Church of Scotland Year Book 2017-18: Re-imagining the Psalms for Worship and Devotion
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Church of Scotland Year Book 2017-18 - Lezley Stewart
Contents
Introduction
Notes on Using the Resources
Refuge
Setting the Scene
Psalm 91
Psalm 46
Psalm 62
Suggestions for Liturgy
Liturgy
Created
Setting the Scene
Psalm 8
Psalm 90
Psalm 121
Suggestions for Liturgy
Liturgy
Lament
Setting the Scene
Psalm 22
Psalm 55
Psalm 77
Suggestions for Liturgy
Liturgy
Centre
Setting the Scene
Psalm 84
Psalm 27
Psalm 103
Suggestions for Liturgy
Liturgy
Pathway
Setting the Scene
Psalm 23
Psalm 1
Psalm 16
Suggestions for Liturgy
Liturgy
Refreshment
Setting the Scene
Psalm 63
Psalm 145
Psalm 42
Suggestions for Liturgy
Liturgy
Communion Liturgy
New Psalms
More than Words
If Today
Honest before God
Copyright
Introduction
Much has been written about the Psalms and their use in the context of worship, both historical and contemporary. I cannot seek to do justice to such volumes in this introduction. Instead I will offer a brief insight into where these resources spring from, and my own approach to re-imagining the Psalms for worship today.
As a minister I have always been passionate about worship, the creation of contextually appropriate liturgies, and the intentionality of what we set out to do in worship. Creating the atmosphere and liturgical content that can cultivate a meaningful worship experience is a craft of sorts, and when it is done well it can lead to transformative encounters with God and with one another in faith.
Often in worship we are recalling ancient texts and applying them to give meaning in the present and the future. Essentially Scripture is the source of memory for many of our patterns of worship today. But how does Scripture speak of the wonder and mystery of God in a way that is relevant and contemporary?
For many people the Psalms provide this poetic invitation. The Psalms have always spoken to me as the soul songs of the Bible, while deeply framed in their own history. Yet in the Psalms we find a profound exploration of devotion to God in the midst of the heights and depths of all human experience that can offer a connecting point to those same experiences today. They have a timeless and universal connection, for though generations pass, the questions and experiences of humanity in relation to God remain the same.
I believe the Psalms invite us to wait upon God, but as ancient soul songs they also wait for new meaning to be applied to them by us from the context in which we find ourselves. This invitation is for all who participate in their sharing and allows the Psalms to lend themselves to the creation of new liturgical resources.
Liturgy is not just about the text but about culture and context. If devotion is to be encouraged as a mutual address between God and God’s people, then liturgy must be in the hands of the people, and in a language that is shared. This essentially is my inspiration for what I describe as ‘re-imagining’ the Psalms.
While the Psalms are often seen as the prayer book of the Bible, I wonder how they can break out of their historical context to become contemporary and living prayers. In many senses the Psalms arise out of an original question, and I seek to re-imagine them to address the questions as they might be expressed today.
My concept of re-imagining is based on a desire to facilitate the people of God in finding their voice in worship, through new expressions of ancient praise. Going beyond retranslating, I rather hope to capture something of the original emotion and immediacy of the Psalms to also inspire new Psalms. This is as a response to the call of Psalm 150 inviting all that has life and breath to praise God.
Understanding how the Psalter came to be shaped and formed over many years before finally being received in its current form into the canon of Scripture, provides a vibrant invitation to understand the Psalter’s function as just the beginning of praise.
In many respects the concept of an original biblical Psalm is difficult to defend, as the evidence would suggest that the Psalms went through various stages of development and revision to reach the form we have today.
Understanding the Psalms primarily as devotional compositions is not to deny their history, formation or presumed intent, but sees the Psalter as a legitimate expression of the worship and wondering of God’s people. It is this authentic expression