, she turned her head suddenly, and caught sight of a human figure looming through the fog. The dim vision was enough for her. For one moment she reeled beneath an overpowering weight of dread, for she could not doubt any longer that the man had followed her the whole way from her own door; then the desire to escape from the spy gave her strength. Unable to think clearly, she walked twice as fast as before, as if it were possible to escape from a man who of course could move much faster; and for some