Gallery of Comicalities; Embracing Humorous Sketches
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Gallery of Comicalities; Embracing Humorous Sketches - George Cruikshank
George Cruikshank, Robert Cruikshank, Robert Seymour
Gallery of Comicalities; Embracing Humorous Sketches
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4064066097233
Table of Contents
Cover
Titlepage
Text
"
THE
GALLERY OF COMICALITIES.
Table of Contents
Most of the "
Comicalities
" here re-produced in fac simile first appeared in the columns of
Bell's Life in London and Sporting Chronicle
during the years 1827-8 and 9, and caused an unprecedented increase in the weekly sale of that journal.
As a painter of
Life
and
Nature
, in all their truth and eccentricity,
George Cruikshank
may be truly said to stand unrivalled, and to be only equalled, even in former times by the inimitable
Hogarth
. The present Series has been principally selected from "
Cruikshank's
Illustrations of
Time
and
Phrenology
," and his Illustrations to Mr. Wright's "
Mornings at Bow Street
and the sequel entitled
More Mornings at Bow Street
"—works which are replete with wit and humour.
Robert Cruikshank
, the elder brother of George Cruikshank, Illustrated many books, &c., including Pierce Egan's, "
The Finish
to the Adventures of
Tom, Jerry
, and
Logic
, in their pursuits through
Life
in and out of London," 1827. Died March 13, 1856. Aged 65 years.
Robert Seymour
, a graphic humourist was born in London, about the year 1800. He was apprenticed to Mr. Thomas Vaughan, a pattern-drawer in Spitalfields, and his practice in that department of art appears to have given him the facility and accuracy of pencil for which he was afterwards so distinguished. Within a very short period of fulfilling his term of apprenticeship, he commenced, on his own account, as a painter in oils, and must have been tolerably expert at that early age, as already in the spring of 1822, we find him exhibiting a picture of some pretensions at the Royal Academy.
He executed various other oil paintings about this period, but the more pressing demand on his talents was for drawings on wood, a mode of book illustration then in great vogue. The various illustrated books and periodicals published for the next ten or twelve years bespeak his popularity and industry in that department.
Although Seymour's hands were full of commissions for drawing on wood, he was always desirous of practice in a more independent department of art, feeling that the engraver, however competent, frequently failed to communicate the full force of his drawing. He, therefore, determined—where possible, on etching or engraving his own designs on copper or steel. He was very successful in full length sketches of public characters, and has left us many life-like portraits of members of the Turf and Drama between 1830 and 1836.
But of all Seymour's various works his Humorous Sketches
were his prime favourites, and will best perpetuate his name. They were first published between the years 1834 and 1836, in detached prints at 3d. each, by Mr. Richard Carlisle, of Fleet Street. The entire collection was subsequently engraved on steel, and published in 1838, with letterpress description by Crowquill (Alfred Henry Forrester), the popular humourist of the day.
Figaro in London—the popular predecessor of Punch, edited and published by Gilbert A'Beckett from December 1831 to 1836—contains nearly 300 woodcuts after Seymour. They were also published separately as Seymour's Caricature Gallery,
and after his death were all re-published on six large sheets, each containing 20 subjects, as Seymour's Comic Scrap Sheets.
Seymour's connection with the publication and illustration of the now famous Pickwick Papers is well known to the reading world by the printed statement of Mrs. Seymour, and Charles Dickens' own account of the origin of the Pickwick Papers, to need repetition.
Fourteen Illustrations of the Drama
Fourteen
ILLUSTRATIONS
of the
DRAMA
by
Robert Cruikshank.
The Spider and the Fly.
THE SPIDER AND THE FLY.
Will you walk into my parlour? said the Spider to the Fly,
'Tis the prettiest little parlour that ever you did see;
You've only got to pop your head within inside of the door,
You'll see so many curious things you never saw before!
Will you, will you, will you, will you,
Walk in pretty Fly, &c.
GALLERY OF COMICALITIES—No. I.
ILLUSTRATIONS OF THE DRAMA
WHERE SHALL I DINE.
R. Cruikshank.
Where shall I dine? Would I could tell,
For, hungry, faint, and weary,
It is to me, I know full well,
An all-important query.
Thou Man of Flank! a CUT of thine
Would silence hunger's call;
But a Friend's, CUT alas! is mine,
The unkindest cut of all.
O for a herring, dainty fish!
Or tender lambkin's fry;
But as in vain for MEAT I wish,
'Tis MEET that I should sigh.
Ere by the freaks of Fortune floor'd,
Such was my former luck,
That under many a friendly board
My trotters I could tuck.
Now, though at dining hour I go,
From house to house I roam,
My rap too well the servants know,
And Master's not at home.
'Tis getting cold, and wet, and dark,
To fate I must resign;
Duke Humphrey calls me to the Park,
And with his Grace I'll dine.
GALLERY OF COMICALITIES—No. II.
THE PILOT.
R. Cruikshank.
Thou, guardian Pilot of the night,
One favour we would ax—
Tell us, old Cock, and tell us right,
Where we can get some Max?
We need the skilful pilot's aid
Amid the billows' roar,
And pilots still I find, old Blade,
Are handy lads ashore.
Then steer us for a friendly port
And keep the wessel steady,
And you shall have a dram of short—
In brandy, rum, or Deady.
With bread and cheese I'll stow your hold;
I likes a hearty