A Dame Called Derek: The Diva Diaries, #1
By Kerrie Noor
()
About this ebook
Charlie's marriage has hit rock bottom, and his bed is a lonely place. He decides to try his hand at writing, but will his wife give a toss?
Charlie shares his first story with his writing class. A hobby that has his wife laughing into her morning latte. However, the writing class enjoyed his story, including the director of the local pantomime.
The director persuades Charlie to write for the local pantomime group. Charlie's wife calls him crazy, and with a dame as funny as a kidney stone and equipment on par with a second-hand stall, Charlie can see her point until his wife leaves him for her therapist.
With a fire of epic proportions and an exotic wardrobe mistress sending mixed messages, Charlie is caught in the crossfire of amateur dramatic politics, divorce, and reviving his "romancing" skills.
Will he find the courage to take a chance?
A Dame Called Derek is the first novella in the Diva Diaries series, laugh-a-minute farces set in the world of Scottish amateur dramatics. If you like stories that put a smile on your face, then buy A Dame Called Derek today.
Kerrie Noor
Back in the days before TV had remote controls and Scotland was known for the Bay City Rollers Kerrie left Australia on a working holiday and fell in love with many things Scottish-including belly dancing. After years of teaching Kerrie saw a story and has been writing ever since…. Kerrie still loves to dance, often accompanied by storytelling and the odd joke and has inflicted her quirky style of humor on many- including the Edinburgh free fringe, several rest homes and pretty much anyone who sits still long enough to listen. Kerrie has been shortlisted for the Ashram Short Story Competition and has had two radio plays performed.
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A Dame Called Derek: The Diva Diaries, #1 Rating: 0 out of 5 stars0 ratingsPanto Boy: The Diva Diaries, #2 Rating: 0 out of 5 stars0 ratingsPanto Girl: The Diva Diaries, #3 Rating: 0 out of 5 stars0 ratings
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Book preview
A Dame Called Derek - Kerrie Noor
Chapter One
DEREK
A hard-on is only as good as the hand that holds it
George, along with the rest of the cast, watched in awkward silence as Derek tried to capture the essence of Rod Stewart. With an improvised tap dance, he limped and stuttered to Do Ya Think I’m Sexy
. . .
George, tight-lipped, used all his energy to suppress a militant yell involving a fair amount of swearing.
George had spent years ordering men around in the army and had retired with a strong urge to control. When asked to direct the panto players, he jumped at the chance and ran them like a regiment. George had done
many pantos in his day; granted it was back in the army days when cars had four gears and seat belts were optional, but he knew his stuff and a lousy act when he saw it.
Derek stuttered, "Come on . . . su-su-sugar . . ."
Derek,
said George through clenched teeth, I thought we agreed to give the tap-dancing a miss this year.
Derek was about to say the kids love it
when his plum round body overbalanced, taking the stage curtains with him on the way down.
Charlie fumbled into bed. Francis, his wife, didn’t move.
You’ll never guess,
said Charlie.
Francis mumbled into her pillow.
Charlie looked at her back. Was she awake? He took a gamble and began to tell her about Derek’s Rod Stewart.
Francis rolled over and pushed the blanket back, exposing Charlie’s leg to the cold. She rose from the bed and, with a grunt, swung her legs over the side.
Charlie watched his wife stumble into the wardrobe, mutter something medical, and then hobble to the bathroom.
Charlie pulled out his notebook and wrote: scrap Rod Stewart . . .
Francis came back from the bathroom with a glass of water.
A nipple peeked through one of the many holes in her Frankie Says Relax
T-shirt. In the half-light of his lamp, Charlie stopped to admire.
He watched her bare legs move under the covers. He loved her legs. Over the years her lean figure had become almost androgynous, except for her legs. Watching her bare legs slip into sling-back sandals was one of the highlights of the summer.
Charlie slid his hand across to her thigh; Francis pushed his hand away and rolled over with a small snort. He looked back at his page; the inspiration had gone and so had his hard-on.
Charlie met Francis twenty years ago. She had bought her first hairdressing salon and was celebrating with a few vodkas and The Rivers of Babylon
on the jukebox. It was Charlie’s first day as a barman.
Charlie made eye contact with a slim woman with dark eyelashes. She smiled at him and his tray of vodka cocktails crashed to the floor. Her slender legs didn’t move an inch as he mopped up the spillage by her feet; instead her dress inched higher. He looked up, caught a flash of suspenders, and dropped the tray again. Francis picked up the glass with her toe and slid it effortlessly onto his tray.
Francis was a woman who knew what she wanted. She seduced Charlie and he didn’t know what hit him. Two sets of twins and four salons later, Francis had turned from a flexible-toed seductress to a volatile, single-minded pain in the arse with an ego the size of the Himalayas and a determination that crushed whatever lay in her path.
Francis, like George, was used to getting her own way.
Chapter Two
CHARLIE
Jazz is the Marmite of music, love it or hate it
The next day, Charlie sat in front of his laptop feeling inspired,
which according to the postman was one of the many joys of celibacy . . .
His study, or spare room as Francis liked to call it, was covered in pictures and Post-its. Playing in the background was the Smiths, Charlie’s band of the month
—recommended by the same postman, who had, after a few, described the Smiths as melancholic,
poetic,
and "perfect for a man and his one hand."
Charlie stuck a picture of a crayon-drawn Red Riding Hood on top of a has been
Post-it.
Charlie joined the writers’ group when the twins left. Charlie was trying his hand at short stories, while George fancied himself a playwright and bored the group with long-winded monologues about the war years.
Charlie had managed to write a short love story about an overbearing woman who loved jazz and hated every man including Santa Clause and an ol’ fella who hated jazz and thought spending time with women was as much fun as filling in a tax return.
Louis Armstrong, a camper van, and Santa Clause in a G-string.
Charlie was aiming for romance with a hint of erotica. What he got was the writers’ group in stitches asking him to read it again, with emphasis on the G-string.
George’s face lit up. A writer with wit and no copyright? He had a vision.
I could use someone like you,
he said.
Charlie gulped his tea. Me?
For the panto, you could help me with the script.
I’ve never seen a panto let alone written one,
said Charlie with a mild sense of panic.
You’ll pick it up,
said George.
Pick it up? You make it sound a virus.
George chuckled. See what I mean? Comedy is in your every pore . . . your sweat drips double entendre.
(A few of the group pulled a face.)
I am not sure. The twins have just left, and Francis has plans—redecorating, refurbishing, redesigning, and that’s just the shed.
Every line’s a winner. You’ll be perfect.
George patted his arm.
I’m not joking, she’s a list longer than a vat receipt. It’ll be the next millennium before I’m finished,
said Charlie.
The postman, who for some reason was in the same room working on the heating, grunted, That’s women for you.
George eyed him. Could you not do that when we are finished?
The postman unscrewed a knob, the heater hissed; he looked up, spanner posed. No amount of good writing will sort Derek.
George huffed.
You need to tell him. He thinks his dame is what the panto needs.
Charlie had spent the next few weeks working on his Red Riding Hood. He collected pictures, scribbled notes, and took over the spare room—much to Francis’s disgusts. Francis also had plans, none of which included Red Riding Hood or the Smiths.
Charlie was a house husband who had happily brought up two sets of twins while baking, making home brew, and failing to protect the endless supply of hens from a fox he had named the devil incarnate.
However, now that the last of the children had left for college, the house was empty. He had no one to bake for, and only a few scraggy hens