Often Fanged Light
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About this ebook
OFTEN FANGED LIGHT is a collection of poems reflecting the joys and horrors of the natural world; it memorializes lives early ruined and lives lost, excoriates social and environmental injustices, and more than hints at the poet’s complicity in this “dome of many-colour’d glass.” From the personal standpoint, Often Fanged Light delineates the poet’s journey from the heartland of the industrial Midwest to a small town on the southeast coast of Massachusetts, her divorce from an engaged working life to one of contemplation, devotion to the arts, and advocacy.
Anca Vlasopolos
Anca Vlasopolos published the award-winning novel The New Bedford Samurai (2007); the award-winning memoir No Return Address: A Memoir of Displacement (2000); three collections of poems, Cartographies of Scale (and Wing) (2015); Walking Toward Solstice (2012); and Penguins in a Warming World (2007); three poetry chapbooks, a detective novel, Missing Members, and over two hundred poems and short stories in literary magazines in print and online.
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Often Fanged Light - Anca Vlasopolos
Near the Unnamed Great Lake
Lemons, Before and After
It never made lemons because
she says
I ate the flowers
I couldn’t help it
they taste so sweet
assuaging guilt
though she seems not to feel it
merely amused at her misdeed
I say
that poor scraggly indoor tree
has loads of flowers
can only keep
one or two fruit a year
one daughter takes the lemon with her lens
can stay the cutting in
first makes of it a jewel
in still life
the other
starved Mayan child forever pummeling from within
voraciously consumes
unfurled promises.
Venice on Lake St. Clair
The water venetian glass of merchant Dogi
who needn’t have counted silver for its burnishing
boats caught as if in ice
reflection so still they become Siamese watertwins
this sun for once serene unbloodied
glides over the marina’s captive surface
like those phenomena
the single figure skaters we watch in awe
flashing now this blade the other
into dazzled eye
yet under this window of double plenitude
this June evening calm
devouring mouths seek on
at depths the skeletons langorously comb
black waters’ curly currents
with their long phalanges
Short Silence
There is no human sound
for a brief few seconds
only leaves trailing their rust taffeta hems
over cement
wind makes a conch
of my left ear
and I can hear the pounding surf
elsewhere than here
St. Clair wavelets chasing chasing
each other’s shoulders
like alewives running
toward the sea
broken sky sun in shards
sends rays at angles
so precise as if a god
from a lesser-known painting
of the Renaissance
directed
above clouds
this late-november show
High-Sky Dis/Pleasures
Sun sends
adieus fiery
one moment
off white-sided boat
gentle like melting mangoes
next
while on a lake just hinting
at restlessness
under her gaze
this waxing moon
deigns
only to image
herself
as cut-up
phosphorescent
worm
A Lot More than Half Way
in our dark woods
notches on trees aluminum tabs nailed
tell us
from here on
you’re on the path of the orphan
here
you lose your best love
here
a leg a knee one or more of your senses
as we crawl on
we grow thankful
for the small mercies
half a day’s
sun
Cleansing the Haunted House
break the cobwebs
they’ll stick and you’ll try and try to rid
yourself of filaments clinging on as if for dear life
in this corner
there’s
not ectoplasm
instead a murder of crows you raise as you break through rotten draperies
they’ll go for the eyes
weeping furious tears
you swipe at them
catch most you hope between covers contain though you cannot
quite kill them
old loves long gone the love or those who loved
whisper to you anew from crumbling leaves