Year of the Dog
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In the tradition of women as the unsung keepers of history, Deborah Paredez’s second poetry collection tells her story as a Latina daughter of the Vietnam War.
The title refers to the year 1970—the “year of the Metal Dog” in the lunar calendar—which was the year of the author’s birth, the year of her father’s deployment to Vietnam with a troop of Mexican-American immigrant soldiers, and a year of tremendous upheaval across the United States. Images from iconic photographs and her father’s snapshots are incorporated, fragmented, scrutinized, and reconstructed throughout the collection as Paredez recalls untold stories from a war that changed her family and the nation.
In poems and lamentations that evoke Hecuba, the mythic figure so consumed by grief over the atrocities of war that she was transformed into a howling dog, and La Llorona, the weeping woman in Mexican folklore who haunts the riverbanks in mourning and threatens to disturb the complicity of those living in the present, Paredez recontextualizes the historical moments of the Vietnam era, from the arrest of Angela Davis to the haunting image of Mary Ann Vecchio at the Kent State Massacre, never forgetting the outcry and outrage that women’s voices have carried across time.
Deborah Paredez
Deborah Paredez is a poet, performance scholar, and cultural critic. Her poetry and prose explore the workings of memory, the legacies of war, and feminist elegy. She is author of the critical study, Selenidad: Selena, Latinos, and the Performance of Memory (Duke University Press, 2009) and of the poetry collection This Side of Skin (Wings Press, 2002). She also serves as Series Co-Editor of the CantoMundo Poetry Book Prize awarded annually to a collection by a Latinx poet. Her poetry and essays have appeared in a range of publications including The New York Times, Los Angeles Review of Books, Boston Review, Poetry, Poet Lore, and the anthology, Inheriting the War: Poetry and Prose by Descendants of Vietnam Veterans and Refugees (Norton 2018). Paredez received her PhD in Interdisciplinary Theatre and Performance at Northwestern University and her BA in English at Trinity University. Her work has been shaped by her encounters with women of color, feminism, formalist poetry, diva performances, and by her experiences as the daughter of a Vietnam veteran immigrant father and a mother whose nursing skills could patch up many wounds. Born and raised in San Antonio, she has lived on both coasts, endured a handful of Chicago winters, and taught American poetry in Paris. She currently lives with her husband, historian Frank Guridy, and their daughter in New York City where she is a professor of creative writing and ethnic studies at Columbia University and Co-Founder and Co-Director of CantoMundo, a national organization for Latina/o poets.
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Year of the Dog - Deborah Paredez
YEAR OF THE DOG
YEAR OF THE DOG
POEMS
DEBORAH PAREDEZ
A BLESSING THE BOATS SELECTION
AMERICAN POETS CONTINUUM SERIES, NO. 178
BOA EDITIONS, LTD. ROCHESTER, NY 2020
Copyright © 2020 by Deborah Paredez
All rights reserved
Manufactured in the United States of America
First Edition
For information about permission to reuse any material from this book, please contact The Permissions Company at www.permissionscompany.com or e-mail permdude@gmail.com.
Publications by BOA Editions, Ltd.—a not-for-profit corporation under section 501 (c) (3) of the United States Internal Revenue Code—are made possible with funds from a variety of sources, including public funds from the Literature Program of the National Endowment for the Arts; the New York State Council on the Arts, a state agency; and the County of Monroe, NY. Private funding sources include the Max and Marian Farash Charitable Foundation; the Mary S. Mulligan Charitable Trust; the Rochester Area Community Foundation; the Ames-Amzalak Memorial Trust in memory of Henry Ames, Semon Amzalak, and Dan Amzalak; the LGBT Fund of Greater Rochester; and contributions from many individuals nationwide. See Colophon for special individual acknowledgments.
Cover Design: Sandy Knight
Cover Imagery: Photography by Gilberto Villarrcal; Despair of Hecuba
by Pierre Peyron, The Met Collection Rogers Fund, 1965
Interior Design and Composition: Richard Foerster
BOA Logo: Mirko
BOA Editions books are available electronically through BookShare, an online distributor offering Large-Print, Braille, Multimedia Audio Book, and Dyslexic formats, as well as through e-readers that feature text to speech capabilities.
Library of Congress Cataloging-in-Publication Data
Names: Paredez, Deborah, 1970– author.
Title: Year of the dog : poems / Deborah Paredez.
Description: First Edition. | Rochester, NY : BOA Editions, Ltd., 2020. | Series: American poets continuum series ; no. 178 | A Blessing the Boats selection.
| Summary: A Latina feminist chronicle of the Vietnam War era in documentary poems that highlights the voices of women relegated to the margins of history
— Provided by publisher.
Identifiers: LCCN 2019050299 (print) | LCCN 2019050300 (ebook) | ISBN 9781950774012 (paperback) | ISBN 9781950774029 (epub)
Subjects: LCGFT: Poetry.
Classification: LCC PS3566.A637 Y43 2020 (print) | LCC PS3566.A637 (ebook) | DDC 811/.54--dc23
LC record available at https://lccn.loc.gov/2019050299
LC ebook record available at https://lccn.loc.gov/2019050300
BOA Editions, Ltd.
250 North Goodman Street, Suite 306
Rochester, NY 14607
www.boaeditions.org
A. Poulin, Jr., Founder (1938–1996)
For a long time Hecuba remembered
the ancient evils she had undergone
and still continued howling mournfully
through all the fields of Thrace.
—Ovid, Metamorphoses (13: 564–72), trans. Ian Johnston
… but from here on, I want more crazy mourning, more howl, more keening
—Adrienne Rich, A Woman Dead in Her Forties
We are the wrong people of
the wrong skin on the wrong continent and what
in the hell is everybody being reasonable about?
—June Jordan, Poem about My Rights
for my parents, Gilberto & Consuelo Villarreal
and for Julie Bathke
CONTENTS
I.
Wife’s Disaster Manual
Self-Portrait in the Year of the Dog
A Show of Hands
Lightening
Year of the Dog: Synonyms for Aperture
Self-Portrait in Flesh and Stone
Armature
Year of the Dog: After-Math
Edgewood Elegy
Hearts and Minds
Self-Portrait in One Act
Mother Tongue
Year of the Dog: A Rock and a Hard Place
Self-Portrait with Weeping Women
Helen’s About Face
Year of the Dog: Soledad
II.
Kim Phúc in the Temple of Cao Dai
Kim Phúc in the Blast
Kim Phúc in the Photograph
Kim Phúc in the Barsky Burn Unit
Kim Phúc in the Special Period
Kim Phúc in the Temple of the Sun
III.
Self-Portrait with Howling Woman
Lavinia Writing in the Sand, 1973
Memorial Day Ghazal
Last
Surname Viet Given Name Nam
Year of the Dog: Walls and Mirrors
Self-Portrait in the VA Telemetry Ward
A History of Bamboo
Hecuba on the Shores of Al-Faw, 2003
Just a Closer Walk with Thee
Year of the Dog: After-Math, Reprise
Self-Portrait in the Time of Disaster
Poem Notes
Image Notes and Credits
Acknowledgments
About the Author
Colophon
I.
WIFE’S DISASTER MANUAL
When the forsaken city starts to burn,
after the men and children have fled,
stand still, silent