A Complete Guide to the Ornamental Leather Work
By James Revell
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A Complete Guide to the Ornamental Leather Work - James Revell
James Revell
A Complete Guide to the Ornamental Leather Work
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4057664650580
Table of Contents
GENERAL REMARKS.
Revell’s Complete Guide to Ornamental Leather Work.
THE MATERIALS.
LEATHER.
DIRECTIONS FOR MAKING THE LEAVES.
TO HARDEN THEM.
TO STAIN THEM.
TO MAKE STEMS.
TO MAKE TENDRILS.
GRAPES.
TO ORNAMENT A FRAME.
THE PROPER KIND OF FRAMES TO PROCURE.
WATCH STANDS,
THE WHITE LILY.
FUCHSIA .
BRACKETS.
TO MAKE THE CONVOLVULUS FLOWERS.
THE CONVOLVULUS ANOTHER WAY.
HOPS.
PASSION FLOWER.
CAMILLA.
JESSAMINE.
DAISY.
ROSES.
OAK AND IVY BRACKET.
WATCH STAND FINISHED.
CARD RACKS
THE ROUND OPEN WORK FRAME.
TO MAKE ACORNS.
CHERRIES.
APPLES, &c.
Recipes.
TO MAKE SIZE FOR STIFFENING THE LEATHER WORK.
TO MAKE STIFFENING WHICH IS NOT AFFECTED BY DAMP.
TO MAKE MAHOGANY VARNISH STAIN, WHICH DRIES IN A FEW MINUTES.
SPIRIT OAK VARNISH STAIN
TO PRESERVE LEAVES AND KEEP THEM IN FORM FOR IMITATION.
TO GILD LEATHER WORK.
TO BURNISH GOLD.
BEE HIVES.
TO PAINT ORNAMENTAL LEATHER WORK.
A QUICK MODE OF STAINING.
DIRECTIONS FOR USE.
TO STAIN WOODEN ARTICLES.
SHAW’S LIQUID GLUE
LIST OF MATERIALS, &c., FOR THE ORNAMENTAL LEATHER WORK.
LIST OF VARIOUS ARTICLES, SOLD BY JAMES REVELL, 272, OXFORD STREET, LONDON.
GENERAL REMARKS.
Table of Contents
We feel assured that a long introduction is neither requisite to the reader or publisher of a Work like the present, and shall, therefore, merely say, that the great success our former little Works have met with, has induced us to send forth this edition, in which will be found every particular connected with this very useful source of amusement and fashionable department of practical art. The illustrations are furnished by a late pupil of the School of Design, who obtained the highest prize for Flower Painting, assisted by a student of the
Royal Academy of Arts
. Every example given has been practically tested, and, in most instances, the drawings have been copied from the models executed in leather, and will be found to combine durability with beauty of design. In order to make the leather modelling as durable as possible, we have not departed from nature in the finished form, but in the mode of construction; for example, we make several portions of a flower in one piece of leather. The Narcissus and the beautiful White Lily have each six petals; in both instances, we make the entire corolla of the flowers in one piece; thereby, while losing none of the beauty of the natural form of the flowers, we gain strength and solidity; as, were the petals of the Lily or Narcissus to be composed of six pieces, one, if imperfectly cemented,