Poetic Duty I: Coming from Carriacou
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About this ebook
The poems and the writings represent his views and reflections particular of life on the island of Carriacou, rich in tradition and culture.
Each item shows an unparalleled deep insight on matters that others may take lightly. The reader should therefore expect that thought is essential if full and proper absorption of the written word is to be interpreted.
It is not surprising, to me, that the term Kayak is used with pride, even though it was originally meant as in a derogatory sense equivalent to country-bookie for rural Grenadians to express what the city folks thought of Carraicouans.
Indeed, when one first entered the city we did not know how to eat with knife and fork and we spoke funny.
But not only did one overcome this, but presented to the world some most notable individuals.
Read slowly of life in general, of persons who influenced Izzaak, and some of his own experiences.
I thoroughly enjoyed the readings of the anthology and recommend it highly, not only to fellow Carriacouans, but to Grenadians, West Indians and the wider world.
Dr. Alfred Braithwaite, Freeport, Bahamas.
Jeffrey L.B-Izzaak
It began in his early years -a gregarious young man with an avid interest in nature and his surroundings; a lover of and player with words. IZZAAK, as he often refers to himself, is passionate about island – The Land of Reefs – all 13 square miles of it; passionate about the people and the changing scene of island life. In his time he has produced albums- in word and pictures- documenting the uniqueness of each month. Finally, he has provided the world with a taste of his extraordinary prose, poetry and short stories. Since his being uprooted from his ancestral yard, Izzaak lays claim to living in exile, a few miles away. Meet the man, see the island.
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Poetic Duty I - Jeffrey L.B-Izzaak
2013 by Jeffrey L.B-Izzaak. All rights reserved.
No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.
Published by AuthorHouse 01/10/2013
ISBN: 978-1-4817-0468-7 (sc)
ISBN: 978-1-4817-0467-0 (hc)
ISBN: 978-1-4817-0466-3 (e)
Library of Congress Control Number: 2013900242
Any people depicted in stock imagery provided by Thinkstock are models, and such images are being used for illustrative purposes only.
Certain stock imagery © Thinkstock.
Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
Contents
Mentions
Acknowledgements
Introduction
VERSE 1
13 Square Miles
My Place
Come
My Place II
13 Square Miles
Kendace
Breteche
Kendace Again
Traversing Tibeau
Beautiful Space
Walking
Ganja Trips
Demolition Man!
Carriacou Coming
Refugee Haven
Used To Be
Demise Of A Village
VERSE II
By The Sea
Onshore
Like A Day Trip
One Evening
By The Sea
Water Baby
Shorelines
Coastwise
Man On The Shore
Water Suspension
Waterfront Memories
VERSE III
Journeys And Encounters
Artist In The Field
Sheila In Verse:
Black Woman—First Contact
Black Woman Ii
Black Woman—In Three
Belair Girl
Burden For Berries
Bj
Cousin Kingston
Travelling To Brooklyn
Journeys Trinidad
Reaching The Other Side
Passersby
I Tell You
Miss America
Pj The Dancer
Glorious Prospects
VERSE IV
Memorials—Before
And After
Deathsong
Cousin Andro
When Jerry Comes
Who Was Michael Degale?
Memorial To The Artist
A Label For Canute
On The Death Of Vina
The Captain
Apology For Lee
Rastaman Next Door
Epitaph For Iboo
Margaret Was
Woman Missing
Roger Off The Dock
Mother’s Child
Tarry
VERSE V
Heartbeats:
To Biabou
For A Love-Child
Your Name
Be With Me
Hello Jenno
To Bli:
East Flow
Making Trips
Love Adoption
Our Decembers
Life On-Course
Sorrows
VERSE VI
400 Years.
Rotation In The Year Of The
Black Man
Black Belly Sheep
Shacks In The Mind
Bhopal 1984
New Orleans
Story Of Jenin—2002
Middle Passage 2010
Returnees In Death Row
Victimized
In Credit
Water-Shed
World By George
Eviction Of The Haitian
Your God And Mine
The Barrier
Aliens
That’s Right
Looking For A Name
J.I In Reverse
Recollection Of I-Nity
Colour Code
Poetic Duty
VERSE VII
A Lighter Side
Crazy Izzaak
Looking For Izzaak
Shirley For Izzaak
Heart To Heart
Give Me!
Claudia’s Wave
Status Same
VERSE VIII
Leaving
Going Home
Last Spot
Poetic Contribution
My Now Goodbye
Man Was
Beatrice
Forces At Play
A Verse To J.I
Return To The Life I Know
Fed Up Of Jeffrey
Ready For The Day
In Fallow
The Abiding Conclusion
MENTIONS
These are two whom I love and remember, and one special person. All played a part in the final product.
Michael Ian DeGale: Poet extraordinaire, playwright, historian and brethren, whose zest for rhythms, words and life was infectious.
Andronicus Gamaliel Jacobs: Intellectual, politician, protester, historian, farmer. Lived to 98, and never lost his insight in, and passion for Carriacou. Remembered through his documents and conversations on the verandah.
M.A: Remember the pieces on the wall at the Customs? For seeing something not readily seen by others and giving it the opportunity to flourish. And for embracing the idea, from the start.
ACKNOWLEDGEMENTS
All the people mentioned in this work are real—some alive, others deceased. They provide the foundation for the written word.
Dr. Alfred Brathwaite and Benny Alexander polished the text with editing, critical observations and suggestions. Their input is much appreciated.
Finally, it’s been many years since I have been thinking of and encouraged to publish an anthology. Author House made it easy to stop thinking and to do.
Jeffrey Izzaak, September 2012
INTRODUCTION
Occasionally, one gets the opportunity to witness mastery at work, as well as the work of mastery. Such was presented to me by Izzaak in his Poetic Duty I—Coming from Carriacou.
The poems and the writings represent his views and reflections particular of life on the island of Carriacou, rich in tradition and culture.
Each item shows an unparalleled deep insight on matters that others may take lightly. The reader should therefore expect that thought is essential if full and proper absorption of the written word is to be interpreted.
It is not surprising, to me, that the term Kayak is used with pride, even though it was originally meant as in a derogatory sense—equivalent to ‘country-bookie’ for rural Grenadians—to express what the city folks thought of Carraicouans.
Indeed, when one first entered the city we did not know how to eat with knife and fork and we spoke funny.
But not only did one overcome this, but presented to the world some most notable individuals.
Read slowly of life in general, of persons who influenced Izzaak, and some of his own experiences.
I thoroughly enjoyed the readings of the anthology and recommend it highly, not only to fellow Carriacouans, but to Grenadians, West Indians and the wider world.
Dr. Alfred Braithwaite, Freeport, Bahamas.
VERSE 1
13 Square Miles
Carriacou, said to be derived from the
Amerindian word Kayryouacou, meaning
land of reefs, is 13 square miles in area,
and rests in the southern Caribbean on
the border of the Caribbean Sea and
Atlantic Ocean. It is a land unique for
its vibrant retention of African traditions.
Carriacouans are documented to have
been land owners even during the
island’s occupation by Europeans during
slavery. Still, beyond that, some estate
lands were sold before the 1900’s.
In the main, Kayaks began to own land
at the turn of the 20th century [the
process for the settlement of a peasant
proprietary began in 1901] when estates
of absentee proprietors were purchased and subdivided.
The peasantry on mainland Grenada
only realized such much later in the 20th
century. Kayaks had progressed beyond
owning lands to build a reputation for
being thrifty and of nimble mental
academic prowess.
Less than 200 years after emancipation
however, a new cycle has arrived—land
ownership in reverse. Some see it as a
dereliction of duty, others, an irony, and
still others, a sign of the times. Indeed,
there are instances of locals making gifts
of land—and not to their kin or kind!
Truly, some say, ‘times have changed’!
One thing is beyond doubt. Carriacou
remains a beautiful place through its
people, rhythms of life and in its setting.
My Place
A beautiful place to find myself;
I sit under the trees and look at the waves;
No footsteps pollute the sand
Strangers never come to this place.
But I see the day when they will,
Rush to find
Eager to explore the remains
The ugly souls will adulterate the simple beauty
They will grieve the sacred solitude.
Will the nature be simply gone then?
My soul can return in the chaos
To find this lonely wilderness.
Surely they cannot remove the sea!
I will return to discover my place.
Come
I’ve been telling you
About me,
My feelings,
My uncertain feelings,
When I dwell on