Mosses and Lichens: Poems
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About this ebook
A new collection from the author of Traveler
Not days of anger
but days of mild congestion,
infants of inconstant sorrow,
days of foam in gutters,
blossoms and snow
mingling where they fall,
a spring of cold profusion.
If a rolling stone gathers no moss, the poems in Devin Johnston’s Mosses and Lichens attend to what accretes over time, as well as to what erodes. They often take place in the middle of life’s journey, at the edge of the woods, at the boundary between human community and wild spaces. Following Ovid, they are poems of subtle transformation and transfer. They draw on early blues and rivers, on ironies and uncertainties, guided by enigmatic signals: “an orange blaze that marks no trail.” From image to image, they render fleeting experiences with etched precision. As Ange Mlinko has observed of Johnston's work, “Each poem holds in balance a lapidary concision and utter lushness of vowel-work,” forming a distinctive music.
Devin Johnston
Born in 1970, Devin Johnston spent his childhood in North Carolina. He is the author of six previous books of poetry and two books of prose, including Creaturely and Other Essays. He works for Flood Editions, an independent publishing house, and teaches at Saint Louis University, in Missouri, where he lives.
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Book preview
Mosses and Lichens - Devin Johnston
SLOW SPRING
Not days of anger
but days of irritation,
light through dirty glass,
songs of horse and rider,
tornado sirens
for a storm that rumbles past
but finds no clear rotation.
Not days of anger
but days of slow connection,
days of snow geese passing
north above the river,
days of eros
endlessly drawn out
through error and confusion.
Not days of anger
but days of indirection,
contrails like
cathedral arches
and rumor of morels,
days without a strike,
days of binding arbitration.
Not days of anger
but days of mild congestion,
infants of inconstant sorrow,
days of foam in gutters,
blossoms and snow
mingling where they fall,
a spring of cold profusion.
MOSSES AND LICHENS
Grant but as many sorts of mind as moss
spread in profuse and tender shade
across the face of a granite block
that came to rest in the last ice age;
a buoyant clump of cushion moss,
the nap of sheet moss, fit for sleep,
a bog of sphagnum, shirred and soft,
along the bed of Pickle Creek.
Carpet mosses, loose yet dense,
absorb a day of steady rain,
pervasive, yet so reticent
that many have no common names.
More subtle still, an areole
of lichen lives on rock and air,
the crust of paint on a coping stone,
an orange blaze that marks no trail;
a flake of ancient bronze, an ash
that powders the fingertips like