Writing Magazine

Creative reading (PART 1)

In this article I want to look at reading as it pertains to the writer. I saw something incredibly depressing – I think on Twitter – a few months ago. By averaging how long they take to read a book, then taking into account their current age, someone worked out how many books they could possibly read in the years they had left. The answer was comparatively few. In the hundreds, I think. The crushing truth is we do only have so much time on this wonderful planet, and there really only so many books we’ll get to read. Stephen King says in his seminal we should read four hours a day and write four hours a day. If we had the life of Stephen King – and he so deserves that life being, in my mind, the writer’s writer par excellence – then perhaps we would. But most of us haven’t. His emphasis on the importance of reading, however, holds true. So, with the limited time we have and the millions

You’re reading a preview, subscribe to read more.

More from Writing Magazine

Writing Magazine3 min read
Understanding Structure
The concept of story structure might feel restrictive but it can enhance your creative freedom as a novelist. It can help you protect your story’s integrity, streamline your writing process, and boost your confidence, all through an understanding of
Writing Magazine3 min read
Standout, Breakout
For a few years I had pinned above my desk a Private Eye cartoon by Peter Cook. Two literary types at a book launch, ‘I’m writing a novel,’ says one, ‘neither am I,’ replies the other. It’s a curious irony, given the amount of time that authors spend
Writing Magazine7 min read
Creative CONTROL
Cally Taylor proves that crime writers who explore the darkest, murkiest areas of human existence can be amongst the nicest writers you’re likely to meet. ‘Yes! I know! The darkness that looms!’ she laughs. She’s a gregarious livewire to talk to – ge

Related