Tartarin De Tarascon
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Alphonse Daudet
Alphonse Daudet (1840-1897) novelist, playwright, journalist is mainly remembered for the depiction of Provence in Lettres De Mon Moulin and his novel of amour fou, Sappho. He suffered from syphilis for the last 12 years of his life, recorded in La Doulou which has been translated into English by Julian Barnes as The Land of Pain.
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Tartarin De Tarascon - Alphonse Daudet
Alphonse Daudet
Tartarin De Tarascon
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4057664640710
Table of Contents
Translated by Oliver C. Colt.
Introduction.
TARTARIN DE TARASCON
Chapter 1.
Chapter 2.
Chapter 3.
Chapter 4.
Chapter 5.
Chapter 6.
Chapter 7.
Chapter 8.
Chapter 9.
Chapter 10.
Chapter 11.
Chapter 12.
Chapter 13.
Chapter 14.
Chapter 15.
Chapter 16.
Chapter 17.
Chapter 18.
Chapter 19.
Chapter 20.
Chapter 21.
Chapter 22.
Chapter 23.
Chapter 24.
Chapter 25.
Chapter 26.
Chapter 27.
Chapter 28.
Chapter 29.
Chapter 30.
Translated by Oliver C. Colt.
Table of Contents
Introduction.
Table of Contents
The tale of Tartarin de Tarascon was written by Alphonse Daudet in 1872, and was one of the many works which he produced. In it he pokes gentle fun at a type of Frenchman who comes from the Midi, the area where he himself was born. Tartarin has characteristics which may remind the English-speaking reader of Toad of Toad Hall, a boastful braggart, easily deceived, but good-hearted au fond.
The world he inhabits is, of course, very different from ours. There is no radio or television, the motor car is no more than a plaything for the rich. There is only the beginnings of a telephone system. Much sea transport is still by sailing ship and the idea of mass air travel is in the realm of science-fiction. France lost the Franco-Prussian war at the battle of Sedan in 1870, which accounts for the flood of refugees from Alsasce. She had also, in the 19th century rush to carve up the African continent, seized among other places, Algeria, which she held in subjection by force of arms. So-called Big Game Hunters were regarded with some admiration, and indeed it was a much more perilous activity than it is today, when high power repeating rifles with telescopic sights make motor-borne Sportsmen
little more than butchers.
Daudet’s humour is on the whole inoffensive, but anti-semitism was rife in certain circles in France. It was the era of the Dreyfus scandal, and he indulges in one or two tasteless gibes at the expense of the Jews, which I have suppressed or at least amended. He also has a passage which might well offend the delicate susceptabilities of the less tolerant believers in Islam, although to anyone with a nodding acquaintance with the tents of that faith, the incident is so far-fetched as to neutralise The willing suspension of disbelief
I have therefore decided to eliminate it from this version of the story. It is not very amusing and is no great loss.
Although Daudet’s humour is in the main kindly, he does not spare the French colonial administration of the time. His treatment of the subject is acidly satirical. It may be said that Daudet seems to know little about firearms, less about lions and nothing about camels, but he is not striving for verisimilitude. After all, the adventures of James Bond do not mirror the reality of international espionage, nor do the exploits of Bertie Wooster and Jeeves truely reflect life in the upper echelons of British society.
This is not a schoolroom exercise in translation. It might be more accurately described as a version in English. I have not tampered with the story line nor made any changes in the events related, but where I thought it necessary I have not shrunk from altering the words and phrases used in the original to describe them. All translation must be a matter of paraphrase. What sounds well in one language may sound ridiculous if translated literally into another, and it is for the translator to judge how far this process of paraphrase may be carried.
I have attempted to produce a text which will entertain the average reader. Those who want to know exactly what Daudet wrote must consult the French original.
TARTARIN DE TARASCON
Table of Contents
Chapter 1.
Table of Contents
Although it is now some twelve or fifteen years since my first meeting with Tartarin de Tarascon, the memory of the encounter remains as fresh as if it had been yesterday.
At that time Tartarin lived near the entrance to the town, in the third house on the left on the Avignon road, a pretty little Tarascon villa, with a garden in front, a balcony behind, very white walls and green shutters.
From outside the place looked perfectly ordinary, one would never have believed that it was the home of a hero, but when one went inside, well... My goodness! The whole establishment had an heroic air, even the garden!
Ah...! The Garden... there was not another like it in Europe. Not one indigenous tree grew there, not one French flower; nothing but exotic plants, gum trees, calabashes, cotton trees, coconut palms, mangos, bananas, cactuses, figs and a baobab. One might have thought oneself in the middle of Africa, thousands of miles from Tarascon. Of course none of these trees was fully grown, the coconut palm was about the size of a swede and the baobab (arbos gigantica) fitted comfortably into a pot full of earth and gravel. No matter.... For Tarascon it was quite splendid, and those citizens who were admitted, on Sundays, to have the privilege of inspecting Tartarin’s baobab went home full of admiration.
You may imagine my emotions as I walked through this remarkable garden... they were nothing, however, to what I felt on being admitted to the sanctum of the great man himself.
This building, one of the curiosities of the town, was at the end of the garden, to which it opened through a glass door. Picture a large room hung from floor to ceiling with firearms and swords; weapons from every country in the world. Guns, carbines, rifles, blunderbusses, knives, spears, revolvers, daggers, arrows, assegais, knobkerries, knuckledusters and I know not what.
The brilliant sunlight glittered on the steel blades of sabres and the polished butts of firearms. It was really quite a menacing scene... what was a little reassuring was the good order and discipline which ruled over this arsenal. Everything was neat tidy and dusted. Here and there a simple notice, reading Poison arrows, Do not touch.
or Beware. Loaded firearms.
made one feel it safe to approach.
In the middle of the room was a table. On the table was a flagon of rum, a turkish tobacco pouch, The voyages of Captain Cook, stories of adventure, treatises on falconry, descriptions of big-game hunts etc... and finally seated at the table was the man himself. Forty to forty-five years of age, short, fat, stocky and ruddy, clad in shirt-sleeves and flannel trousers, with a close-clipped wiry beard and a flamboyant eye. In one hand he held a book and with the other he brandished an enormous pipe, its bowl covered by a metal cap; and as he read some stirring tale of the pursuit of hairy creatures, he made, pushing out his lower lip, a fierce grimace which gave his features, those of a comfortable Tarascon Rentier
, the same air of hearty ferocity which was evident throughout the whole house. This man was Tartarin... Tartarin de Tarascon... the intrepid, great and incomparable Tartarin de Tarascon.
At that time Tartarin was not the Tartarin which he is today, the great Tartarin de Tarascon who is so popular throughout the Midi of France, however, even at this epoch, he was already the king of Tarascon.
Let us examine how he acquired his crown. You will be aware, for a start, that everyone in these parts is a hunter. From the highest to the