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Penelope and Ulysses: A Journey into the Deepest and Most Longing Love Between Man and Woman
Penelope and Ulysses: A Journey into the Deepest and Most Longing Love Between Man and Woman
Penelope and Ulysses: A Journey into the Deepest and Most Longing Love Between Man and Woman
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Penelope and Ulysses: A Journey into the Deepest and Most Longing Love Between Man and Woman

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The love of Penelope and Ulysses is undying.

Penelope and Ulysses explores the historical and yet contemporary journey into the life and struggles of Penelope, a woman who refuses to be dispirited or defeated. Hers is a strange, complex, and multifaceted world. Her life, surrounded by war, is inextricably shaped by the decisions that men have made for her.

Even so, Penelope refuses to be a spectator—a pawn in men’s schemes. She rides the waves of turbulence and danger, surviving on her wit, guile, and pure intelligence. She skillfully weaves her seductive plots to ultimately control the men who would control her. All the while, she schemes, always working toward her escape and eventual freedom.

Penelope is well-read in the philosophies of her world, well trained in battle, and keeps her own counsel. From a life of solitude, she explores the most turbulent adventure of all—the quest for self-actualization, the ownership of her self.

LanguageEnglish
Release dateAug 1, 2012
ISBN9781452506487
Penelope and Ulysses: A Journey into the Deepest and Most Longing Love Between Man and Woman
Author

Zenovia

Zenovia has spent many years studying literature, psychology, philosophy, and metaphysics. She has taught literature and philosophy, has trained as a counsellor, and holds a doctorate in metaphysics. Her loves are researching, writing, and illustrating. She lives with her family in Melbourne, Australia.

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    Penelope and Ulysses - Zenovia

    Copyright © 2012 Zenovia Martin.

    All rights reserved. No part of this book may be used or reproduced by any means,

    graphic, electronic, or mechanical, including photocopying, recording, taping or by

    any information storage retrieval system without the written permission of the author

    except in the case of brief quotations embodied in critical articles and reviews.

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    expressed in this work are solely those of the author and do not necessarily reflect the

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    The author of this book does not dispense medical advice or prescribe the use of any

    technique as a form of treatment for physical, emotional, or medical problems without the

    advice of a physician, either directly or indirectly. The intent of the author is only to offer

    information of a general nature to help you in your quest for emotional and spiritual well-

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    Any people depicted in stock imagery provided by Thinkstock are models,

    and such images are being used for illustrative purposes only.

    Certain stock imagery © Thinkstock.

    ISBN: 978-1-4525-0647-0 (sc)

    ISBN: 978-1-4525-0648-7 (e)

    Balboa Press rev. date: 01/26/2023

    CONTENTS

    THE DESPAIR AND LAUGHTER

    OF MY THREE MUSES

    To my three muses that have lived with me all my adult life and who continue to challenge and inspire me.

    To my first emotional and spiritual mother, Amalia, who taught me the wilderness of imagination and the endurance of the human spirit in great stress and conflict. As a young child I sat by the open fire on an empty stomach and listened as my illiterate peasant grandmother exposed me to worlds of both the living and the dead: she spoke of these two worlds as if they lived side by side, and at times she would tell me that all these worlds, in the person and outside the person, co-exist in tension and have a deep longing for each other, because everything is in love in the world.

    At that time I though she captivated my small senses with stories so that I would not feel the hunger, but now I know and I realise that man cannot live by bread alone.¹ She was preparing me for my emotional and spiritual journey on this tragic but also beautiful planet.

    Amalia was training and preparing me for life and how to deal with the crises and conflicts that life brings to all; she was training me to make the choices that were of my true nature and to follow my path, no matter how difficult it got at times. She was training me with great affection, with her stories that breathed and spoke of the true facts of life, the ownership of the self.

    It was much later, when I was studying philosophy, that I discovered Plato also said, The world moves because everything is in love and that the greatest gift a person can give to themselves and others is to have his true autonomy, purpose, and meaning. Amalia taught me in our solitude and poverty that your character is born and discovered through your actions, through every change, catastrophe and challenge that life and others bring or take from you. She spoke with determination and affection when she advised me not to fear my life but rather to take ownership of my nature and destiny. For Amalia not to have lived her life by her true design, by her heart, and her chosen path, was the same as if not being born at all.

    How did my grandmother know this? She did not know of Plato’s existence, she had not read the great thinkers of our civilisation, she certainly had never read a book in her long life, as she had not gone to school.

    I remember the first day at school when I was actually given paper and pencil and was being taught the alphabet. I remember her telling me, When these people teach you to read and write, don’t you get lost in any nonsense that does not smell of life and people. Use what you learn to give life, not divide life, for they tell me that some educated people are very clever and sophisticated, and I do not want you to be clever or sophisticated. I desire you to be in your life and to follow your true path.

    As a child I did not understand my need to feel safe and protected, and yet all that she lived and taught me I put inside of me. When she was no longer with me in physical presence I ate from the seeds she planted in my heart, in my soul, in my search among fallen demons and tormented souls.

    I remember one day when I was feeling rather small and insignificant in the scheme of things and wanted to know of my importance in her life and if she loved me more than the others. Amalia explained to me my importance in her life, but not in the usual way of saying, I love you. She used the example of her hand and fingers to show me my importance to her and her life.

    You see my hand and all the fingers attached to it? Because you are so small, you are the smallest finger on my hand. Now, what if I cut my little finger, or my little finger got hurt, would not my whole hand be in pain? So you see, you are as important as the fingers that do most of the work. You are part of my hand, part of my body, part of my life, part of my soul, part of my blood, part of all that moves and breaths in my past, present, and future.

    In later years, away from her and away from the island, while I was at university studying philosophy, I read that Plato also refers to a harmonious and caring society as a hand; if one of the fingers gets hurt, the whole hand would know of that hurt. I thank her and her electric memory which is alive in me, in all the things that life brings to me, and all the things that give me challenge, joy, and inspiration.

    I still see her sitting in my writing space and smiling and shaking her head as she looks at the symbols that we call writing, as she finds me buried behind books and papers, where I travel into the world of the maker, the inventor, the child, through the exploration of the self, through writing to remain true to my nature, choices, and destiny—amour fati.² Writing is a way back into yourself, and outward to the world—to share your world with others so that we can speak to each other and understand each other.³

    I still hear her telling me: People are going to laugh at you for your ideas and incorrect ways but you must continue on your path and with your incorrect ways or you will die if you don’t. One must remain vigilant, devoted and uncompromising to their inner voice, their original and authentic creative self, and the path that belongs to them and them alone. Kafka has such a story in The Parable of the Doorkeeper one must go through and into their life—they cannot wait to be given permission to live their lives—to do otherwise, one lives out their life in great despair.

    Michelangelo writes that I must find life where others find death.

    The truth of the matter is: if it wasn’t for Amalia I would not be alive. I found this planet and its ways alien to me—so many tribes and so many divisions, so many wanting to take parts of your being, so many telling you that their truth is the only truth, so much imprisoning of the human spirit, so much pain and so much indifference, and if I by some chance survived, I would not be in my life as I am but as a sleepwalker. Amalia has stories about the sleepwalkers and she believed that they were neither alive nor dead.

    Amalia was what we call my enlightened witness.⁴ She gave me enough emotional and spiritual sustenance that when the world separated us and I was sent to the other side of the world—with a different group of people in a different culture, a different tribe—I had enough of the seeds of love that she had implanted in my heart and soul to feed on, and found and still find myself in the gifts and miracle that was my childhood with my first story teller.

    As a child of six, I would listen to the stories she would tell from her life, from her world—stories she had not read in books, stories that contained both destruction and healing—and I would look forward to our evenings together to listen to the stories of man. She was the equivalent to Homer, passing verbal knowledge and history that had been passed on to her from previous generations caught in the human struggle (both in the bowels of the earth and in the sky), the lessons and the decisions made in the challenges of our human condition.

    Some of her stories did not have happy endings. They were not based on ego gratification and entitlement but rather on man’s struggle to learn and evolve within the design and scheme of life. I realised at an early age that life does not have a plot and we do not control it. The only thing that we do have power over is the way we respond to the changes and conflicts life brings. Sometimes we do not get what we want, and therefore the delusionary happy ending does not come into real life. Instead, we are asked to struggle and endure with a full heart, a heart without resentment and entitlement, the most humane and compassionate lessons that are discovered only in the battle of self-ownership. Therefore, her stories were not based on ego gratification and self-importance in a love affair, rather they were based with being the servant and master of truth and compassion. While other children in different parts of the world would be tucked in bed with a fairy tale that ended with the princess being taken care of by a prince, my bedtime stories ended with lessons of struggle and endurance. Amalia continued to tell me life will give you impossible tasks, and you will have to make decisions that go against the beliefs of others, you will have to discover life where others find death.

    Amalia allowed and encouraged me to wander into the remote wilderness of the forests and learn so many things that one does not learn in a confined classroom. She taught me in her stories about the lamb and the wolf, the hunted and the hunter, the slave and the master, to be neither of each one. She taught me a reverence and worship of life and all that lives here. "You must be careful not to break anyone when you are making decisions. Remain

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