The Country Dance Book - Part VI - Containing Forty-Three Country Dances from The English Dancing Master (1650 - 1728)
By Cecil J. Sharp and George Butterworth
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The Country Dance Book - Part VI - Containing Forty-Three Country Dances from The English Dancing Master (1650 - 1728) - Cecil J. Sharp
THE DANCE.
THE ROOM.
THE following diagram is a ground plan of the room in which the dances are supposed to take place:—
A diagram, showing the initial disposition of the dancers, is printed at the head of the notation of each dance, and placed so that its four sides correspond with the four sides of the room as depicted in the above plan. That is, the upper and lower sides of the diagram represent, respectively, the right and left walls of the room; its left and right sides the top and bottom.
In Playford’s time, the top of the room was called the Presence, alluding to the dais upon which the spectators were seated. The expression facing the Presence means, therefore, facing up, i.e., toward the top of the room; while back to the Presence means facing down, toward the bottom of the room.
TECHNICAL TERMS AND SYMBOLS.
In the following pages, certain symbols and technical expressions are used. These will now be defined.
= man; = woman.
r. = a step taken with the right foot; 1. = a step taken with the left foot.
h.r. = a hop off the right foot; l.r. = a hop off the left