Del Rey's Next Reads Sampler 2020 Edition: Excerpts from 11 Upcoming and Current Science Fiction, Fantasy, and Horror Titles
By Max Brooks, Peter F. Hamilton, Kevin Hearne and
()
About this ebook
2020 is a year of new chapters. Max Brooks, who helped us survive a zombie pandemic, now searches for a more elusive threat: Bigfoot. Kevin Hearne, the author of The Iron Druid Chronicles, takes us back to that beloved world with a new spin-off series—and dreams up a different epic fantasy series with an entirely new mythology. Peter F. Hamilton masterfully builds a blazing space opera series. Silvia Moreno-Garcia, who dazzled us with her vision of 1920s Mexico and the Mayan underworld, reimagines the classic gothic suspense novel with the story of an isolated mansion in the 1950s Mexican countryside.
These eleven recent and upcoming works are full of action. A young space pilot tries to save his best friend—the heir to a galactic empire—from a ruthless rebellion. A girl whose interdimensional doppelgängers have died in 372 worlds discovers a secret that puts her life in jeopardy. A man whose daughter has newfound, terrifying powers must risk his life to save hers. The last human in the galaxy hides her identity while trying to discover the truth about humanity. A woman traveling through time finds a mysterious child with unimaginable power. A spell allows women to control their own fertility in an epic feminist fantasy.
This captivating ebook sampler contains excerpts from:
DEVOLUTION by Max Brooks
THE WOMEN’S WAR by Jenna Glass
SALVATION by Peter F. Hamilton
INK & SIGIL by Kevin Hearne
A PLAGUE OF GIANTS by Kevin Hearne
THE VANISHED BIRDS by Simon Jimenez
THE SPACE BETWEEN WORDS by Micaiah Johnson
THE LAST HUMAN by Zack Jordan
MEXICAN GOTHIC by Silvia Moreno-Garcia
THE NOBODY PEOPLE by Bob Proehl
BONDS OF BRASS by Emily Skrutskie
Related to Del Rey's Next Reads Sampler 2020 Edition
Related ebooks
Frek and the Elixir Rating: 4 out of 5 stars4/5The Portrait of Mrs. Charbuque: A Novel Rating: 4 out of 5 stars4/5Luna: Moon Rising Rating: 4 out of 5 stars4/5Lightspeed Magazine, Issue 149 (October 2022): Lightspeed Magazine, #149 Rating: 4 out of 5 stars4/5The Best of Jeffrey Ford Rating: 0 out of 5 stars0 ratingsGreen Planets: Ecology and Science Fiction Rating: 4 out of 5 stars4/5Lightspeed Magazine, Issue 135 (August 2021): Lightspeed Magazine, #135 Rating: 4 out of 5 stars4/5Realms 2: The Second Year of Clarkesworld Magazine: Clarkesworld Anthology, #2 Rating: 3 out of 5 stars3/5Lightspeed Magazine, Issue 137 (October 2021): Lightspeed Magazine, #137 Rating: 5 out of 5 stars5/5Fantasy Magazine, Issue 91 (May 2023): Fantasy Magazine, #91 Rating: 4 out of 5 stars4/5Rapture Rating: 4 out of 5 stars4/5Heliotrope Rating: 3 out of 5 stars3/5The Liminal People: A Novel Rating: 4 out of 5 stars4/5Pulp Literature Summer 2019: Issue 23 Rating: 0 out of 5 stars0 ratingsRealms: The First Year of Clarkesworld Magazine: Clarkesworld Anthology, #1 Rating: 3 out of 5 stars3/5Black Star Renegades Rating: 3 out of 5 stars3/5Amazing Stories Fall 2019 Rating: 4 out of 5 stars4/5State Tectonics Rating: 4 out of 5 stars4/5Last Burn in Hell: Director's Cut Rating: 5 out of 5 stars5/5The Water Thief Rating: 4 out of 5 stars4/5Before, After, Alone Rating: 0 out of 5 stars0 ratingsShoreline of Infinity 10: Shoreline of Infinity science fiction magazine, #10 Rating: 0 out of 5 stars0 ratingsLightspeed Magazine, Issue 140 (January 2022): Lightspeed Magazine, #140 Rating: 5 out of 5 stars5/5The Liminal War: a novel Rating: 3 out of 5 stars3/5Cosmic Powers: The Saga Anthology of Far-Away Galaxies Rating: 4 out of 5 stars4/5Lightspeed Magazine, Issue 116 (January 2020): Lightspeed Magazine, #116 Rating: 0 out of 5 stars0 ratingsSeasons Between Us: Tales of Identities and Memories: Laksa Anthology Series: Speculative Fiction Rating: 5 out of 5 stars5/5Lightspeed Magazine, Issue 100 (September 2018): Lightspeed Magazine, #100 Rating: 0 out of 5 stars0 ratingsLightspeed Magazine, Issue 102 (November 2018): Lightspeed Magazine, #102 Rating: 0 out of 5 stars0 ratingsClarkesworld Magazine Issue 100: Clarkesworld Magazine, #100 Rating: 0 out of 5 stars0 ratings
Science Fiction For You
The Alchemist: A Graphic Novel Rating: 4 out of 5 stars4/5Warrior of the Light: A Manual Rating: 4 out of 5 stars4/5The Silo Series Collection: Wool, Shift, Dust, and Silo Stories Rating: 4 out of 5 stars4/5Flowers for Algernon Rating: 4 out of 5 stars4/5Wool: Book One of the Silo Series Rating: 4 out of 5 stars4/5Kindred: A Graphic Novel Adaptation Rating: 4 out of 5 stars4/5A Psalm for the Wild-Built Rating: 5 out of 5 stars5/5Authority: A Novel Rating: 4 out of 5 stars4/5How High We Go in the Dark: A Novel Rating: 4 out of 5 stars4/5The Frugal Wizard’s Handbook for Surviving Medieval England: Secret Projects, #2 Rating: 4 out of 5 stars4/5This Is How You Lose the Time War Rating: 4 out of 5 stars4/5The Institute: A Novel Rating: 4 out of 5 stars4/5Sarah J. Maas: Series Reading Order - with Summaries & Checklist Rating: 4 out of 5 stars4/5Frankenstein: Original 1818 Uncensored Version Rating: 4 out of 5 stars4/5The Troop Rating: 4 out of 5 stars4/5The Ocean at the End of the Lane: A Novel Rating: 4 out of 5 stars4/5Annihilation: A Novel Rating: 4 out of 5 stars4/5The Paper Menagerie and Other Stories Rating: 4 out of 5 stars4/5Shift: Book Two of the Silo Series Rating: 4 out of 5 stars4/5Bradbury Stories: 100 of His Most Celebrated Tales Rating: 4 out of 5 stars4/5I Who Have Never Known Men Rating: 4 out of 5 stars4/5Rendezvous with Rama Rating: 4 out of 5 stars4/5Philip K. Dick's Electric Dreams Rating: 4 out of 5 stars4/5I Am Legend Rating: 4 out of 5 stars4/5Cryptonomicon Rating: 4 out of 5 stars4/5Animal Farm And 1984 Rating: 4 out of 5 stars4/5Dust: Book Three of the Silo Series Rating: 4 out of 5 stars4/5We Rating: 4 out of 5 stars4/5The Stories of Ray Bradbury Rating: 4 out of 5 stars4/5
Reviews for Del Rey's Next Reads Sampler 2020 Edition
0 ratings0 reviews
Book preview
Del Rey's Next Reads Sampler 2020 Edition - Max Brooks
Del Rey Sampler 2020 is a work of fiction. Names, places, and incidents either are products of the authors’ imaginations or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
Compilation copyright © 2020 by Penguin Random House LLC
All rights reserved.
Published in the United States by Del Rey, an imprint of Random House, a division of Penguin Random House LLC, New York.
DEL REY and the HOUSE colophon are registered trademarks of Penguin Random House LLC.
This sampler contains excerpts from the following books:
Excerpt from Devolution by Max Brooks copyright © 2020 by Max Brooks
Excerpt from The Women’s War by Jenna Glass copyright © 2019 by Jenna Glass
Excerpt from Salvation by Peter F. Hamilton copyright © 2018 by Peter F. Hamilton
Excerpt from Ink & Sigil by Kevin Hearne copyright © 2020 by Kevin Hearne
Excerpt from A Plague of Giants by Kevin Hearne copyright © 2017 by Kevin Hearne
Excerpt from The Vanished Birds by Simon Jimenez copyright © 2020 by Simon Jimenez
Excerpt from The Space Between Worlds by Micaiah Johnson copyright © 2020 by Micaiah Vetack
Excerpt from The Last Human by Zack Jordan copyright © 2020 by Zack Jordan
Excerpt from Mexican Gothic by Silvia Moreno-Garcia copyright © 2020 by Silvia Moreno-Garcia
Excerpt from The Nobody People by Bob Proehl copyright © 2019 by Bob Proehl
Excerpt from Bonds of Brass by Emily Skrutskie copyright © 2020 by Emily Skrutskie
The excerpts from Devolution by Max Brooks, Ink & Sigil by Kevin Hearne, The Space Between Worlds by Micaiah Johnson, The Last Human by Zack Jordan, Mexican Gothic by Silvia Moreno-Garcia, and Bonds of Brass by Emily Skrutskie are from forthcoming novels. These excerpts have been set for this edition only and may not reflect the final content of the forthcoming editions.
Cover design: Lisa Keller
Cover image: iStock/Getty Images
randomhousebooks.com
Facebook.com/DelReyBooks
Twitter: @DelReyBooks
ep_prh_5.5.0_c0_r0
Contents
Cover
Title Page
The Reading Wizard
Copyright
Devolution by Max Brooks
The Women’s War by Jenna Glass
Salvation by Peter F. Hamilton
Ink & Sigil by Kevin Hearne
A Plague of Giants by Kevin Hearne
The Vanished Birds by Simon Jimenez
The Space Between Worlds by Micaiah Johnson
The Last Human by Zack Jordan
Mexican Gothic by Silvia Moreno-Garcia
The Nobody People by Bob Proehl
Bonds of Brass by Emily Skrutskie
INTRODUCTION
BIGFOOT DESTROYS TOWN. That was the title of an article I received not long after the Mount Rainier eruption. I thought it was spam, the inevitable result of so much online research. At the time I was just finishing up what seemed like my hundredth op-ed on Rainier, analyzing every facet of what should have been a predictable, and preventable, calamity. Like the rest of the country, I needed facts, not sensationalism. Staying grounded had been the focus of so many op-eds, because of all Rainier’s human failures—political, economic, logistical—it was the psychological aspect, the hyperbole-fueled hysteria, that had ended up killing the most people. And here it was again, right on my laptop screen: BIGFOOT DESTROYS TOWN.
Just forget it, I told myself, the world’s not going to change overnight. Just breathe, delete, and move on.
And I almost did. Except for that one word.
Bigfoot.
The article, posted on an obscure, cryptozoological website, claimed that while the rest of the country was focused on Rainier’s wrath, a smaller but no less bloody disaster was occurring a few miles away in the isolated, high-end, high-tech eco-community of Greenloop. The article’s author, Frank McCray, described how the eruption not only cut Greenloop off from rescue, but also left it vulnerable to a troop of hungry, apelike creatures that were themselves fleeing the same catastrophe.
The details of the siege were recorded in the journal of Greenloop resident Kate Holland, the sister of Frank McCray.
They never found her body,
McCray wrote to me in a follow-up email, but if you can get her journal published, maybe someone will read it who might have seen her.
When I asked why me, he responded, Because I’ve been following your op-eds on Rainier. You don’t write anything you haven’t thoroughly researched first.
When I asked why he thought I’d have any interest in Bigfoot, he answered, "I read your Fangoria article."
Clearly I wasn’t the only one who knew how to research a subject. Somehow, McCray had tracked down a decades-old list of my Top Five Classic Bigfoot Movies
for the iconic horror magazine. In that piece, I’d talked about growing up at the height of the Bigfoot frenzy,
challenging readers to watch these old movies with the eyes of a six-year-old child, eyes that flick constantly from the terror on the screen to the dark, rustling trees outside the window.
Reading that piece must have convinced McCray that some part of me wasn’t quite ready to leave my childhood obsession in the past. He must have also known that my adult skepticism would force me to thoroughly vet his story. Which I did. Before contacting McCray again, I discovered that there had been a highly publicized community known as Greenloop. There was an ample amount of press regarding its founding—and its founder, Tony Durant. Tony’s wife, Yvette, had also hosted several online yoga and meditation classes from the town’s Common House right up to the day of the eruption. But on that day, everything stopped.
That was not unusual for towns that lay in the path of Rainier’s boiling mudslides, but a quick check of the official FEMA map showed Greenloop had never been touched. And while devastated areas such as Orting and Puyallup had eventually reconnected their digital footprints, Greenloop remained a black hole. There were no press reports, no amateur recordings. Nothing. Even Google Earth, which has been so diligent in updating its satellite imagery of the area, still posts the original, pre-eruption photo of Greenloop and the surrounding area. As peculiar as all these red flags might be, what finally drove me back to McCray was the fact that the only mention of Greenloop after the disaster that I could find was in a local police report that said the official investigation was still ongoing.
What do you know?
I asked him after several days of radio silence. That was when he sent me the link to an AirDrop link of a photo album taken by Senior Ranger Josephine Schell. Schell, who I would later interview for this project, had led the first search and rescue team into the charred wreckage of what had once been Greenloop. Amid the corpses and debris, she had discovered the journal of Kate Holland (née McCray) and had photographed each page before the original copy was removed.
At first, I still suspected a hoax. I’m old enough to remember the notorious Hitler Diaries.
However, as I finished the last page, I couldn’t help but believe her story. I still do. Perhaps it’s the simplicity of her writing, the frustratingly credible ignorance of all things Sasquatch. Or perhaps it’s just my own irrational desire to exonerate the scared little boy I used to be. That’s why I’ve published Kate’s story, along with several news items and background interviews that I hope will provide some context for readers not familiar with Sasquatch lore. In the process of compiling that research, I struggled greatly with how much to include. There are literally dozens of scholars, hundreds of hunters, and thousands of recorded encounters. To wade through them all might have taken years, if not decades, and this story simply does not have that kind of time. That is why I have chosen to limit my interviews to the two people with direct, personal involvement in the case, and my literary references to Steve Morgan’s The Sasquatch Companion. Fellow Bigfoot enthusiasts will no doubt recognize Morgan’s Companion as the most comprehensive, up-to-date guidebook on the subject, combining historical accounts, recent eyewitness sightings, and scientific analysis from experts like Dr. Jeff Meldrum, Ian Redmond, Robert Morgan (no relation), and the late Dr. Grover Krantz.
Some readers may also question my decision to omit certain geographical details regarding the exact location of Greenloop. This was done to discourage tourists and looters from contaminating what is still an active crime scene. With the exception of these details, and the necessary spelling and grammatical corrections, the journal of Kate Holland remains intact. My only regret is not being able to interview Kate’s psychotherapist (who encouraged her to begin writing this diary) on the grounds of patient confidentiality. And yet this psychotherapist’s silence seems, at least to me, like an admission of hope. After all, why would a doctor worry about the confidentiality of her patient if she didn’t believe that patient was still alive?
At the time of this writing, Kate has been missing for thirteen months. If nothing changes, this book’s publication date may see her disappearance lasting several years.
At present, I have no physical evidence to validate the story you are about to read. Maybe I’ve been duped by Frank McCray, or maybe we’ve both been duped by Josephine Schell. I will let you, the reader, judge for yourself if the following pages seem reasonably plausible, and like me, if they reawaken a terror long buried under the bed of youth.
OCTOBER 8
The stink hit us as soon as we crossed over the ridge onto the downward slope. Strong, pungent. I smelled it on the palm of my hand, coming off a tree I’d just touched. I put my nose to the bark. Rotten eggs. My hand also came away with something else. Plant fiber, probably. It was long and black. Thick like a horse’s mane. I’m not sure if it stank, it could have just been my fingertips. Animal hair?
Then we saw the white specks, standing out in a patch of turned-up earth and reddish leaves.
Reddish from blood. It was everywhere. On the bushes, the bark, soaked into the ground, mixing with ash into these solid, rusty pebbles.
The white specks were shattered bones. It was hard to even recognize them at first. Most were just chips. They looked like they were smashed with a hammer. I found a few rocks nearby with blood on one side. Not splatters. Deep, thick stains mixed with fur and bits of flesh. And this is weird, but they looked, okay, painted? I know that sounds funny, but the blood on the rocks, on the trees and leaves, there were no droplets. Other than in the ash, all the other stains looked like they’d been smeared with a brush, or a tongue. Like whatever killed the cat went around licking every last spot.
Even the bones. They were clean. The marrow’d been scrubbed out. In fact, there wasn’t any meat anywhere. No organs, muscle, brain. I found what had to be the remains of the skull; just a curved, polished fragment next to a collection of broken teeth. That’s how I knew it had to be the cat. Those yellow fangs. I found one, intact, still stuck to a piece of upper jaw.
What could have done that?
If my mind wasn’t already shaken by what we saw, Mostar’s reaction made it worse.
She just listened, without judgment, eyes off to the side, taking in every detail without the slightest reaction. It scared me, scares me, that she didn’t immediately respond with, Oh well, what you saw was…
She always has an answer for everything. That’s why I didn’t like her at first. Bully. Know-it-all. Go here, do this, believe me when I say…
This is the first time I’ve seen her genuinely perplexed. No, that’s not right. The first time was when I’d been chased, when she turned her eyes on the woods.
Does she suspect what I’m trying to dismiss? The smell, the howls, the large boulder
I’d seen on the road. Now this. I’m sure I’m just trying to come up with an explanation for something that doesn’t make any sense. That’s me. A place for everything and everything in its place. I’m just grasping on to what I’ve heard. And I haven’t heard much. I’m not into that stuff. I’m the practical one. I’ve never been interested in things that weren’t real. I’ve never even watched Game of Thrones. Dragons and ice zombies? Really? When Yvette was going on about Oma, she was speaking metaphorically! It can’t be real or else everyone would know. That’s the world we live in, right? Anyone can know anything. We’d know about this.
And yes, I know I saw something. We both did. But knowing you saw something is different from knowing what you saw.
I spotted the first one, the first clear footprint. It was next to the skull fragment, so deep it pressed right through the ash into the soft earth. It couldn’t be a wolf or another puma. The shape was all wrong. Maybe a bear? I don’t know. I’ve never seen a bear track so maybe that’s the simple answer. But the print looked almost like a shoeless person right down to the five toes. But it couldn’t have been. Dan took off his hiking boot. He wears a size 11. He took off his sock as well, and placed his bare foot right next to the print. The toes matched, the overall shape. But the size. That’s impossible. It must have been a trick of the ash, or maybe the way it was planted.
Nothing could have such a big foot.
CHAPTER ONE
Every year, when the long days of summer began their inevitable decline into fall, the winds in Aalwell changed direction. Instead of skimming along the coast, they began to blow inland, carrying the scent of sea and salt over the low-lying lands at the base of the cliffs. Unfortunately, they also carried the scent of the harbor, of rotting fish, of soggy streets, of too many unwashed bodies. The cliffs trapped most of the scent, confining all but the occasional foul whiff to the Harbor District. And this year when that wind change came, Alysoon Rai-Brynna reconsidered her decision to continue living in her late husband’s manor house rather than taking up residence in the royal palace above the cliffs. Her father had all but begged her to pack up her children and join him, but decades after he’d divorced her mother and made Alys and her brother technically illegitimate, she still hadn’t forgiven him. If the king wanted to spend time with his bastard daughter and his grandchildren, he could come down to the Terrace District; Alys would not go to him. Besides, the manor house was her home and had been for more than twenty years. She’d learned to live with the occasional foul whiff long ago.
On the most oppressive of autumn days, the gentry of the Terrace District either stayed inside their perfumed homes or flocked to the risers for a trip up to the Business District at the top of the cliffs. The merchants of the Business District loved oppressive autumn days above all others. Alys and her children had spent the last two days shopping, and if her eighteen-year-old daughter, Jinnell, had her way, they would spend a third. And probably a fourth. And a fifth. But Alysoon wasn’t about to let a few smelly breezes keep her from her weekly visit to the Abbey of the Unwanted, where her mother had resided since the divorce.
But the Abbey will be intolerable!
Jinnell protested. And you need some new gowns for winter now that you’re out of mourning.
Alys suppressed a smile. She knew a disingenuous argument when she heard one, just as she knew the moment they reached the Business District, it wouldn’t be her own gowns they ended up shopping for.
I do need new gowns,
Alys agreed, because it was true. Her winter wardrobe was almost two years out of date thanks to her year of official mourning. She doubted that her true mourning would ever end, but at least the grief was no longer quite so sharp as it had once been. But I don’t need them today. And your grandmother is expecting me.
Jinnell groaned dramatically as only a teenager could do. Every time you visit the Abbey, people talk—and that’s not doing my marriage prospects any favors.
Alys resisted the urge to roll her eyes. As long as the king was providing a generous dowry—over and above what Alysoon herself could offer from her husband’s estate—Jinnell’s marriage prospects were in no danger. As her daughter was well aware.
I’ve been visiting the Abbey once a week since before you were born,
Alys said. The damage is done, and I promise I’ll find you a nice goat farmer to settle down with. I’m sure we can find one under the age of sixty who will take you despite the disgrace I’ve brought down upon you.
Very amusing,
Jinnell said with a sour look on her usually sweet face. I’ll die of boredom here. All my friends are shopping today.
You might try reading a book,
Alys suggested, receiving in response exactly the expression of disdain she expected. Alys had spent her whole life rebelling against the prevailing opinion that girls need not be educated beyond the basics required for managing a household, and jumped at every chance to read—especially if the subject matter was considered useless or inappropriate for females. Her daughter, however, would never dream of cracking open a book unless it was forced upon her.
As you wish,
Alys continued with a careless shrug. I’m going to the Abbey, and if you’re worried about death by boredom, you can always come with me. Your grandmother would love to see you.
Jinnell wrinkled her nose. Maybe in a month or so when the winds change again.
Alys wasn’t surprised by the answer, and while she did on occasion force both of her children to accompany her on these visits, Jinnell was right and today would be especially unpleasant, thanks to the wind.
Leaving her daughter to sulk and her son to catch up on some lessons he’d neglected, Alys headed to the coach-house, which housed her carriages, horses, and chevals. Her groom was currying Smoke, her late husband’s horse, when she entered the coach-house. The poor creature was a shadow of his former self, his coat no longer gleaming, his head hanging in a habitual droop. Unlike Alys, Smoke had no friends and family to help ease the pain of loss and relieve the loneliness. Although Alys knew how to ride a horse, it was considered highly improper for a woman of her station to do so, and her son preferred his own horse to his father’s. Alysoon fed the horse a lump of sugar as an echo of grief stabbed through her and tightened her throat.
Which cheval would you like, my lady?
the groom asked.
Alysoon swallowed her grief and glanced over the row of inert chevals against one wall. The black, I should think,
she said. It was the least lovely of the chevals, covered in plain black leather with no adornments, but it would show the dirt of the Harbor District the least.
The groom bowed, then moved to the chosen cheval. His eyes turned milky white as he opened his Mindseye and fed some Rho into the cheval, which promptly came to life and gave a very horselike snort and stamped one wood-and-leather leg. As if the crafter who’d made it thought someone might mistake it for a real horse despite its lifeless eyes or its complete lack of personality. Then again, it wasn’t temperamental or missing its master, as the real horses were.
The groom hitched the cheval to Alysoon’s smallest carriage as her coachman, Noble, emerged from the servants’ quarters in the rear of the coach-house.
The Abbey, my lady?
he asked as he helped her into the carriage, but it wasn’t really a question, for he knew her routine by heart—as did the rest of her household.
Falcor, her master of the guard, arrived right on Noble’s heels. He would sooner fall on his sword than allow Alys to leave the house unaccompanied. She had nothing against the men of her honor guard, but they were just one more reason she longed for the days when Sylnin was alive. As long as she’d had a husband to look after
her, her father had allowed her to refuse the honor guard that was her due as a king’s daughter. But the day after Sylnin had passed, Falcor and his men had shown up on her doorstep and refused to leave. She frequently had to remind herself not to be unkind to the men who had no choice but to follow orders.
Alys allowed Falcor to climb onto the back of the coach without demur, having long ago resigned herself to the intrusion. Many women enjoyed more freedom when they became widows, but thanks to her royal lineage, Alys had less. She drew the sheers over the carriage’s windows.
The carriage descended the three sets of terraces, then clattered through the crowded streets of the Harbor District, the cheval expertly dodging pedestrians and horse-drawn carts and pits in the road, passing fish markets and taverns and storehouses all teeming with noonday business. Alys’s cheval carriage was well-known along this route, and while the street merchants eyed it longingly, none tried to approach and offer her their wares. It was unseemly enough for a woman of her stature to set foot in the Harbor District. To make purchases there was unthinkable.
The carriage eventually wended its way to the half-moon-shaped Front Street, which ran from one end of the harbor clear to the other. A massive warship was docked at the naval base near the Citadel, its crew and a platoon of dock workers busily repairing and refitting it after its tour