The Shadow in the Corner
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Mary Elizabeth Braddon
Mary Elizabeth Braddon (1835–1915) was an English novelist and actress during the Victorian era. Although raised by a single mother, Braddon was educated at private institutions where she honed her creative skills. As a young woman, she worked as a theater actress to support herself and her family. When interest faded, she shifted to writing and produced her most notable work Lady Audley's Secret. It was one of more than 80 novels Braddon wrote of the course of an expansive career.
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The Shadow in the Corner - Mary Elizabeth Braddon
Miss Braddon
Mary Elizabeth Braddon was born in Soho, London, England in 1835. She was educated privately in England and France, and at the age of just nineteen was offered a commission by a local printer to produce a serial novel combining the humour of Dickens with the plot and construction of G. P. R. Reynolds
What emerged was Three Times dead, or The Secret of the Heath, which was published five years later under the title The Trail of the Serpent (1861).
For the rest of her life, Braddon was an extremely prolific writer, producing more than eighty novels, while also finding time to write and act in a number of stage plays. Her most famous novel, Lady Audley’s Secret, began serialisation in 1862, and was an overnight success, propelling her into fame and fortune. A quintessential ‘sensation novel’, centring on an incident of accidental bigamy,
Lady Audley’s Secret has never been out of print, and was adapted as recently as 2000. Braddon also founded Belgravia Magazine, and edited Temple Bar Magazine. She died in 1915 in Richmond, England, aged 79.
THE SHADOW
IN THE CORNER
Wildheath Grange stood a little way back from the road, with a barren stretch of heath behind it, and a few tall fir-trees, with straggling wind-tossed heads, for its only shelter. It was a lonely house on a lonely road, little better than a lane, leading across a desolate waste of sandy fields to the sea-shore; and it was a house that bore a bad name among the natives of the village of Holcroft, which was the nearest place where humanity might be found.
It was a good old house, nevertheless, substantially built in the days when there was no stint of stone and timber--a good old grey stone house with many gables, deep windowseats, and a wide staircase, long dark passages, hidden doors in queer corners, closets as large as some modern rooms, and cellars in which a company of soldiers might have lain perdu.
This spacious old mansion was given over to rats and mice, loneliness, echoes, and the occupation of three elderly people: Michael Bascom, whose forebears had been landowners of importance in the neighbourhood, and his two servants, Daniel Skegg and his wife, who had served the owner of that grim old house ever since he left the university, where he had lived fifteen years of his life--five as student, and ten as professor of