Indian Basket Weaving
3/5
()
About this ebook
The text begins with basic techniques: choice of materials, preparation of the reed, splicing, the introduction of color, principles and methods of design, shaping the basket and finishing. A great variety of baskets and weaves from many cultures are described in subsequent chapters, such as Lazy Squaw, Mariposa, Toas, Samoan, Klikitat, and Shilo, each accompanied by specific instructions. There are suggestions for the weaving of shells, beads, feathers, fan palms, date palms, and even pine needles, and recipes for the preparation of dyes.
Examples of each type of basket are illustrated by photographs, often taken from more than one angle so that the bottom can be seen as well as the top and sides. Close-up photography of the various types of stitching, especially at the crucial stage of beginning the basket, is an invaluable aid to the weaver. In addition, the authors have provided line drawings which are exceptionally clear magnifications of the various weave patterns.
Anyone who follows the lessons contained in this book will have a knowledge of basketry unattainable in any other way. They are so lucid and complete that the amateur as well as the experienced weaver will be able to manufacture baskets distinguishable from authentic native articles only in that they were not woven by Indians. For those who merely seek a broader knowledge of American Indian arts, the book provides a comprehensive introduction to the subject of basketry.
Related to Indian Basket Weaving
Related ebooks
The Complete Book of Basketry Rating: 0 out of 5 stars0 ratingsIndian Basket Weaving Rating: 3 out of 5 stars3/5Indian Basketry Rating: 2 out of 5 stars2/5Learning Basket Weaving: Traditional and Modern Techniques and Methods Rating: 3 out of 5 stars3/5Basket Essentials: Rib Basket Weaving: Techniques and Projects for DIY Woven Reed Baskets Rating: 0 out of 5 stars0 ratingsBasket Work of all Kinds - With Numerous Engravings and Diagrams Rating: 5 out of 5 stars5/5Black Ash Baskets: Tips, Tools, & Techniques for Learning the Craft Rating: 0 out of 5 stars0 ratingsBasketry Rating: 4 out of 5 stars4/5Alaska Basketry Rating: 0 out of 5 stars0 ratingsSchool and Fireside Crafts Rating: 0 out of 5 stars0 ratingsThe Joy of Handweaving Rating: 3 out of 5 stars3/5Woven Leather Bags: How to Craft and Weave Purses, Pouches, Wallets and More Rating: 5 out of 5 stars5/5American Indian Beadwork Rating: 3 out of 5 stars3/5Weaving on a Little Loom Rating: 5 out of 5 stars5/5Willow Working Rating: 0 out of 5 stars0 ratingsA Gathering of Spoons: The Design Gallery of the World's Most Stunning Wooden Art Spoons Rating: 4 out of 5 stars4/5Weaving Rag Rugs: New Approaches in Traditional Rag Weaving Rating: 5 out of 5 stars5/5The Artful Wooden Spoon: How to Make Exquisite Keepsakes for the Kitchen Rating: 4 out of 5 stars4/5Omiyage: Handmade Gifts from Fabric in the Japanese Tradition Rating: 4 out of 5 stars4/5Quill and Beadwork of the Western Sioux Rating: 0 out of 5 stars0 ratingsWillow: A Guide to Growing and Harvesting Rating: 4 out of 5 stars4/5Weaving Life: My Magic Carpet Ride Through the World of Rugs Rating: 0 out of 5 stars0 ratingsNorth American Indian Beadwork Designs Rating: 4 out of 5 stars4/5Spoon: A Guide to Spoon Carving and the New Wood Culture Rating: 3 out of 5 stars3/5Furoshiki Fabric Wraps: Simple, Reusable, Beautiful Rating: 3 out of 5 stars3/5The Ultimate Book of Decorative Knots Rating: 5 out of 5 stars5/5Indian Basketry: Forms, Designs, and Symbolism of Native American Basketry Rating: 2 out of 5 stars2/5Creative Basket Weaving: Step-by-Step Instructions for Gathering and Drying, Braiding, Weaving, and Projects Rating: 0 out of 5 stars0 ratingsBasic Basket Making: All the Skills and Tools You Need to Get Started Rating: 5 out of 5 stars5/5
Art For You
Vanderbilt: The Rise and Fall of an American Dynasty Rating: 4 out of 5 stars4/5Art & Fear: Observations on the Perils (and Rewards) of Artmaking Rating: 4 out of 5 stars4/5All the Beauty in the World: The Metropolitan Museum of Art and Me Rating: 4 out of 5 stars4/5The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life Rating: 4 out of 5 stars4/5The Creative Habit: Learn It and Use It for Life Rating: 4 out of 5 stars4/5Flow: The Psychology of Optimal Experience Rating: 4 out of 5 stars4/5The Egyptian Book of the Dead: The Complete Papyrus of Ani Rating: 5 out of 5 stars5/5Art 101: From Vincent van Gogh to Andy Warhol, Key People, Ideas, and Moments in the History of Art Rating: 4 out of 5 stars4/5Everything Is F*cked: A Book About Hope Rating: 4 out of 5 stars4/5The Shape of Ideas: An Illustrated Exploration of Creativity Rating: 4 out of 5 stars4/5Find Your Artistic Voice: The Essential Guide to Working Your Creative Magic Rating: 4 out of 5 stars4/5And The Mountains Echoed Rating: 2 out of 5 stars2/5Creative, Inc.: The Ultimate Guide to Running a Successful Freelance Business Rating: 4 out of 5 stars4/5Bibliophile: An Illustrated Miscellany Rating: 4 out of 5 stars4/5Make Your Art No Matter What: Moving Beyond Creative Hurdles Rating: 4 out of 5 stars4/5Draw Like an Artist: 100 Flowers and Plants Rating: 4 out of 5 stars4/5How to Draw and Paint Anatomy, All New 2nd Edition: Creating Lifelike Humans and Realistic Animals Rating: 4 out of 5 stars4/5Botanical Drawing: A Step-By-Step Guide to Drawing Flowers, Vegetables, Fruit and Other Plant Life Rating: 5 out of 5 stars5/5Art Models 10: Photos for Figure Drawing, Painting, and Sculpting Rating: 3 out of 5 stars3/5The Designer's Dictionary of Color Rating: 5 out of 5 stars5/5The Designer's Guide to Color Combinations Rating: 4 out of 5 stars4/5Morpho: Anatomy for Artists Rating: 5 out of 5 stars5/5The Electric State Rating: 4 out of 5 stars4/5The World Needs Your Art: Casual Magic to Unlock Your Creativity Rating: 0 out of 5 stars0 ratingsSuper Graphic: A Visual Guide to the Comic Book Universe Rating: 4 out of 5 stars4/5
Reviews for Indian Basket Weaving
6 ratings0 reviews
Book preview
Indian Basket Weaving - The Navajo School of Indian Basketry
INTRODUCTION.
The following instructions are given for those interested in the study and preservation of our American basketry. And the interest taken by all true lovers of the ancient art in the baskets woven and used for centuries by the American Indians, has been revived, and the fascinating possibilities of investigating these aesthetic elements of a rapidly vanishing race, and industry, involve a vast amount of culture study, which cannot be lightly passed as unimportant.
The lost art of Indian basketry is being revived, and those who have the knowledge necessary to correctly weave the long forgotten and intricate designs are securing almost fabulous prices for their work.
Indian basketry has taught us to appreciate the beauty of primitive weaving, and furnishes the most striking illustration of the wonderful patience, fertility of resource and inventive genius of the aboriginal woman in using nature's materials, roots, grasses, twigs, vines, rushes, palm-fibres, shells, and feathers, shaping them into useful and beautiful forms.
From such pitiful poverty of material would we create and decorate our commonest household articles and utensils?
The question has been asked, What would be the civilized man of today, without the art of weaving, the soft art that surrounds his home with comfort and his life with luxuries.?
Into the life of the Indian, baskets have entered most intimately in their domestic needs, religious and social functions. In infancy, cradled in a basket and carried on long toilsome journeys upon a mother’s back, hung from some tree branch, swayed by every passing breeze, the bronze baby’s earliest recollections must have been associated with baskets; baskets which filled every needed demand for cooking, burden-carrying and hoarding away of the garnered stores for winter’s use.
Baskets were the Indian woman’s poems, the making manifest her ideals and longings for the beautiful. We are convinced from personal observation that no one, after thoughtfully examining or doing the work, can help regarding the Indians and their wonderful productions, so filled with the unwritten poetry of a race now almost extinct, can turn away without a new interest and respect for the Indians and their baskets. Hence we feel that Indian basketry will gain appreciation, not lose, by our placing before our readers the possibilities of reeds and raphia; and while we may not have the magic of the Indian squaw in our finger tips, we are able to teach her methods and designs.
It is the purpose of this book to teach the exact weaves and designs used by the Indians for centuries past, and to neither add to or take from, their original Indian characteristics. Some of the older weaves are not now to be found outside some of the very few fine collections of baskets, and the weaves of some of the rare old baskets are now a thing of the past.
A basket made after our instructions is a real Indian basket, except for the fact that white fingers instead of brown ones fashioned it. The design was originated by the Indians and the work is performed in exactly the same manner.
In preparing these lessons it is our object to have them clear, and concise, and written exactly as a teacher would instruct a student in one of her classes. This, with the illustrations of the different weaves and the finished baskets, cannot fail to make our instructions clear and comprehensive. In giving these lessons, we do not depart from the one idea of pure Indian.
Our teaching is authentic and the result of research and practice that, to the casual observer might seem almost impossible to obtain. Anyone who weaves the complete course of lessons given in this book will have a knowledge of basketry which cannot be obtained in any other way except by great expense in travel and a thorough study of the Indians themselves while engaged in weaving the baskets.
Indian basketry may be divided into two extremely different classes, coiled and upright weaves. These in turn include many different weaves. Coiled basketry seems to present the greatest extremes.
We have seen specimens of baskets so delicately made that they could easily pass through a lady’s finger ring, and others as large or larger than a flour barrel and material one-half inch wide used for the stitching of the coils together, as for the large granary baskets. In other baskets the stitching material had been shredded or split so fine that it took nearly one hundred stitches to cover one inch of space.
Coiled basketry lends itself to the greatest variety of shapes. In form they may be perfectly flat, as in a table mat, or built up into the most exquisitely beautiful jar shapes. These stitches are capable of lending themselves to an endless variety of intricate patterns.
In the upright weaves the plain twined weaving used by different tribes seems to be the most primitive of all weaving. The large burden baskets as well as the Pomo bam-tush
mush bowls and treasure baskets are good examples of this style of weaving. Beads, feathers and wampum entered into the decoration of these Pomo treasure baskets, making indeed wonderfully beautiful works of art. The Aleuts, Indians of the Aleutian Islands, make baskets of the twined open work weaves, while the three ply, or braided effect with its variations are found in many different baskets of different tribes.
The twined weaving of the Pomos, where the ti
band is used for strengthening as well as beautifying the baskets, gives us some wonderful examples of really beautiful work. However, we shall speak of this again.
We hope that to all who are interested in basketry, the following instructions and illustrations of genuine Indian baskets may be welcome, and suggest an entertaining pastime, as well as an incentive to seek a broader knowledge of this beautiful art, and a better understanding of these almost hitherto unknown children of Nature.
Ready For The Sun Dance.
A Rare Old Yokut Dance Basket-Color Scheme for design, Black and Indian Red, with natural colored raphia. Top row of men black with two rows of red running through upper part of body and arms. Bottom row all black. Rattle-snake design, whole diamonds red and half diamonds black.
INSTRUCTIONS FOR INDIAN BASKET WEAVING.
BY THE NAVAJO SCHOOL OF INDIAN BASKETRY.
We have endeavored to make the following description of the Navajo weave, (and this will apply to any plain continuous coil basket,) so clear that