Heard It All Before
5/5
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About this ebook
Renee loves to fall in love. Right now, she's set her sights on landing a rock from her current main squeeze, Gregory. But to ensure no one plays her, she's always got a game going on. So when temptation comes calling in the form of a fine young man with a chiseled physique, Renee can't resist--and why should she? What Gregory doesn't know can't hurt them--or so she thinks. . .
A scorching debut. . .a pitch-perfect voice, delivering funny yet believable stories embellished with a gusto that readers who enjoy Carl Weber and Mary Monroe will relish." --Publishers Weekly
"Cleverly and creatively written. . .. Highly spiced with boundless drama and hilarious moments, the reader surely will be entertained." --The RAWSISTAZ Reviewers
"An exciting, sizzling page turner!" --Candice Dow
Michele Grant
Michele Grant is a writer, lover of all things purple, and speaker of mind. Her popular blog, Black 'n Bougie (blacknbougie.com), is an irreverent look at pop culture, people, politics & personal stuff. . .with a bougie twist, and attracts over 40,000 visits a week. The blog won the 2010 Black Weblog Award for Best Series and was named a finalist in 2011 for the categories Best Writing in a Blog, Best Series, and Blog of the Year. She was a finalist two years in a row for RT Book Review's Best Multicultural Romance. Her articles have been posted on Essence.com, UptownMagazine.com, Blackenterprise.com, and ForHarriet.com. You can find her tweeting as @OneChele, on Facebook, at MicheleGrant.net, or via email at michele@michelegrant.net.
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Reviews for Heard It All Before
3 ratings1 review
- Rating: 5 out of 5 stars5/5This commentary takes the rather unusual but well argued perspective that Deuteronomy is a performative text and is structured for essentially cultic purposes. There is evidence that it was read in 11 weekly sections, and each of these sections has its own structural coherence. Christensen bases his arguments in part on the Masora - the markings added to the Hebrew text which indicate accenting, which demonstrate a rhythmic character to the speech an possibly indicate that the text was intended to be sung.This approach does yield some interesting insights. From my perspective it casts the Holy War texts in a whole new light, seeing the text as much more a celebration of national identity than an actual program for exterminating Canaanites.Christensen, however, does not allow his perspective to obscure the more 'conventional' aspects of a commentary, and there is ample discussion of the standard range of textual questions and discussions about interpretation, as well as very substantial bibliographical information.