Sir Christopher Wren

By Paul Rabbitts

Sir Christopher Wren (1632–1723) is now mostly remembered as a genius of architecture – but he was also an accomplished polymath, who only came to architecture quite late in life. Most famous as the mastermind behind the rebuilding of St Paul's Cathedral and more than fifty parish churches after the Great Fire of London, among his countless other projects Wren also designed the Royal Hospital at Chelsea, the Royal Naval Hospital at Greenwich, and much of Hampton Court Palace. Replete with colourful images of his buildings, this concise biography tells the story of a man whose creations are still popular tourist attractions to this day, but also casts light on Wren's credentials as an intellectual and a founding member of the Royal Society.

• Language: English
• Publisher: Bloomsbury Publishing
• Release date: Feb 21, 2019
• ISBN: 9781784423247

Paul Rabbitts

?Paul Rabbitts is a landscape architect and parks manager who has designed, managed and restored urban parks for over twenty-five years. He is the author of the only history of Regent's Park and Richmond Park and wrote Bandstands and London's Royal Parks for Shire.

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Philippe-Jacques de Loutherbourg, The Great Fire of London (1797).

INTRODUCTION

IN 1750 A collection of the Wren family papers was published by Sir Christopher Wren’s son as a volume called Parentalia. It has proved a valuable source of information on Wren’s life, including his career and family background. There have been many biographies since then on one of this country’s greatest ever architects. But here lies the problem. The majority of these biographies have concentrated and focused on Wren the architect – the great designer of St Paul’s Cathedral and of the many churches destroyed after the Great Fire of London in 1666. It is absolutely no exaggeration to say that even today, few people are fully aware of the fact that Wren was a distinguished professional astronomer until he was in his mid-thirties, and that it was as a scientist and an astronomer that he became a founder-Fellow of the Royal Society. Labelled a ‘miracle of a youth’ at a very early age, he served under five sovereigns and built some of England’s greatest churches, ranging from the majestic St Paul’s Cathedral to the City of London churches, as well as some of our finest secular buildings, including royal palaces, university facilities at Oxford and Cambridge, grand and imposing hospitals at Greenwich and Chelsea and a number of great houses. This book’s purpose is therefore not a detailed account of his life but an introduction to Sir Christopher Wren, the astronomer, scientist, mathematician, architect and, above all, a versatile and English gentleman.

The Sheldonian Theatre in Oxford. Copper engraving (1675) by David Loggan (1635–1692).

EARLY DAYS AND A MAN OF SCIENCE AND INVENTION

SIR CHRISTOPHER WREN WAS a man of science and invention, and at the age of thirty he became one of the country’s greatest architects. However, the term ‘scientist’ and ‘architect’ during the sixteenth and seventeenth centuries meant something completely different from today. Wren was without doubt a scientist. He was a professor of astronomy and had carried out significant research in physics and physiology. The term ‘architect’, however, and indeed the field of architecture, was generally not perceived as a distinct profession. Nobody in the seventeenth century was either apprenticed or academically trained in architecture and if they came to the practice of it, it was either as an amateur of the arts or else as an official or technician of some kind who happened to achieve eminence in the designing of buildings. While it is certainly quite right to call Christopher Wren an architect, in no official document of his busiest years was Wren ever described as such. Similarly, his predecessor Inigo Jones first became famous as a designer of costumes and stage settings with his first recorded architectural building design circa 1608 for Lady Cotton. Jones was eventually responsible for some of London’s finest buildings, including the Banqueting House, the Palace of Whitehall and Covent Garden Square. As we shall see later, Jones was also responsible for another large project: undertaking the repair and re-modelling of St Paul’s Cathedral; and between the years of 1634 and 1642, he wrestled with the dilapidated Gothicism of Old St Paul’s, casing it in classical masonry and totally redesigning the west front. Jones’ title, however, was Surveyor-General of the King’s Works, which he was appointed in 1615.

George Shepheard, The Banqueting House, Whitehall, from the River (1810).

Alexander Bannerman, Inigo Jones (1762).

It was not unusual and certainly not extraordinary that so many of Wren’s contemporaries and Wren himself were connected with science and art. Many at the time were involved in multiple areas of interest – music, anatomy, poetry and more. Wren’s generation was part of a historic movement, as architectural historian John Summerson has described, and was the driving force behind a strong tide of change which crossed Europe in the first half of the seventeenth century. For 150 years before Wren, from around 1500, a revolution in human thought had been unfolding, which would eventually evolve into modern science. It was into this era that a young Christopher Wren entered, and he was to play one of the most significant roles within this evolution.

By the year of Christopher Wren’s birth in 1632, the movement which Englishmen were now calling the ‘new philosophy’ or ‘experimental philosophy’ had established itself in all the great centres of civilization. Wren was the son of a clergyman, the nephew of another and his upbringing was that of a High Church royalist. Wren senior had been rector of a Wiltshire village, East Knoyle, but before Wren junior had reached the age of two, his father succeeded his own elder brother as Dean of Windsor and removed to the deanery his large family of daughters and the young Christopher Wren. At Windsor, the Wrens were within a privileged circle of the court and it was here that Christopher first attracted the attention of men of real influence. One of these was a German prince, Charles Lewis, brother of Prince Rupert and nephew of Charles I. Charles Lewis was an exile, trying to obtain help in regaining the Princedom of the Palatine, in which he was eventually successful. He was a man of great influence and in particular he liked to patronise learning. Yet it was the prince’s private chaplain, John Wilkins, who was to have the greatest influence on the young Wren. Wilkins is said to have been made his chaplain on account of his proficiency in mathematics. In 1638, Wilkins published his first work anonymously, wherein he attempted to prove that the moon