Pagan Portals - The Dagda: Meeting the Good God of Ireland
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About this ebook
Morgan Daimler
Morgan Daimler's witchcraft is inspired the Irish Fairy Faith. She is the author of Pagan Portals: Fairy Witchcraft, Pagan Portals: The Morrigan, Fairycraft, Pagan Portals: Irish Paganism, Pagan Portals: Brighid, and Pagan Portals Gods and Goddesses of Ireland (Moon Books).
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Reviews for Pagan Portals - The Dagda
7 ratings1 review
- Rating: 5 out of 5 stars5/5Great little book on The Dagda. Daimler never fails to amaze me at how thorough their academic work is, even in a book that's less than 150 pages. I've learned a lot, and I adore the prayer/altar set up information. This book makes it so that the beginner devotee can have a solid grasp before starting their own personal research and practice.
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Pagan Portals - The Dagda - Morgan Daimler
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Preface
The Irish Goddesses tend to get more attention than the Gods in modern paganism but of those Gods, the Dagda is one of the most popular. Despite this it can be very difficult to find solid resources about him and often he shows up only as a small section in books taking on the subject of the Irish or Celtic Gods more generally. Pagan Portals: The Dagda was written as a resource for seekers of the Dagda specifically and offers both solid academic material and practical advice on connecting with him in a format that is accessible and designed to be easy to read, although it does contain a lot of academic references to older mythology. It is meant to be a basic introduction to this deity and also a bridge for beginners to feel more comfortable as they seek to learn more about this powerful but enigmatic God before moving forward.
In writing this I have drawn on many different sources and have carefully referenced and cited all of them. My own degree is in psychology so I prefer to use the APA method of citations. This means that within the text after quotes or paraphrased material the reader will see a set of parenthesis containing the author’s last name and date the source was published; this can then be cross referenced with the bibliography at the end of the book. I find this method to be a good one and I prefer it over footnotes or other methods of citation which is why it’s the one I use. I have also included endnotes in some places where a point needs to be expanded on or further discussed but where it would be awkward to do that within the text itself.
While this book can and does serve as a stand-alone work, ideally, I hope that the reader will be drawn to learn more and decide to continue seeking. The Dagda is a complex deity and no single book, of any length, can entirely capture his layers and depth. To help readers use this book as a stepping stone towards further connection I have provided a list of both the references I used in my writing and also of recommended further reading at the end of the book under the bibliography. I have tried to offer books which represent an array of options for people with different viewpoints and approaches to honouring the Dagda. I would note, however, that as far as I know at the time of writing, there is no other full-length book written exclusively on the Dagda, although I am aware of a possible anthology for him that is in the works. Most readers who are seeking to learn more about the Dagda will need to research the original myths for themselves as well as looking for what material can be found piecemeal in more modern books on Irish or Celtic paganism.
As I have said before in my previous book Pagan Portals: The Morrigan, I do not think that the religious framework we use to connect to the Gods matters as much as the effort to honour the old Gods itself. I think we can all do this respectfully and with an appreciation for history without the need for any particular religion. Whether we are Reconstructionists, Wiccans or Celtic pagans; all that really matter is that we are approaching our faith with sincerity and a genuine intention. To that end this book is written without any specific spiritual faith in mind, beyond polytheism, and it is up to the reader to decide how best to incorporate the material. My own personal path is rooted in witchcraft and reconstruction; that is bound to colour some of my opinions in the text, however, so the reader may want to keep that in mind.
I have been an Irish-focused pagan since 1991 and have long held a deep respect for the Dagda in my worship as a giver of abundance and wisdom. Although he is not one of the primary Gods I honour, he is an important one. For some people this book may be the first step in a lifelong journey, the first attempt to reach out to this important and complex God. For others, this book may simply provide a greater understanding of the Dagda, his history, and modern beliefs and practices associated with him. In either case I hope that the reader feels that some value is gained from the time spent with this little volume, getting to know the Dagda.
Chapter 1
Who Is the Dagda?
The Dagda said, ‘The power which you boast, I will wield it all together.’
‘You are the Dagdae!’ everyone said; and ‘Dagdae’ [Good God] was on him from that time after.
(Cath Maige Tuired)
One of the most well-known Gods of the Tuatha Dé Danann is the Dagda, but he is also one of the most complex. Books on Celtic Gods or subjects relating to Celtic paganism often mention the Dagda, but only in passing, or repeating information that is based on information that is itself repeated from modern sources disconnected from the older mythology and folklore. The goal with this book is not only to provide a more in-depth introduction to the Dagda for readers but also to get back to the original source material and listen to what that material is telling us. The first place to start in understanding the Dagda then is to begin by looking at his most well-known name as well as his many other by-names and epithets and investigate what those names can tell us about him.
Name and Cognates
The Dagda can be found under many variations of the name, such as Daghdae, Dagdai, Daghdo, Daghdou, Dagdae, Dagdhua, Dagdhae, (eDIL, 2017). Usually the definitive article ‘the’ is added before Dagda so that we call him the Dagda instead of just Dagda. The name Dagda itself is an epithet which means ‘Good God’, implying a God good at all things.¹ This name is gained during the second battle of Maige Tuired when he promises to do as much as all the other Tuatha Dé Danann have said they will do in the fight (Gray, 1983). This word play recurs often in other myths as well where we see him referred to by name and then called the good or excellent