Romeo and Juliet
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William Shakespeare
William Shakespeare is the world's greatest ever playwright. Born in 1564, he split his time between Stratford-upon-Avon and London, where he worked as a playwright, poet and actor. In 1582 he married Anne Hathaway. Shakespeare died in 1616 at the age of fifty-two, leaving three children—Susanna, Hamnet and Judith. The rest is silence.
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Romeo and Juliet - William Shakespeare
ROMEO and JULIET
William Shakespeare
Copyright: Dieses Werk ist für die Länder verfügbar, in denen das Urheberrecht Leben+ 70 beträgt und in den USA
Table of Content
Act I
Prologue
SCENE I. Verona. A public place.
Enter SAMPSON and GREGORY, of the house of Capulet, armed with swords and bucklers
SCENE II. A street.
Enter CAPULET, PARIS, and Servant
SCENE III. A room in Capulet's house.
Enter LADY CAPULET and Nurse
SCENE IV. A street.
Enter ROMEO, MERCUTIO, BENVOLIO, with five or six Maskers, Torch-bearers, and others
SCENE V. A hall in Capulet's house.
Musicians waiting. Enter Servingmen with napkins
Act II
Prologue
Enter Chorus
SCENE I. A lane by the wall of Capulet's orchard.
Enter ROMEO
SCENE II. Capulet's orchard.
Enter ROMEO
SCENE III. Friar Laurence's cell.
Enter FRIAR LAURENCE, with a basket
SCENE IV. A street.
Enter BENVOLIO and MERCUTIO
SCENE V. Capulet's orchard.
Enter JULIET
SCENE VI. Friar Laurence's cell.
Enter FRIAR LAURENCE and ROMEO
Act III
SCENE I. A public place.
Enter MERCUTIO, BENVOLIO, Page, and Servants
SCENE II. Capulet's orchard.
Enter JULIET
SCENE III. Friar Laurence's cell.
Enter FRIAR LAURENCE
SCENE IV. A room in Capulet's house.
Enter CAPULET, LADY CAPULET, and PARIS
SCENE V. Capulet's orchard.
Enter ROMEO and JULIET above, at the window
Act IV
SCENE I. Friar Laurence's cell.
Enter FRIAR LAURENCE and PARIS
SCENE II. Hall in Capulet's house.
Enter CAPULET, LADY CAPULET, Nurse, and two Servingmen
SCENE III. Juliet's chamber.
Enter JULIET and Nurse
SCENE IV. Hall in Capulet's house.
Enter LADY CAPULET and Nurse
SCENE V. Juliet's chamber.
Enter Nurse
Act V
SCENE I. Mantua. A street.
Enter ROMEO
SCENE II. Friar Laurence's cell.
Enter FRIAR JOHN
SCENE III. A churchyard; in it a tomb belonging to the Capulets.
Enter PARIS, and his Page bearing flowers and a torch
Two households, both alike in dignity,
In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny,
Where civil blood makes civil hands unclean.
From forth the fatal loins of these two foes
A pair of star-cross'd lovers take their life;
Whole misadventured piteous overthrows
Do with their death bury their parents' strife.
The fearful passage of their death-mark'd love,
And the continuance of their parents' rage,
Which, but their children's end, nought could remove,
Is now the two hours' traffic of our stage;
The which if you with patient ears attend,
What here shall miss, our toil shall strive to mend.
SAMPSON
Gregory, o' my word, we'll not carry coals.
GREGORY
No, for then we should be colliers.
SAMPSON
I mean, an we be in choler, we'll draw.
GREGORY
Ay, while you live, draw your neck out o' the collar.
SAMPSON
I strike quickly, being moved.
GREGORY
But thou art not quickly moved to strike.
SAMPSON
A dog of the house of Montague moves me.
GREGORY
To move is to stir; and to be valiant is to stand:
therefore, if thou art moved, thou runn'st away.
SAMPSON
A dog of that house shall move me to stand: I will
take the wall of any man or maid of Montague's.
GREGORY
That shows thee a weak slave; for the weakest goes
to the wall.
SAMPSON
True; and therefore women, being the weaker vessels,
are ever thrust to the wall: therefore I will push
Montague's men from the wall, and thrust his maids
to the wall.
GREGORY
The quarrel is between our masters and us their men.
SAMPSON
'Tis all one, I will show myself a tyrant: when I
have fought with the men, I will be cruel with the
maids, and cut off their heads.
GREGORY
The heads of the maids?
SAMPSON
Ay, the heads of the maids, or their maidenheads;
take it in what sense thou wilt.
GREGORY
They must take it in sense that feel it.
SAMPSON
Me they shall feel while I am able to stand: and
'tis known I am a pretty piece of flesh.
GREGORY
'Tis well thou art not fish; if thou hadst, thou
hadst been poor John. Draw thy tool! here comes
two of the house of the Montagues.
SAMPSON
My naked weapon is out: quarrel, I will back thee.
GREGORY
How! turn thy back and run?
SAMPSON
Fear me not.
GREGORY
No, marry; I fear thee!
SAMPSON
Let us take the law of our sides; let them begin.
GREGORY
I will frown as I pass by, and let them take it as
they list.
SAMPSON
Nay, as they dare. I will bite my thumb at them;
which is a disgrace to them, if they bear it.
Enter ABRAHAM and BALTHASAR
ABRAHAM
Do you bite your thumb at us, sir?
SAMPSON
I do bite my thumb, sir.
ABRAHAM
Do you bite your thumb at us, sir?
SAMPSON
[Aside to GREGORY] Is the law of our side, if I say
ay?
GREGORY
No.
SAMPSON
No, sir, I do not bite my thumb at you, sir, but I
bite my thumb, sir.
GREGORY
Do you quarrel, sir?
ABRAHAM
Quarrel sir! no, sir.
SAMPSON
If you do, sir, I am for you: I serve as good a man as you.
ABRAHAM
No better.
SAMPSON
Well, sir.
GREGORY
Say 'better:' here comes one of my master's kinsmen.
SAMPSON
Yes, better, sir.
ABRAHAM
You lie.
SAMPSON
Draw, if you be men. Gregory, remember thy swashing blow.
They fight
Enter BENVOLIO
BENVOLIO
Part, fools!
Put up your swords; you know not what you do.
Beats down their swords
Enter TYBALT
TYBALT
What, art thou drawn among these heartless hinds?
Turn thee, Benvolio, look upon thy death.
BENVOLIO
I do but keep the peace: put up thy sword,
Or manage it to part these men with me.
TYBALT
What, drawn, and talk of peace! I hate the word,
As I hate hell, all Montagues, and thee:
Have at thee, coward!
They fight
Enter, several of both houses, who join the fray; then enter Citizens, with clubs
First Citizen
Clubs, bills, and partisans! strike! beat them down!
Down with the Capulets! down with the Montagues!
Enter CAPULET in his gown, and LADY CAPULET
CAPULET
What noise is this? Give me my long sword, ho!
LADY CAPULET
A crutch, a crutch! why call you for a sword?
CAPULET
My sword, I say! Old Montague is come,
And flourishes his blade in spite of me.
Enter MONTAGUE and LADY MONTAGUE
MONTAGUE
Thou villain Capulet,—Hold me not, let me go.
LADY MONTAGUE
Thou shalt not stir a foot to seek a foe.
Enter PRINCE, with Attendants
PRINCE
Rebellious subjects, enemies to peace,
Profaners of this neighbour-stained steel,—
Will they not hear? What, ho! you men, you beasts,
That quench the fire of your pernicious rage
With purple fountains issuing from your veins,
On pain of torture, from those bloody hands
Throw your mistemper'd weapons to the ground,
And hear the sentence of your moved prince.
Three civil brawls, bred of an airy word,
By thee, old Capulet, and Montague,
Have thrice disturb'd the quiet of our streets,
And made Verona's ancient citizens
Cast by their grave beseeming ornaments,
To wield old partisans, in hands as old,
Canker'd with peace, to part your canker'd hate:
If ever you disturb our streets again,
Your lives shall pay the forfeit of the peace.
For this time, all the rest depart away:
You Capulet; shall go along with me:
And, Montague, come you this afternoon,
To know our further pleasure in this case,
To old Free-town, our common judgment-place.
Once more, on pain of death, all men depart.
Exeunt