The Best of Robert Service
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About this ebook
This new and revised edition of poems about the men and women of the North features the most loved ballads by Robert Service, and is illustrated with lively art by Marilen Van Nimwegen. While living in Whitehorse, Robert Service wrote The Cremation of Sam McGee, and other well-known poems. He wrote and published into his mid-eighties. He was quoted as saying, I just go for a walk and come back with a poem in my pocket.
Hancock House Publishers
From the beginning Hancock House focus has been on non-fiction regional titles, emphasizing western and northern history and biographies, native art and culture, natural history, wildlife, cryptozoology and folklore. In 2008, Hancock House launched its first e-books. We have also developed an international presence with major wildlife conservation and falconry titles.
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Reviews for The Best of Robert Service
44 ratings1 review
- Rating: 4 out of 5 stars4/5A pleasant collection of poems. Written in the late part of the 19th and the early part of the 20th century these simple poems are glimpses of ordinary and not so ordinary lives and philosophies from 3 - 4 generations ago.
Book preview
The Best of Robert Service - Hancock House Publishers
Contents
Robert Service
The Spell of the Yukon
My Friends
The Cremation of Sam McGee
The Telegraph Operator
Clancy of the Mounted Police
The Ballad of Hard Luck Henry
Premonition
The Ballad of Blasphemous Bill
The Heart of the Sourdough
The Three Voices
The Men that Don’t Fit In
The Trail of ’Ninety-eight
The Shooting of Dan McGrew
The Ballad of Gum-Boot Ben
The Low-Down White
The Man from Eldorado
The Harpy
The Ballad of One-Eyed Mike
The Law of the Yukon
Robert Service, 1911.
Robert Service
by Harriett Shlossberg
ROBERT SERVICE was born in Lancashire, England in 1874, the son of lower middle class parents, the eldest of what would be ten children. When he was four, the family moved to Glasgow, Scotland and he and a brother were taken to live with his paternal grandparents and four aunts nearby in Kilwinning. In school, he was known for getting into scrapes, but mostly was a solitary and imaginative child, immersing himself in books. At a celebratory meal for his sixth birthday, he always remembered surprising the adults and even himself, with two spontaneous rhyming verses in the form of a grace, foretelling of his future and his talents.
When his parents came to visit him at last, his mother was so shocked to discover him wearing a kilt and nothing beneath it, she took him home to Glasgow and his family. Bored by school, he submerged himself in books to his liking, reading Shakespeare, Burns, Longfellow, tales of adventure, and declamatory verses. At fourteen, it was suggested he leave school, and soon he was apprenticed as a clerk in a bank. There, with time on his hands, he began rhyming and making verses and by age sixteen, had over a dozen poems published in local newspapers. Throughout his late teens and early twenties, he dreamed of travelling and adventure, of escaping the bank. Finally, at twenty-two, he resigned, and in 1896, headed for Canada.
For the next eight years Robert was mostly a wanderer up and down the West Coast of Canada and the U.S., lingering sometimes, trying his hand at ranching and farming, even manual labor and running a store, often living on as little as twenty-five cents a day in rough conditions.
Robert Service at his cabin, Dawson, 1910.
All the time he was observing landscape and characters of every description. Desperate for an easier way of living, in Victoria in 1903, he took a job with the Canadian Bank of Commerce, and after a brief stint there was transferred to Kamloops, and then to Whitehorse in the Yukon Territory. He was fascinated with the history of this area, the characters drawn to it, the tales of the gold rush, and the natural beauty in which he tramped alone for endless hours. It was here that he was asked to prepare an original reading for an entertainment. When he was almost shot in the head by a zealous bank clerk who thought he was a burglar, the inspiration for The Shooting of Dan McGrew
was born. A month later, while at a party, he heard a story that gave him the idea for The Cremation of Sam McGee
. These, along with other poems that came pouring out at this time, were published in 1907 in a book he called Songs of a Sourdough, a reference to the bread starter carried by the miners. In 1908, the bank sent him to Dawson, and there he put his energies into a second volume of verse. He soon realized that he could make enough money from his writing to obtain freedom from the necessity of formal work and could indulge in the dreaming, loafing and outdoor roaming he loved to do. Gradually, these books became widely known, and the royalties started flowing in, which would be the case for the rest of his long life. The next year, he resigned from the bank, rented a cabin and worked