The Complete Poetry of Edgar Allan Poe
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Edgar Allan Poe
Edgar Allan Poe (1809-1849) was an American writer, poet, and critic. Best known for his macabre prose work, including the short story “The Tell-Tale Heart,” his writing has influenced literature in the United States and around the world.
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Reviews for The Complete Poetry of Edgar Allan Poe
6 ratings5 reviews
- Rating: 3 out of 5 stars3/5Poe is known for too few of his poems. He deserves to be known for more.
- Rating: 5 out of 5 stars5/5I love Edgar Allen Poe. He's is one of my favorite poets. I love his dark and eerie style. He has a lot of underlying meanings in his poems (i.e. Annabelle Lee). I like trying to decipher his feelings and emotions within the story. I also enjoy the fact that he's from maryland, like me :)
- Rating: 5 out of 5 stars5/5This is a necessary addition for anyone who loves Poe or his poetry. It is beautiful and tragic and dark. This collection is complete and not so large as to be unwieldy.
- Rating: 3 out of 5 stars3/5Poe, not only a noted author but also poet, is not only the author of The Raven - the quintessential American gothic poem, but also the author of numerous other poems worthy of recognition.
This book collects of Poe's poetry from "To Helen" and "Annabel Lee" to "Ulalume" and of course "The Raven". - Rating: 5 out of 5 stars5/5Fall of the House of Usher is a wonderful piece with plenty of interesting allusions to Poe's own life. The symbolism is rampant. I'm also a fan of Masque of the Red Death. A favorite quote, "There are chords in the hearts of the most reckless which cannot be touched without emotion... Even with the utterly lost, to whom life and death are equally jests, there are matters of which no jest can be made."Just wonderful.
Book preview
The Complete Poetry of Edgar Allan Poe - Edgar Allan Poe
THE COMPLETE POETRY
OF
EDGAR ALLAN POE
The Complete Poetry of Edgar Allan Poe
By Edgar Allan Poe
Print ISBN 13: 978-1-4209-6112-6
eBook ISBN 13: 978-1-4209-6048-8
This edition copyright © 2018. Digireads.com Publishing.
All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.
Cover Image: a detail of an illustration from The Poetical Works of Edgar Allan Poe
, illustrated by Edmund Dulac, published by Hodder and Stoughton, New York, 1912.
Please visit www.digireads.com
CONTENTS
ANNABEL LEE
TO MY MOTHER
HYMN
A VALENTINE
FAIRY-LAND
TO HELEN
ISRAFEL
THE CITY IN THE SEA
THE SLEEPER
LENORE
THE VALLEY OF UNREST
THE COLISEUM
SONNET TO ZANTE
BRIDAL BALLAD. TO — —
SONNET—SILENCE
DREAM-LAND
EULALIE—A SONG
TO F——
TO F——S S. O——D
THE RAVEN
TO M. L. S—
ULALUME
TO —— ——
TO HELEN
AN ENIGMA
FOR ANNIE
THE BELLS
ELDORADO
A DREAM WITHIN A DREAM
STANZAS
A DREAM
THE HAPPIEST DAY, THE HAPPIEST HOUR
THE LAKE: TO——
SONNET—TO SCIENCE
AL AARAAF
ROMANCE
TO ——
TO THE RIVER——
TO ——
TAMERLANE
TO —— ——
DREAMS
SPIRITS OF THE DEAD
EVENING STAR
ELIZABETH
SERENADE
IMITATION
HYMN TO ARISTOGEITON AND HARMODIUS
SCENES FROM POLITIAN
A PÆAN
TO ISADORE
ALONE
TO ONE IN PARADISE
THE HAUNTED PALACE
THE CONQUEROR WORM
THE VILLAGE STREET
THE FOREST REVERIE
BIOGRAPHICAL AFTERWORD
ANNABEL LEE
It was many and many a year ago,
In a kingdom by the sea,
That a maiden lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea:
But we loved with a love that was more than love—
I and my ANNABEL LEE;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful ANNABEL LEE;
So that her high-born kinsmen came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me—
Yes!—that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my ANNABEL LEE.
But our love it was stronger by far than the love
Of those who were older than we—
Of many far wiser than we—
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful ANNABEL LEE,
For the moon never beams, without bringing me dreams
Of the beautiful ANNABEL LEE;
And the stars never rise, but I feel the bright eyes
Of the beautiful ANNABEL LEE;
And so, all the night-tide, I lie down by the side
Of my darling—my darling—my life and my bride,
In her sepulchre there by the sea,
In her tomb by the side of the sea.
TO MY MOTHER
Because I feel that, in the heavens above,
The angels, whispering to one another,
Can find, among their burning terms of love,
None so devotional as that of Mother,
Therefore by that dear name I long have called you,
You who are more than mother unto me,
And fill my heart of hearts, where Death installed you,
In setting my Virginia’s spirit free.
My mother—my own mother, who died early,
Was but the mother of myself; but you
Are mother to the one I loved so dearly,
And thus are dearer than the mother I knew
By that infinity with which my wife
Was dearer to my soul than its soul-life.
HYMN
At morn—at noon—at twilight dim—
Maria! thou hast heard my hymn!
In joy and woe—in good and ill—
Mother of God, be with me still!
When the Hours flew brightly by
And not a cloud obscured the sky,
My soul, lest it should truant be,
Thy grace did guide to thine and thee;
Now, when storms of Fate o’ercast
Darkly my Present and my Past,
Let my Future radiant shine
With sweet hopes of thee and thine!
A VALENTINE
For her this rhyme is penned, whose luminous eyes,
Brightly expressive as the twins of Loeda,
Shall find her own sweet name, that, nestling lies
Upon the page, enwrapped from every reader.
Search narrowly the lines!—they hold a treasure
Divine—a talisman—an amulet
That must be worn at heart. Search well the measure—
The words—the syllables! Do not forget
The trivialest point, or you may lose your labor!
And yet there is in this no Gordian knot
Which one might not undo without a sabre,
If one could merely comprehend the plot.
Enwritten upon the leaf where now are peering
Eyes’ scintillating soul, there lie perdus
Three eloquent words oft uttered in the hearing
Of poets, by poets—as the name is a poet’s too.
Its letters, although naturally lying
Like the knight Pinto—Mendez Ferdinando—
Still form a synonym for Truth.—Cease trying!
You will not read the riddle, though you do the best you can do.
[To translate the address, read the first letter of the first line in connection with the second letter of the second line, the third letter of the third line, the fourth of the fourth, and so on to the end. The name will thus appear.]
FAIRY-LAND
Dim vales—and shadowy floods—
And cloudy-looking woods,
Whose forms we can’t discover
For the tears that drip all over.
Huge moons there wax and wane—
Again—again—again—
Every moment of the night—
Forever changing places—
And they put out the star-light
With the breath from their pale faces.
About twelve by the moon-dial
One more filmy than the rest
(A kind which, upon trial,
They have found to be the best)
Comes down—still down—and down
With its centre on the crown
Of a mountain’s eminence,
While its wide circumference
In easy drapery falls
Over hamlets, over halls,
Wherever they may be—
O’er the strange woods—o’er the sea—
Over spirits on the wing—
Over every drowsy thing—
And buries them up quite
In a labyrinth of light—
And then, how deep!—O, deep!
Is the passion of their sleep.
In the morning they arise,
And their moony covering
Is soaring in the skies,
With the tempests as they toss,
Like—almost any thing—
Or a yellow Albatross.
They