You Are Not Your Writing & Other Sage Advice: Writer Chaps, #1

By Angela Slatter

"Sure, writers have demons and inner critics that whisper horrible, discouraging things to us. But some of us give them undignified pet names and enrol them in short courses to get them off our hands..."

 

In these essays, Angela Slatter—the World Fantasy Award-winning author of the Sourdough Stories, the Verity Fassbinder Series, and more—explores the relationship between the writer, their work, and the publishing industry they inhabit.

 

Drawn from twelve years of author presentations, keynote speeches, blog posts, and articles aimed at aspiring and established professionals, You Are Not Your Writing features Slatter's best advice on managing social media, understanding the role awards play in your developing career, the hierarchy of rejection, and strategically building your career and network of other writers. Most importantly, they draw the line between the writer and their work, and illustrate the dangers of mistaking one for the other.  

 

Whether you're a new writer seeking advice on taking the next step, or a fan of Slatter's fiction looking for a glimpse behind the scenes, this chapbook is a peek into the mindset and philosophy of one of Australia's most acclaimed writers of fantasy and horror.

 

ESSAYS IN THIS COLLECTION

• How to Be A Writer
• Online Presence: Pros, Perils and Possibilities
• Time Moves Differently Here
• Awards Don't Matter
• You Are Not Your Writing
• The Writing Life: A Really Big Echo Chamber

 

• Language: English
• Publisher: Brain Jar Press
• Release date: Jan 18, 2021
• ISBN: 9781393396758

Angela Slatter

Specialising in dark fantasy and horror, Angela Slatter is the author of the Aurealis Award-winning The Girl with No Hands and Other Tales, the World Fantasy Award finalist Sourdough and Other Stories, Aurealis finalist Midnight and Moonshine (with Lisa L. Hannett), among others. She is the first Australian to win a British Fantasy Award, holds an MA and a PhD in Creative Writing, is a graduate of Clarion South and the Tin House Summer Writers Workshop, and was an inaugural Queensland Writers Fellow.

Book preview

You Are Not Your Writing

You Are Not Your Writing

& Other Sage Advice

Angela Slatter

Brain Jar Press

Contents

How to Be A Writer

Online Presence: Pros, Perils and Possibilities

Time Moves Differently Here

Awards Don’t Matter

You Are Not Your Writing

The Writing Life: A Really Big Echo Chamber

Thank you

About the Author

Also By Angela Slatter

Thank You For Buying This Brain Jar Press Ebook

WRITER CHAPS — SEASON ONE

How to Be A Writer

So I was supposed to be answering interview questions, but for some reason I wrote this. Everyone’s experience and advice will be different, but this is mine. ¹

1. A writer writes (Thanks, Throw Momma from the Train and Sean Williams)

You write.

You apply the bum glue and you write.

You write no matter how attractive cleaning the toilet suddenly becomes, or how urgent clearing out the vegetable crisper seems or doing your tax or cutting your own hair (to note: that last one is an especially bad idea — why yes, I have done these stupid things so you don’t have to). ²

You write even though you are certain this is the worst thing you — or indeed anyone else on this planet or any other — have ever written.

You write.

Sure, writers have demons and inner critics that whisper horrible, discouraging things to us. But some of us give them undignified pet names and enrol them in short courses to get them off our hands … send them off to playgroups where they make children cry or rob banks.

The important thing is that you don’t listen to them, or not everything at least. Listen to the reasonable stuff ³, but not the unreasonable ass-crazy stuff. ⁴

There are ways to get through the writer’s block (which is just fear spelled differently and with extra letters), and there are ways to finish stuff. The first step is telling the inner critic to shut the hell up when you’re writing a first draft. A first draft doesn’t need to be perfect, it just needs to be. A first draft is BrainVomit™ (thank you again, Sean Williams). So just write. Write garbage. All the spelling mistakes, all the grammatical errors (but take them out in future drafts — very important next yet-oft-forgot step).

Just breathe deeply and just write.

2. Be grateful

If someone has helped you along the way, be grateful. Acknowledge them publicly. You are no less a writer or creator of a story if you had assistance.

We all like to think this is an entirely solitary profession (and to some extent, sure, it is and it has to be because being surrounded by other people, especially ones you like, can be very distracting unless you’re extremely disciplined). Part of the job is entirely solitary, but you don’t create in a vacuum. You will help others and others will help you.

If you get to the point where you can do this as your full-time job, then be really grateful and never lose the memory of the times when you