Sonnets from the Portuguese
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Elizabeth Barrett Browning
Elizabeth Barrett Browning (1806-1861) was an English poet. The daughter of a wealthy family—her father made his fortune as a slave owner in Jamaica, while her mother’s family owned and operated sugar plantations, mills, and ships—Browning eventually became an abolitionist and advocate for child labor laws. Her marriage to the prominent Victorian poet Robert Browning caused the final break between Browning and her family, after which she moved to Italy and lived there with Robert for the rest of her life. She began writing poems at a young age, finding success with the 1844 publication of Poems. Browning went on to be recognized as one of the foremost poets of early Victorian England, influencing such writers as Edgar Allen Poe and Emily Dickinson. She is most famous for her Sonnets from the Portuguese, a collection of 44 love poems published in 1850, and Aurora Leigh, an 1856 epic poem described by leading Victorian critic John Ruskin as the greatest long poem written in the nineteenth century. Browning suffered from numerous illnesses throughout her life, eventually succumbing in Florence at the age of 55.
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Sonnets from the Portuguese - Elizabeth Barrett Browning
SONNETS FROM THE PORTUGUESE BY ELIZABETH BARRETT BROWNING
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INDEX OF FIRST LINES
I I thought once how Theocritus had sung
II But only three in all God's universe
III Unlike are we, unlike, O princely Heart!
IV Thou hast thy calling to some palace-floor
V I lift my heavy heart up solemnly
VI Go from me. Yet I feel that I shall stand
VII The face of all the world is changed, I think
VIII What can I give thee back, O liberal
IX Can it be right to give what I can give?
X Yet, love, mere love, is beautiful indeed
XI And therefore if to love can be desert
XII Indeed this very love which is my boast
XIII And wilt thou have me fashion into speech
XIV If thou must love me, let it be for nought
XV Accuse me not, beseech thee, that I wear
XVI And yet, because thou overcomest so
XVII My poet thou canst touch on all the notes
XVIII I never gave a lock of hair away
XIX The soul's Rialto hath its merchandize
XX Beloved, my beloved, when I think
XXI Say over again, and yet once over again
XXII When our two souls stand up erect and strong
XXIII Is it indeed so? If I lay here dead
XXIV Let the world's sharpness like a clasping knife
XXV A heavy heart, Beloved, have I borne
XXVI I lived with visions for my company
XXVII My