The Cat and Fiddle Book: Eight Dramatised Nursery Rhymes for Nursery Performers
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The Cat and Fiddle Book - Lady Florence Eveleen Eleanore Olliffe Bell
Florence Eveleen Eleanore Olliffe Lady Bell, Florence Elsa Bell Lady Richmond
The Cat and Fiddle Book
Eight Dramatised Nursery Rhymes for Nursery Performers
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4057664595621
Table of Contents
The CAT AND FIDDLE BOOK
Eight dramatised Nursery Rhymes for Nursery Performers
The TABLE OF CONTENTS
SOME SUGGESTIONS FOR THE PRODUCERS
OF THESE PLAYLETS
THE CAT AND THE FIDDLE
LUCY LOCKET
POLLY PUT THE KETTLE ON
GOOSEY-GANDER
ORANGES AND LEMONS
RIDE A COCK-HORSE
LITTLE MISS MUFFET
HUMPTY DUMPTY
Other Books of Plays for Children
by
LADY BELL
The
CAT AND FIDDLE
BOOK
Table of Contents
Eight dramatised Nursery
Rhymes for Nursery
Performers
Table of Contents
by
LADY BELL
and
Mrs. HERBERT RICHMOND
LONGMANS, GREEN AND CO.
39 PATERNOSTER ROW, LONDON, E.C.4
NEW YORK, TORONTO
BOMBAY, CALCUTTA AND MADRAS
1922
Printed in Great Britain
To
MY TEN GRANDCHILDREN
Eight of whom
PAULINE, GEORGE, KITTY, MARY, BRIDGET, VALENTINE, MARJORIE, AND FLORENCE
have created
many of the parts in these playlets, and two of whom, BILL and GEOFFREY, are still among the audience.
F.B.
May 1922
Made in Great Britain
The TABLE OF CONTENTS
Table of Contents
¶ The Characters in list at the beginning of each play are always given in the order of their appearance.
SOME SUGGESTIONS FOR THE PRODUCERS
OF
THESE PLAYLETS
Table of Contents
In every case the tune of the nursery rhyme, the dramatized version of which is about to be acted, should be played through twice on the piano before the curtain is raised: the first time without singing; the second time the audience, of which the majority presumably will be children, should be asked to join in and sing it too, led by the performers singing it behind the scenes. At the close of the piece, when the curtain has fallen at the place indicated in the text it should (if justified by applause) be raised again, discovering the performers standing in a row. These should sing the rhyme through again to the piano accompaniment, the audience joining in as before, after which the curtain is finally lowered.
The scenery can in nearly every case be arranged by using folding screens. In one or two pieces, such as Goosey-Goosey-Gander and Ride-a-Cock-horse, it would be improved by being a little more elaborate. But even in these, if there is no artist in the family who can paint a Banbury Cross or a farmyard in the background, a large label can be hung up to show in what kind of surroundings the action is taking place. As to costume, the period of none of the plays, fortunately, is precisely known, and the performers therefore can be dressed up as they choose. Where animals' heads are required, such as the