25 Women Who Dared to Create
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25 Women Who Dared to Create - Rebecca Stanborough
TABLE OF CONTENTS
Cover
Title Page
Introduction
Chapter 1: Brush and Canvas
Chapter 2: Bronze and Clay
Chapter 3: Music and Movement
Chapter 4: Needle and Thread
Chapter 5: Lens and Light
Chapter 6: Brick and Blueprints
Timeline
Glossary
Critical Thinking Questions
Further Reading
Internet Sites
Select Bibliography
About the Author
Source Notes
Index
Copyright
Back Cover
INTRODUCTION
Great art changes the world, even when the world does not want to change. Great art tells the truth. It kindles joy. It bears witness to history. And it expresses passion in all its forms.
This book celebrates the work of women artists around the globe. This is how they changed the world: with brush and canvas, bronze and clay, needle and thread, music and movement, lens and light, brick and blueprints. Our world is better because these wonderous workers dared to pursue their dreams and create beautiful and powerful works of art.¹
Do your work and don’t let anyone or anything stop you. Don’t do your work to please other people; do it to please yourself.
—Faith Ringgold, painter
Women artists challenge themselves creatively, through song, dance, sculpture, photography, painting, architecture, and other forms of art.
— Chapter 1 —
BRUSH AND CANVAS
Women have been painting fine art for centuries. A mere 50 years after Michelangelo painted the Sistine Chapel in 1508, Plautilla Nelli created a nearly life-size painting of The Last Supper. In the mid-1600s, when Rembrandt was creating masterworks like The Night Watch in Holland, Rachel Ruysch was painting exquisite still lifes for clients throughout Europe. Yet art history books failed to include most of the women who painted in the Italian Renaissance and the Dutch Golden Age.
The painters discussed here were fortunate. Though many of them had to defy society’s expectations to create art, they were working in the 20th and 21st centuries. The century that brought women the right to vote also brought new opportunities to create art with brush and canvas.
Georgia O’Keeffe (1887–1986)
Georgia O’Keeffe is recognized by many as the Mother of American Modernism.
She is best known for her paintings of natural objects such as enlarged flowers, leaves, and natural landscapes.
A young Wisconsin girl named Georgia O’Keeffe picked up a brush. She began painting the natural world around her. She painted her way into art schools in Chicago and New York, spending years imitating the style of master painters.
But it was all academic,
she remembered. We were taught to paint like somebody else. It made me not want to paint at all.
² For a while, she laid down her paintbrush.
Then she discovered the work of Arthur Dow, whose idea was to fill a space in a beautiful way.
She began painting in a bold, colorful, abstract style that enhanced what she saw in the natural world. She painted everything from flowers to skyscrapers in a daring, modernist style.
In 1929, O’Keeffe spent a summer in Ghost Ranch, New Mexico. She went looking for flowers to paint, but what she found instead were bleached animal bones. She loved their shapes. She painted them larger than life and often centered them over the desert horizon.
O’Keeffe made New Mexico her home in 1949. She would get up at 7 a.m. and drive her Model A Ford out across the countryside. She had removed the back seat so she could paint in the car, which gave her some relief from the fierce desert heat. People who knew her well said she loved working in New Mexico because she could be alone there.
President Gerald Ford awarded Georgia O’Keeffe the Presidential Medal of