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Poems of the Past & Present: “Beauty lay not in the thing, but in what the thing symbolized”
Poems of the Past & Present: “Beauty lay not in the thing, but in what the thing symbolized”
Poems of the Past & Present: “Beauty lay not in the thing, but in what the thing symbolized”
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Poems of the Past & Present: “Beauty lay not in the thing, but in what the thing symbolized”

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Thomas Hardy was born in the hamlet of Upper Bockhampton about three miles east of Dorchester in Dorset, England, on 2nd June 1840.

Despite a fairly wide education and being an avid reader his parents thought it unlikely he would lead a successful scholarly or clerical career and he was apprenticed in 1856, at age 16, to a local architect whose speciality was in church restoration. Hardy’s only opportunity to read was in the morning before work between the hours of five and eight.

On the back of a failed love affair he moved to London and spent five years working as Arthur Blomfield’s assistant architect, also a restorer and designer of churches. Hardy though had become disillusioned with institutionalised forms of Christianity and abandoned any lingering hopes of ordination in the Anglican Church. However, his poetry was now flourishing, although it was still rejected for publication.

His novel ‘Desperate Remedies’, was published anonymously in 1871 and he now resolved to write full time though he was not yet in a position to achieve financial security or literary success. His second novel, ‘Under the Greenwood Tree’, appeared in 1872 and in 1873 ‘A Pair of Blue Eyes’, the most autobiographical of his works arrived. With ‘Far From the Madding Crowd’ in 1874, came critical acclaim, public attention and financial success. 1878 saw more of the same with ‘The Return of the Native’, and the ensuing years saw him rise to ever greater popularity.

‘The Mayor of Casterbridge’ was published in 1886. In 1891 came ‘Tess of the d’Urbervilles’. It only saw publication after extensive alterations to its plot and deleting long passages to lessen the shock to the prudish Victorian audience who were dismayed by the seduction and ruin of a young girl by a rakish aristocrat. His last novel, ‘Jude the Obscure’, suffered the same fate when it was published in 1895. The uproar so disturbed him that he returned to poetry. In 1898 he had an earlier poetry collection published ‘Wessex Poems’

Hardy spent the years between 1903 and 1908 writing ‘The Dynasts’, an epic poem on the Napoleonic Wars.

In his twilight years came honours and awards from the great and the good and recognition of his stature as one of the most outstanding of British authors. George V conferred on him the Order of Merit in 1910.

In 1924 a new stage production of ‘Tess of the d’Urbervilles’, was staged. Meanwhile from 1920 to 1927 he worked, in secret, on his autobiography, which was later published after his death as the work of Florence Hardy.

Thomas Hardy OM died on the 11th January 1928.

LanguageEnglish
Release dateApr 1, 2020
ISBN9781839673559
Poems of the Past & Present: “Beauty lay not in the thing, but in what the thing symbolized”
Author

Thomas Hardy

Thomas Hardy (1840-1928) was an English poet and author who grew up in the British countryside, a setting that was prominent in much of his work as the fictional region named Wessex. Abandoning hopes of an academic future, he began to compose poetry as a young man. After failed attempts of publication, he successfully turned to prose. His major works include Far from the Madding Crowd(1874), Tess of the D’Urbervilles(1891) and Jude the Obscure( 1895), after which he returned to exclusively writing poetry.

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    Poems of the Past & Present - Thomas Hardy

    Poems of the Past & Present by Thomas Hardy

     Thomas Hardy was born in the hamlet of Upper Bockhampton about three miles east of Dorchester in Dorset, England, on 2nd June 1840.

    Despite a fairly wide education and being an avid reader his parents thought it unlikely he would lead a successful scholarly or clerical career and he was apprenticed in 1856, at age 16, to a local architect whose speciality was in church restoration.  Hardy’s only opportunity to read was in the morning before work between the hours of five and eight.

    On the back of a failed love affair he moved to London and spent five years working as Arthur Blomfield’s assistant architect, also a restorer and designer of churches. Hardy though had become disillusioned with institutionalised forms of Christianity and abandoned any lingering hopes of ordination in the Anglican Church.  However, his poetry was now flourishing, although it was still rejected for publication.

    His novel ‘Desperate Remedies’, was published anonymously in 1871 and he now resolved to write full time though he was not yet in a position to achieve financial security or literary success. His second novel, ‘Under the Greenwood Tree’, appeared in 1872 and in 1873 ‘A Pair of Blue Eyes’, the most autobiographical of his works arrived. With ‘Far From the Madding Crowd’ in 1874, came critical acclaim, public attention and financial success. 1878 saw more of the same with ‘The Return of the Native’, and the ensuing years saw him rise to ever greater popularity.

     ‘The Mayor of Casterbridge’ was published in 1886.  In 1891 came ‘Tess of the d’Urbervilles’. It only saw publication after extensive alterations to its plot and deleting long passages to lessen the shock to the prudish Victorian audience who were dismayed by the seduction and ruin of a young girl by a rakish aristocrat. His last novel, ‘Jude the Obscure’, suffered the same fate when it was published in 1895.  The uproar so disturbed him that he returned to poetry. In 1898 he had an earlier poetry collection published ‘Wessex Poems’

    Hardy spent the years between 1903 and 1908 writing ‘The Dynasts’, an epic poem on the Napoleonic Wars.

    In his twilight years came honours and awards from the great and the good and recognition of his stature as one of the most outstanding of British authors. George V conferred on him the Order of Merit in 1910.

    In 1924 a new stage production of ‘Tess of the d’Urbervilles’, was staged.  Meanwhile from 1920 to 1927 he worked, in secret, on his autobiography, which was later published after his death as the work of Florence Hardy.

    Thomas Hardy OM died on the 11th January 1928.

    Index of Contents

    V.R.  1819–1901

    WAR POEMS—

    Embarcation

    Departure

    The Colonel’s Soliloquy

    The Going of the Battery

    At the War Office

    A Christmas Ghost-Story

    The Dead Drummer

    A Wife in London

    The Souls of the Slain

    Song of the Soldiers’ Wives

    The Sick God

    POEMS OF PILGRIMAGE—

    Genoa and the Mediterranean

    Shelley’s Skylark

    In the Old Theatre, Fiesole

    Rome: On the Palatine

    Rome: Building a New Street in the Ancient Quarter

    Rome: The Vatican: Sala Delle Muse

    Rome: At the Pyramid of Cestius

    Lausanne: In Gibbon’s Old Garden

    Zermatt: To the Matterhorn

    The Bridge of Lodi

    On an Invitation to the United States

    MISCELLANEOUS POEMS—

    The Mother Mourns

     I said to Love

    A Commonplace Day

    At a Lunar Eclipse

    The Lacking Sense

    To Life

    Doom and She

    The Problem

    The Subalterns

    The Sleep-worker

    The Bullfinches

    God-Forgotten

    The Bedridden Peasant to an Unknowing God

    By the Earth’s Corpse

    Mute Opinion

    To an Unborn Pauper Child

    To Flowers from Italy in Winter

    On a Fine Morning

    To Lizbie Browne

    Song of Hope

    The Well-Beloved

    Her Reproach

    The Inconsistent

    A Broken Appointment

    Between us now

    How great my Grief

    I need not go

    The Coquette, and After

    A Spot

    Long Plighted

    The Widow

    At a Hasty Wedding

    The Dream-Follower

    His Immortality

    The To-be-Forgotten

    Wives in the Sere

    The Superseded

    An August Midnight

    The Caged Thrush Freed and Home Again

    Birds at Winter Nightfall

    The Puzzled Game-Birds

    Winter in Durnover Field

    The Last Chrysanthemum

    The Darkling Thrush

    The Comet at Yalbury or Yell’ham

    Mad Judy

    A Wasted Illness

    A Man

    The Dame of Athelhall

    The Seasons of her Year

    The Milkmaid

    The Levelled Churchyard

    The Ruined Maid

    The Respectable Burgher on the Higher Criticism

    Architectural Masks

    The Tenant-for-Life

    The King’s Experiment

    The Tree: an Old Man’s Story

    Her Late Husband

    The Self-Unseeing

    De Profundis i.

    De Profundis ii.

    De Profundis iii.

    The Church-Builder

    The Lost Pyx: a Mediæval Legend

    Tess’s Lament

    The Supplanter: A Tale

    IMITATIONS, Etc.—

    Sapphic Fragment

    Catullus: xxxi

    After Schiller

    Song: From Heine

    From Victor Hugo

    Cardinal Bembo’s Epitaph on Raphael

    RETROSPECT—

     I have Lived with Shades

    Memory and I

    ΑΓΝΩΣΤΩ.  ΘΕΩ

    THOMAS HARDY – A SHORT BIOGRAPHY

    THOMAS HARDY – A CONCISE BIBLIOGRAPHY

    V.R.  1819–1901

    A REVERIE

    Moments the mightiest pass uncalendared,

          And when the Absolute

       In backward Time outgave the deedful word

          Whereby all life is stirred:

    "Let one be born and throned whose mould shall constitute

    The norm of every royal-reckoned attribute,"

          No mortal knew or heard.

       But in due days the purposed Life outshone—

          Serene, sagacious, free;

       —Her waxing seasons bloomed with deeds well done,

          And the world’s heart was won . . .

    Yet may the deed of hers most bright in eyes to be

    Lie hid from ours—as in the All-One’s thought lay she—

          Till ripening years have run.

    Sunday Night,

             27th January 1901.

    WAR POEMS

    EMBARCATION

    (Southampton Docks: October, 1899)

    Here, where Vespasian’s legions struck the sands,

    And Cerdic with his Saxons entered in,

    And Henry’s army leapt afloat to win

    Convincing triumphs over neighbour lands,

    Vaster battalions press for further strands,

    To argue in the self-same bloody mode

    Which this late age of thought, and pact, and code,

    Still fails to mend.—Now deckward tramp the bands,

    Yellow as autumn leaves, alive as spring;

    And as each host draws out upon the sea

    Beyond which lies the tragical To-be,

    None dubious of the cause, none murmuring,

    Wives, sisters, parents, wave white hands and smile,

    As

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