Mountains and Valleys
By Leon Tuam
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Leon Tuam
Leon Tuam was born in a country that he loves to call one of the African provinces, Cameroon. He has livee in exile since 1993.
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Mountains and Valleys - Leon Tuam
Mountains
and
Valleys
Leon Tuam
US%26UKLogoB%26Wnew.aiAuthorHouse™
1663 Liberty Drive
Bloomington, IN 47403
www.authorhouse.com
Phone: 1-800-839-8640
© 2012 by Leon Tuam. All rights reserved.
No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.
Published by AuthorHouse 06/19/2012
ISBN: 978-1-4772-1691-0 (sc)
ISBN: 978-1-4772-1690-3 (e)
Library of Congress Control Number: 2012910341
Any people depicted in stock imagery provided by Thinkstock are models, and such images are being used for illustrative purposes only.
Certain stock imagery © Thinkstock.
Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
Contents
PREFACE
Free like the bird
Invisible wings of eternity
A Man under the fruit trees
Too many love letters
History laughs at you
Writers
Two birds of prey
I slam on the brakes
Listen to this wind
We expect the worst for the world
Behind any child
Strange river
If I were asked
Beauty
If that’s your choice
Harvesters
We all live in exile now
Because of that
Knowing all this
Cry for the lost flower
My life is a casino
A house next to the water
We walk in the opposite direction
They say
A dangerous spot
Children’s teeth
Become and remain a new soul
Hands which are apparently clean
I thought that I knew you
She does not live alone
Happiness
Our world
They do what they do
From Boston
America
You smile at them
A young believer and the preacher
Families today
In what you do
When I hold my weapon
Nothing is useless
I saw the clouds
Antelope
Art
People, beware of being the impostors’ prey
When you talk about your story
My ewe
The armed rain
They follow
Mountains and valleys
When you are up there
O day, o night
What is it?
You see that timber
The child’s cry changed me
Dictators
Sleepy sea
In our societies
The brewer
You are the wild partridge
I don’t want too much
Our catches are but empty nuts
The trees of hatred
Talks with the body
Yesterday in our societies
Victims without guilty parties
Glee, bliss, wisdom
Cameroon, o kidnapped gorgeous girl
About the power
Sorrow came
My country, you are a river
A rat sadly rings the bell
Look at the landscape
Women are like guavas
We were in the same boat
Modern governments and gangs
A constant major worry
This is a hand
Question, answer
Bittersweet dish
Work of the author
Always I remember
We were two, we were two only,
Hasten, hasten to heal
Fighting for food
Back from hunting
Little things
We met and talked and laughed
He said
You say enough is enough
The tree in the lady’s property
You trumpet that you are free
That young man
We live with a big lie
Children and education
We choose to grow like pumpkins
The cock and the leech
I was an earthworm
Tools of completion
Today as yesterday
The happiness’ seeker
As we, Africans, look at our wealth
Disasters’ punches
When we talk of heaven
DEDICACE
For Tagnie Tapchie’s family, Ntiéki.
PREFACE
I was Leon Tuam’s teacher in the early 1980s. I knew him as an intelligent, alert and promising boy. Then like Jesus for forty days in the desert, he disappeared for nearly thirty years, up to very recently when he surfaced and we met again. He was definitely no longer the same. Indeed People do change as they grow up and mature.
As he left his peaceful African rural environment for more knowledge and discoveries in cities and universities, he got caught in the whirlwind of injustice, discrimination, imperialism, persecution and silence. Naive as he was, he could not keep silent. How could he, being what he was? He was restless. He had to talk. He had to fight. He did fight. He fought with a few friends for a new order in his native land and the whole Africa. But like Prometheus, that was challenging Zeus, he had to pay for it. He had to be tortured. And he was tortured in all aspects of the concept.
He had to go underground to escape physical torture. He wandered days and nights, months and years. He wandered from country to country, from continent to continent, from season to season, from culture to culture, from race to race. Yet he came across other forms of tortures, more subtle and more insidious. He felt lonely and abandoned. He got scared. He suffered from insomnia. He felt nostalgia for home, countryside, friends, brothers and sisters. He got lost. He wished he could go back, and escape loneliness and anguish. He looked back and it was all despair; he saw hatred, violence, betrayal, lying, cheating, and exploitation of man by man, nation by nation, race by race, south by north. And he was lost again. Then he calmed down and began to think. Still he got lost. But people and nations too are lost as he points out in this collection; he is stunned by perversion and stubbornness of mankind:
At the point we are today,
If wisdom were hanging on small trees
Smaller than the tomatoes plants,
The world would completely
Turn into a sea of fools and sharks,
The world would simply
Plunge into the darkest of days.
He needed and ideal world for his wounds to heal, to make up for lost time and to set up a new world, more human and non violent. He had to create it. In this collection of scramble verses, Leon Tuam sets up to force his dream world into existence. As the fight for Cameroon’s liberation they undertook in the years 90s remains fruitless, he comes out with a new Cameroon already liberated in the poem entitled, Cameroon, o kidnapped gorgeous girl.
The language as used in this collection reflects his devastated experience. First, it’s an unusual association of concepts that generally don’t go together, of words that might connote different or ambiguous understanding and of a words order that at times deviates from the norms; second, he honestly pours down everything boiling in his mind, leaving fresh air to cool it down and the reader to rearrange it. It flows almost non stop. This is called ‘the stream of consciousness technique’. The best approach is to read from the writer’s state of mind to be able to relate it to the surrounding and visible environment.
At the background of Tuam’s mind and underlying the whole collection, is a fundamental conception of the world as fallen. But this should not be confused with the fall of Adam and Eve from the grace and paradise. His